Vice President of Cake
15 March 2008 @ 04:15 pm
179: Happy birthday, Best Beloved!  
March 12 was Best Beloved's birthday, and what she wanted was a recs set. (We know how to give the big, important, expensive gifts in this family.) Specifically, she wanted clichefic, which she is apparently very fond of.

So, okay, this is a little bit late. But it is heartfelt. Best Beloved, happy birthday. You can has cliches!

The One That Shows Us That If You Can't Get Laid in Chicago, You Can at Least Get Great Pizza. Number Eight, by [info]cesperanza. due South, Benton Fraser/Ray Kowalski.

This cliche is a classic. Undercover in a gay bar - I would be surprised if there were not whole challenges and zines dedicated to this one. (I would also be wildly disappointed, for the record.) I would, in fact, be surprised if Kirk and Spock didn't have to go undercover in a gay bar at least once in their extensive non-canonical career. (Oh, my god, I just - I just pictured this. My poor brain. It will never be the same again. Trust me and don't imagine this, okay?) Really, undercover in a gay bar is one of our great media fandom traditions. Probably we should have a holiday to celebrate it. (It could be called Fake It Until You Make Out Day! We could exchange little gifts of glitter and stories! Maybe there could be a ritual of decorating our favorite characters in eyeliner and shiny clothes!)

And the thing is, this story shows, totally and completely, why this cliche works, why it has stayed with us throughout the years, why I'm kind of sad we have fewer law enforcement fandoms these days and thus have fewer opportunities to put our characters in tight pants and make them dance to loud music. See, there's plot and porn, right in the same cliche. You say "undercover in a gay bar" to someone, and right away that person knows that a) there will be gay sex and b) it will be in the interests of justice. It doesn't get much better than that, people. And this story is the perfect example of it. I mean, do I need to summarize? Ray. Fraser. Gay bar. Go.

The One That Proves That You Can Make a Bat Cuddle, with Sufficient Coercion, but You Can't Ever Make Him Good at It. Cold, by [info]brown_betty. D. C. Universe, gen.

Huddling for warmth. Another classic cliche. There's cold! There's a sincere and honest need to get naked under covers, for genuine life-preserving purposes! What could be better? Of course, when Betty gets her hands on this cliche, things do not go precisely according to tradition. (Like, here's an example: the first people involved in the warmth-huddling in this story are Tim and Alfred.)

But that is why I love this story: it takes a classic and much-loved cliche, shakes it up, turns it inside out, and makes it into something new and shiny. In this case, it's a character study. Actually, it's a study of a class of characters. (Sometimes I think you could summarize 90% of Betty's work as A Short Guide to Batfamily Dysfunctions. It would make an excellent title for an anthology of her work.) Because, you know, this is a perfect example of huddling for warmth and the warmth never...quite...getting there. I love this story because it's so right for each of the characters. And, of course, for the Batfamily as a whole.

I'd say they'll make a therapist rich some day, but in fact all they'll do is drive a whole team of skilled professionals into nervous breakdowns. (Come to think of it, this is probably why we never see shrinks in the Batverse. Bruce broke them all many years ago, back when Albert thought he could be helped, and now they live in a well-funded home for the clinically twitchy.)

The One That Proves That Coping with Extremely Unexpected Transformations Is a Key Pirate Skill. On the Lesser-Known Hazards of Piracy, by [info]penknife. Pirates of the Caribbean. Pairings are, um, complicated. If you need to know, drop a comment and I'll try to sort it all out.

This is bodyswap, otherwise known as one of my favorite cliches in the whole history of ever. It is also, apparently, one of the hazards of piracy they don't teach you in history books. In fact, I think [info]penknife is the first person ever to identify this as a specifically piracy-linked danger. (Everyone who is now imagining thousands of BitTorrent users suddenly switching bodies, don't fear. I think digital type piracy is still safe, although I will check with [info]penknife and get back to you.)

Bodyswap is just basically always a wonderful cliche, and again, you can kind of see why: there are certain, uh, built-in opportunities when you've got character A in character B's body. I mean, you have an obligation to take care of whatever body you're inhabiting, right? Even if it's, um, not technically yours, right? And then there's porn!

