
As much as I thought I wanted to see
Wanted this weekend, with plans drawn several days advance, I ended following my gut and steered us toward Pixar's latest offering,
WALL•E this afternoon. Jolie and action are always tempting, but at the end of the day, I've always been more apt to follow my boyish heart than my adolescent loins when choosing my escapist opportunities.
If you loved the
The Iron Giant there's a lot about
WALL•E that will likely appeal to you. I admit...the ole peepers welled up a few times and the jaw dropped aplenty throughout a film that erased any doubts that the Emeryville team is anything but our country's most creative storytellers in pop media. Comparing it the numerous pop-referential schlock presented by other studios previewed before
WALL•E, Pixar's masterpiece stood out like an omakase meal from Urasawa on a table with offerings from Red Lobster. The amount of detail evident in each frame and the sheer sense of joy this simple story about a robot in love evokes are equally immeasurable.
WALL•E was able to take the same basic premise of Mike Judge's hilarious but rarely seen social commentary comedy (a so-co-co?)
Idiocracy and repackage it into a subversive popular culture joyride that might make many viewers reconsider their own production of waste...and their expanding waistlines...all the while providing cinematic moments that can only remind you of Chaplin's best. Definitely in my top three of the year.