In this particular story, both of the swapped characters take full and excellent advantage of all those built-in opportunities. And, really, when you're swapped in to Jack Sparrow's body, you've got a lot of potential, there, although it would be reasonable to take some time to worry about what he's doing with yours. And, since I've already mentioned that Jack Sparrow is involved, I assume I don't need to elaborate on the "and then there's porn" part.

The One Where Elizabeth Proves She Totally Did Not Pay Attention in the SGC-Mandated "Being Sensitive to Major Body Alterations in Your Staff" Training. And, Yes, I Am Quite Sure the SGC Does Have Such a Training. Frankly, They Would Be Fools Not To. always should be someone you really love, by [info]thingswithwings. Stargate: Atlantis, John Sheppard/Rodney McKay.

And, from the title alone, the eight people alive who have not already read this story know what this last cliche is: genderswitch. And, oh, I love genderswitch. There was a time when I didn't - a time when I wouldn't even read it - but fortunately due South broke me of that. (It wasn't an inhibition I really needed, after all.) I'm not even sure why I love genderswap so much, unless it's the conversion effect, where you're much much more passionate about something if you disliked it for a while before you started loving it. In any case, the passion is definitely here.

In any case, I love genderswitch. I particularly love when writers play with it a bit - not just the classic scenario of "Hey, you have new parts! They are more compatible with MY parts! What say we get it on?" (Not that there is anything wrong with that.) And I love what [info]thingswithwings does here; she turns both the guys female, and what happens then says a lot about, you know, deep things: sexual preference, identity, desire versus love. So there is thinkiness and girl-on-girl action. (If only more written works managed to incorporate both of these things. In particular, I can think of some textbooks that would be vastly improved by sex. Although, in all honesty, some of those textbooks could be improved by adjectives, so it's not like the bar is set particularly high, here. Still. I think we can agree that sex improves most things.) In short: this is one of my favorite genderswitch stories, and genderswitch is one of my favorite cliches, so - really, this is a very favorite thing of mine. Read!
 
 
Vice President of Cake
06 June 2007 @ 01:00 am
168: Fandom, I Love You.  
Hi. So, I think you know I love fan fiction, right? And I would hate to lose any of it. Ever.

And I think fandom as a whole is pretty damn special, too.

Which is why I'm following the discussions at [info]otw_news with incredible interest. And I know you've been hearing this a lot lately, but just in case one of you hasn't: it would mean a lot to me if you went to check out that community, see what it's about, maybe spread the word. Because I want us all to represented there. I want it to be for all of us.

So, to learn more:

There's a summary of the last few weeks. There's an Organizational Structure post, which tells you what we (as in, you know, fandom - I am not affiliated with the project and I don't speak for it or anything) are trying to do. And there's the Willingness to Serve post, which tells you how you can get involved. (There are lots of ways, people, seriously. Something for everyone!) You don't have to be a slasher or a LJ member or a fan fiction writer to be a part of this. You just have to be a fan.

And, since this is the best way I know to remind you of why it is such an awesomely wonderful idea to have an archive of our own, I'm going to recommend some fan fiction. But, because I'm contrary (Sad as it is to say, I think my motto may be: "Give the people what I want. Eventually, they'll learn to like it. I hope."), I'm going to go with gen - hurty gen, for the most part. But never fear; there's a great big squishy hug coming at the end. Come for the pain, stay for the hugs! (And, oh my god, that sounded like the summary for almost every Starsky and Hutch vid I've ever seen.)

So, here are some reasons why we need to keep our fan fiction around:

Because Sometimes We Need to Face the Big Bad Wolf Through Our Characters. Red, by [info]big_pink. Supernatural, gen. (Note: I don't consider this an animal harm story. You might think so, from the description, but - well, I just don't. If you disagree, let me know and I'll slap a warning up here.)

First, let me say up front that I do not know from Supernatural. To me, this is a fantastic story, but it could be wildly out of character and out of canon for all I know. I really doubt it, but even if it is, I totally don't care. It is a fusion of Little Red Riding Hood and Supernatural, people. How could that be other than awesome?

It couldn't be. Or, well, not in this writer's hands, anyway.

And, see, I was never a big fan of the story of Little Red Whiny Hood. For one thing, I pretty much hated her, and I wasn't that fond of her grandmother, and I definitely despised the hunter. I always wanted the wolf to win. He seemed like the only person in the story whose motives I could really get behind, you know?

Oh, how this story cured me of that.

Well, okay. I guess technically it didn't. I mean, I still want the wolf to win in the original fairytale. But this version of it made me like the hunter(s), which - wow. You people who know me, you know how extremely unlikely that is. And it made me fear the wolf. I mean, maybe the Brothers Grimm said that the wolf was big and bad, but [info]big_pink made me believe that he was.

And this is a story that I think could not work in the format of the canon. It had to be written, not filmed. (Two reasons, just as examples: first, in a TV episode, the awesome detail about treeplanters and logging and so forth just wouldn't make the cut. And, second, wolf-human things always look laughable and sort of pathetic on film. You just cannot make a decent wolfman in live action, and, frankly, I really wish people would stop trying.) Which is why we need fan fiction: to tell the stories the canon can't tell.

Because Sometimes We Need to Know What Would Have Happened If. Dysmas, by Salieri, aka [info]troyswann. Due South, gen.

I don't want to say too much about this story, because I don't want to spoil it. Also, I don't want to scare you off, because the fact is, this story is like being shot in the back and not having it miss your spine. (And, yes, it is a Victoria's Secret AU. And, no, the spine thing, that's not the AU. I think that'd actually be - you know what, no. I said I didn't want to scare you off, and, um, I'm not exactly exerting myself to the fullest capacity to achieve my goal there, am I? Oh, hell. It turns out my teachers were right about me after all.)

But, you know, despite the, well, somewhat uncomfortable nature of this story, there is an ending to this, and it satisfied me, made me remember this story with pleasure instead of thinking, "Oh, right, that's the story where Salieri decided it would be fun to rip my heart out one tiny piece at a time and feed it to gulls." Not that she didn't obviously decide that that would be fun, but at the end, she gives me my heart back, and if it's not quite like new - well, trust me. It wasn't in mint condition before, and a few more little nicks only add to its patina. (I believe I have just metaphorically turned my own heart into a piece from Restoration Hardware. Oh, this does not bode well for this set, people. Courage!)

I view this story with utter awe. Because this is fan fiction at its very best: an uncompromising, totally perfect, totally right exploration of how something could have gone. Would have gone, with just one small change to the canon. Had to go. And you know what? I'm so happy this story exists, but it could never be canon. Which is why we need fan fiction: to take us to places the canon could never go. (And to a place that, in this case, I really am glad canon couldn't go. Wow, so very much glad.)

Because Sometimes We Need to See a Beloved Character in a Different Light. Or, You Know, in Total Darkness. A Time Ago, by [info]brown_betty. D.C. Universe, gen.

This story is so damn plausible, and so damn brilliant, and it's such a fantastic synthesis of the canon (Or, really, canons, because anyone who thinks that DC is still working with just one canon has read one lone issue of Batman. Or has a severe case of amnesia. Either, really.) and something else, something I can't tell you about without killing it. In fact, I can't tell you anything about this story without spoiling it.

Normally, I'd fill the space where I am ostentatiously Not Spoiling the Story with character squee, but I can't even do that. (Seriously, Betty. Did you have to cover all the bases so well? It makes it really hard to write a useful summary, you know. Fortunately, I have a solution: a useless summary!) So instead I'll squee about the story's structure. (When in doubt, be a stylegeek. That motto saved me in many an English class - seriously, lots of times I had nothing to say about the story, but I always had something to say about how it was written, and it turns out your average English professor is really tired of reading the same eight things about the story and will welcome, say, an obsessive discussion of comma use instead. I know. Really, there are several English professors who are massively to blame for my current style; they encouraged me, and I will give you their names if you'd like to complain.)

I love the slow reveal here, the way the reader's progress through the story matches the main character's. And I love the way this is written. The first time I read it, I was mostly focused on the actual story (and on, let it be said, the kick to the gut that is the ending, because oh, Batfamily, how are you so fucked up?), but the second time through, I was entranced by the writing itself. This story had to be written precisely the way it is. And I love that, love reading it and seeing all the places the writer did it exactly right. It never fails to make me happy. Which is good, because something about this story has to be an emotional boost. You know the character is in trouble when he starts out in the dark, and cold, and at the end of the story you sort of wish he could go back there.

And right now I am conscientiously objecting to this canon, but I still love the characters so much. Which is why we need fan fiction: because sometimes, we need a good story, and the canon just isn't providing it, goddamn it.

Because Sometimes We Need to Explain What an Episode of the Canon Really Meant. Triptych, by [info]mad_maudlin. Stargate: Atlantis and Stargate: SG-1, gen.

This is based on - okay, inspired by - Moebius, an episode of SG1. And I have never seen a single second of that show, except in vids. Also, to be honest, I don't have the foggiest idea what Moebius is even about. (ETA: There's a helpful summary of Moebius, with spoilers, provided by [info]loriel_eris in the comments.) See, I love reverse-engineering television canon; it's so much easier to triangulate back to canon from the fan fiction than it is to watch the shows, and it's also just the ultimate puzzle kick. And I did an awesome job on SG1, if I do say so myself, so much so that sometimes I'll watch a vid and shriek, "Oh my god, this is from [episode name]!" (And Best Beloved will say, "The sad part is, if you'd actually seen the episode, you wouldn't know that." Which is entirely true.)

But Moebius defeated my back-engineering skills utterly. I read dozens of stories set in and around it, and the best I could do as a summary is, "Something very confusing with time travel happens. Probably. And there is a lot of sand." I even tried looking at spoilers, but the thing is, you people don't write spoiler posts for people who haven't seen the show, so spoiler posts tend to contain a lot of exclamation points and relatively few neat, tidy explanations of precisely what the hell was up with all that sand.

My point is: this is based on Moebius, and I think explicates something that happened in Moebius, but you don't need to have seen the episode (or, most assuredly, understood it) to love this. Because this is, quite simply, the many universes theory with a side of time travel, and it - oh my god. At the beginning, I was happy. By the end, I was gasping like a landed fish, but I was totally in love. I mean - oh, the internal references, and the textual cues, and just - there is so much awesomeness in this story that it's stunning. Which is why I'm not telling you any more. You'll thank me for not spoiling it later. (Or you won't; feel free to yell. The point is, you should read it. Now.)

This story is like a great science fiction story. But it's not one. It's a great fan fiction story, because this just could not exist outside the context of fan fiction; if the author hadn't been able to assume our shared knowledge of the universe, build on our existing familiarity with the characters, work inside fanonical and canonical themes, she couldn't have made this incredible work. Which is why we need fan fiction: it's a genre with a unique combination of freedoms and restrictions that leads to works of art that couldn't exist any other way.

And:

Because Sometimes We All Need a Group Hug. (Oh, Don't Even Try to Deny It. After Those Stories, It's Okay to Need a Hug!) Friendly Competition, by [info]siegeofangels. Stargate: Atlantis, gen.

This story made me grin like a loon the first time I read it. And, because I am a scientist, I had to study that response, see if it was a reproducible result. Guess what? It totally is. I re-read it for maybe the dozenth time just now, because I was writing this post, and I still just beamed helplessly. I won't bother to tell you why, except to say that I totally think there is a game suggestion in here for the next Muskrat Jamboree. (And if you play it, oh my god, I want video.)

And, see, this is part of what I love about fan fiction. I would pay cash money to see what happens in this story happen in an actual episode - and make no mistake, this could totally happen in one - except. Except. I think I'm actually happier with it this way, on the page and in my mind. Sometimes it's better when it's not canon. Which is - you're getting the refrain now, right? - why we need fan fiction.

For me, this story, all these stories - these are great examples of what fan fiction is about: exploring the unmapped territories, seeing what could have happened, finding stories hidden in the niches and cracks and subtext and hints and our own crazed imaginations. Fan fiction, to me, is about loving something so much that you make it even more, even better.

And just as we all love our canons that way, I love fandom that way. Which is why I want the [info]otw_news project to fly: because it's a way of preserving everything we love, and I also believe it's a way of making fandom itself even more. And even better. So - go take a look, won't you?

Thank you.
 
 
Vice President of Cake
19 May 2007 @ 04:37 pm
167: When I Find Myself in Times of Trouble, Crack and Cliches Comfort Me  
And, frankly, I'm going to need the comfort. I will be spending the next week - seven glorious days! - shut in a very expensive hotel room (five minutes away from where I live) with two large dogs, one of whom does not like new things and howls if you leave him alone for any reason whatsoever, and the other of whom is going to view this as the best thing that has ever happened to her, and also terrify the housekeepers. And who has an unholy ability to manipulate new environments to her advantage.

I - I know I'll get through this. And worse things happen every day, and some of them have even happened to me, and there's a time when we'll all look back on this and laugh. (That time, I predict, will be when we are on massive medication overdoses.) It's just that right now, my near future is looking to be kind of unpleasant, especially given everything I have to do to be ready for this adventure. And there's also the fact that I expect to be hearing bad news no later than this Friday, when I will be already fairly unhappy, on account of, you know, spending a week trapped in a hotel room. With insane dogs.

Seriously. Odds that I will survive this? At least 99%, and I know it, and that's a very good thing. Odds that I will survive this with my dignity and sanity intact? So vanishingly small that I might actually hit the "it's a one-in-a-million shot, but it just might work!" exclusion.

Obviously, the thing to do right now is ignore all the things I have to get done today, not to mention my impending doom, and recommend some happy-making stories. And I don't know about you, but there's nothing that makes me happier than fan fiction cliches put to good use. (I think we all know what I mean by "good use," too. Oh, hush, I do not only think about sex. Just, you know. Sometimes. And one of the stories I'm about to rec is basically gen, so there.)

On to the fan fiction, then. And if anyone has any suggestions for surviving my immediate future - things to read, games that can be played in a hotel room you can't leave (ideally involving two large dogs in a way that will keep them quiet), breathing exercises, pocket universes where time passes more quickly that I could escape to - I'm entirely ready to hear them.

In the meantime, cliches. Which I dig. (And, OMG, someone please send me the link for the Canada shirts - I saw one a week ago, and it was profoundly awesome.)

The One That Reveals at Least Two Great Truths. One of Them Is That in Any Group of Teenagers, You Have More Repressed Sexual Overtones Than You Can Shake a Stick At. The Other I Leave As an Exercise for the Reader. Game Theory, by [info]penknife. X-Men, gen. (And some might question me calling it gen, but, well. This story does indeed have all kinds of subtext, just gallons of it in fact, but so did every variation of this game I ever played. Which was an unfortunate number of them. Oh my god, I am so grateful to be done with adolescence I can't even begin to tell you. I would rather spend the rest of my life trapped in a hotel room bored out of my skull with two even more bored dogs than spend a single week back as a teenager, and I mean that. I mean, given time and the test, I'm sure I can think of lots of fun things to do with complimentary toiletries.)

So. As you will already have gathered, this is about a party game (which means it's also about a form of culturally-mandated torture, in my opinion); the game is Truth or Dare, which is something of a cliche in fan fiction and in real life. As a veteran of it in real life, I can tell you that, in my experience, it takes a maximum of three rounds for the game to get either boring or mean, unless everyone is intoxicated, in which case it gets either silly or mean.

It was kind of inevitable, given the players here - Marie, Jubilee, John, Bobby, Kitty, and Peter (which I initially mistyped as "Petter" - oh, I am going to have to proofread this entry really closely, I can already see that) - that this would go the dangerous route. And it does, in a way that is so perfectly in character and so perfectly adolescent that I seriously cringe in memory every time I read this.

But that's only half of what I love about this story. (Yes, I love the cringing, in this particular case. What's not to love about a story that reminds you of all the reasons you should give thanks every day that you grew up?) The other half is Kitty's perspective. Penknife's Kitty is the smart, observant, and socially, um, limited girl many of us were back in our teen years. Except she quite literally has the ability to sink through the floor. I tell you, there were times, especially in middle school, when I would've sold my soul to be able to do that. Or to turn invisible. Either one. So for me, this is like revisiting my teen years, except that no one is tripping or having sex, everyone has mutant abilities, and I can get out whenever I want to. How could that be other than awesome?

The One That - Well, I'm Not Sure. Either It Proves That a True Bat Will Go to Any Lengths for Useful Knowledge, or It Proves That a True Bat Is a Vaguely Repressed and Very Twisty Fucker. You Make the Call! Things We Have Never Done, by [info]derryderrydown. D.C. Universe, Dick Grayson/Roy Harper, with minor Garfield Logan/Victor Stone.

Another great party game cliche is Never Have I Ever, also called I Have Never. We all know how this is played (and if you don't, this story explains it, although what you do with that knowledge is of course up to you), and we all know that in a mixed-sex group, if "I have never had sex with a [person of a given sex]" hasn't made its ordained-by-the-petty-minded-gods-of-party-games appearance within three rounds, then everyone playing has some practical experience with bisexuality. Need I explain why this is such a popular concept in slash fiction? No. No, I need not, because you all have brains in your heads. (Also, many of you have been there. Greetings, fellow unfortunate-sexual-decisions-following-drinking-games alumni! The fruit plate is over there.)

But what I do need to explain, maybe, is why I love this cliche so damn much. See, because - you can't just start out the story with the "I have never had sex with [whatever]." Or I guess you can, but I, for one, would feel cheated. Because the great lure here - aside from the sex, which, yes, yay - is the stuff that comes first. I just love seeing what people think of for characters to have done. And not done. (Actually, I love this so much that one of my favorite I Have Never stories on earth is a gen one, if you can believe that, and there are several other stories I love all the way up to the Obligatory Sexual History Reveal.)

Derry does a spectacular job with that, here, coming up with what I think may be one of the meanest "I have never" statements ever devised for the superheroes of the DCU, and also dealing very nicely with the problem of having a player who has done everything, which is quite a challenge in the DCU fandom.*

So, you know, I am a very happy camper (...okay, reader) with this story, even before we get to Dick and Roy and the cocksucking lessons. Which I think is more than a sufficient explanation of why you need to read this story immediately. Party games! Happy campers! Cocksucking lessons! ...Oh my god, I just - I just almost made a terrifying Scouting joke. Save me from myself, people.

The One That Proves That Ancient Technology Is Hard on the Repressed. And Even Harder on Sudden Inexplicable Frogs. Straight As a Circle, by [info]toomuchplor. Stargate: Atlantis, John Sheppard/Rodney McKay, John Sheppard/Kate Heightmeyer. (Warning: minor squicks for embarrassment and animal harm. People, I promise you, you won't care. It's that awesome. Also, you'll know when to skim, if need be.)

I'm pretty sure everyone even remotely interested in this fandom has already read this, but I had to recommend it anyway, because this is the most awesome cliche use in the whole history of fandom. John Sheppard wakes up straight. I mean, if that doesn't make you clap your hands and squeal like a little girl, then - hey, there's medication that can help you. Look into it.

It's got everything an SGA fangirl could want: John Sheppard being repressed and very, very gay, Ancient technology being obstreperous and very, very difficult, and native persons being inscrutable and very, very stubborn. Plus Rodney McKay being, you know, Rodney. And also handling a difficult situation with surprising grace, which is something I love about him that doesn't get showcased too often. (Yes, he also fucks up difficult situations sometimes. But it's not like that is rare in this canon.) I think my favorite part of this, though, is - well. Okay. You know how genderswap stories often have, at least in part, a "Hey, human sexuality really is much more of a continuum than I'd previously imagined!" resolution? This totally turns that on its head, and I just love how this whole concept forces John to - well, deal with his issues.

And, yes. I firmly believe it would take a massive lifestyle change, meddling Ancient technology, and a skilled psychiatrist - plus a lot of patience on everyone's part - for him to begin to do that. He's not, as far as I can tell, exactly the "I enjoy processing my issues to achieve a higher state of consciousness" kind of guy. More of a "Let's just repress this and with any luck I'll die before I have to think about it, okay?" guy. And I love that. But I also love the sneaky things fan fiction writers do to get him past that. And this - this is gorgeous sneakiness of a very high and refined order.

The One That Proves That the Key to Drinking with Others Is Knowing When to Flee to a Distant Part of the Bar, and When to Lock Yourself in a Bathroom and Wait for the Climax. So to Speak. Getting off on a Technicality, by [info]nestra. Sports Night, Dan Rydell/Casey McCall.

If I had to write a list of My Personal Sports Night Canon, some of the entries would probably look like this. (Although, sadly, there would be lots of others. I have Theories. Oh, do I have ever have Theories. Also Opinions.)
  • Danny and Casey are destined to be together. No, really. It is fate. And it is very important. Do not fuck with the Danny and Casey together forever thing.

  • Kim can be evil, but evil can be a force for good. The same can be said of Natalie and Dana, and if that makes you wonder about Aaron Sorkin - um. Probably it should, but that's a whole other list.

  • Jeremy is the world's greatest living example of the innocent bystander. It's like what he was born to be.

  • The people of Sports Night spend about 15 hours a day together, at least five days a week, working under stressful conditions. Alcohol is often involved. If you don't think untoward things happen there from time to time, you may not have a clear understanding of how humans work; some remedial research is indicated.
And, see, I'm not sure if those items would make my list because of my knowledge of canon (and I actually do have some, which is something I'm so proud of you cannot even begin to imagine it), or because of, well, this story.

Because, wow. Nestra hits those notes so beautifully she might as well have written this story because of a future me zooming back in time to force people to write fan fiction that I knew I'd want to read. (And, yes. Given a time machine, I would so totally do that. Don't even claim you wouldn't, either.) Of course, if that's how it happened, Future Me was probably crazed and unwashed and just muttering, "Sports Night! Kissing! Dan! Casey!" And Nestra, alarmed but very much on her game, pulled out something brilliant that she'd already written. Because one thing Future Me has probably forgotten (on account of tragic time-travel-related insanity - or possibly just trapped-in-hotel-room insanity; we have no idea when I'm going to start my jaunt into the past, after all) is that you can't force awesomeness. And this is awesome.

The cliche, by the way, is a dare. (Yes, we started with a dare, and we're ending with one. I think we should take a moment to meditate on the beauty of that, because frankly with my writing actual coherent closure doesn't happen all that often.) And Kim is doing the daring. So, of course, Dan and Casey are fucked. (In all senses of the word.)

-Footnote-

* Although the ultimate challenge there, I think, would be having Methos in an I Have Never game. I mean, Methos says, "I have never died," and everyone at the table protests, and he makes it, "I have never died permanently, then - you all knew what I meant." Of course, nobody drinks.

The next round, Methos can say either, "I have never given birth" or "I have never had children." And if it's an all-Immortal game, no one drinks then, either.

Basically, Methos is the guaranteed pass round of I Have Never, because if he's never done it, neither has anyone else. Oh, I guess at a multi-fandom table you could have him say something like, "I've never been to another planet," at which point John Sheppard, Teal'c, and Clark Kent all drink. But, failing multiple crossovers selected with extreme care, Methos's turn is a built-in opportunity for everyone to sober up just enough to discuss some of the things he did drink on. ("I - with the goat. I didn't think he'd drink there." "You didn't? Fool. But my question - I mean, when in god's name did he detonate a nuclear device?")
 
 
Vice President of Cake
19 November 2006 @ 10:16 am
156: LOL!  
Hey. You guys know everything, so: does anyone out there know about tea? Specifically, I'm looking for loose-leaf tea that I can buy online that is very, very tasty. Like, a nice assortment of it, maybe. Like, if you were going to get loose-leaf tea as a present, what specific teas would you want?

In return for any help you can give me in this (important!) matter, I offer you an assortment of amusing stories. Not actually written by me, no. But hand-selected by me! With artisan story summaries!

(Also, hey: check out my cool, be-snowified default icon, originally by [info]makesmewannadie and modified by [info]slodwick, who brings the seasonal cheer in buckets. Of course, this is the only snow I'll see this winter, because I live in LA and it's like forty billion degrees here every fucking day, but that just makes the snowy icon more precious. Thanks, Slod!)

The Funniest Joke Is the One That's on the Joker. Revenge, by [info]astolat. Smallville(ish), Clark Kent/Lex Luthor.

(Note: I say "Smallvilleish" because this is Shalott's special version of Smallville: set in the future, mixed with special elements of comics canon, and whipped into a delightful, frothy blend. And, really, I would love to read more stories like that, and I know there was a challenge to mix comics and TV canon there a while back. Anyone have a link?)

You've got to love the Joker. He wants nothing more than what we all want - to make people laugh, and rejoice, and be gay. Which is (obviously) why I'm starting the set with this story; it's got the Joker in all his glory, and who could be a better mascot for a humor set than him? (Do not, at this point, attempt to picture the Joker in one of those unfortunate sports-team mascot suits - I'm guessing it would be for, like, the Gotham Bats - prancing around and leading the crowd in cheers. You will go to a bad place in your head, and you might not come back. This is how people end up in Arkham rooming with Poison Ivy, thinking about things like that.)

And, in fact, the Joker does succeed here, in that I laughed. Except I was partly laughing at him, and I'm not sure that was his purpose. But I was also partly laughing at Clark and Lex, so that should make him happy. (Oh, boys, just give up and fuck each other already; unresolved sexual tension is un-American.)

The Funniest Joke Is One That Involves Baaaaaaaaby Animals. Two-Color Dog Happiness, by [info]lcsbanana. Stargate: Atlantis, gen.

(Note: if you followed along in [info]lcsbanana's LJ when she was writing this, you'll still want to click on the link, which has a special epilogue.)

Okay. I know there are people out there who do not enjoy thinking about various characters being turned into baaaaaaaaby animals. You people run along to the next recommendation, because I warn you that here there will be unabashed use of terms like "cute" and "adorable" and, well, "baaaaaaaaby animals."

Go. Go on. There's a special alternative to this story coming up for you.

And now that they've moved on, I think those of us who are left can acknowledge that we feel very, very sorry for them, yes? Because there is a certain pure and ecstatic beauty to turning characters into baby animals. I don't think I even need to sell you on the concept - I mean, funny! Cute! Baby animals! What else is there to say? - so I'll just register a formal complaint that this is not a thriving subgenre of fan fiction on at least the level of MPreg. We live in a world where male pregnancy is more common than random pandafication, and even though I can (and have) gone for a good MPreg, that is just sad. Where is the story in which Daniel Jackson is turned into a fuzzy, blinking alpaca? In which Sam Winchester is turned into a gazelle? In which Fraser finds a ferret breaking into the front door of the Consulate one evening? I have done my share; I've turned Ray Kowalski into a zebra and Tim Drake into a wombat. Have you done yours? (Because, hey, if you have, I need links.)

Or:

The Funniest Joke Is One That Involves the Leader of the Free World Having Indecent Relations with a Rabbit. (Note: Not Actually As Scarring As It Sounds.) Wabbit Hunting, by [info]supacat. Smallville, Clark Kent/Lex Luthor (ish). (I refuse to apologize for the fandom duplication here. I am totally unrepentant, thanks.)

Yes, this is the story for the people who couldn't take the baaaaaaaaby animals. Yes, there is, um, another animal transformation here. But it's Clark Kent, people, and he's the pet of Lex Luthor. Tell me that doesn't appeal. Tell me that's not, like, the plot of 3,500 stories, at least 30 of which you have saved to your hard drive.

Just, usually Clark isn't small and furry at the time. Is all. Very minor difference!

But I think even people who would, if given the option, take torture and death over widdle furry animals will find this story appealing. Why? Because Lex Luthor gets his awful revenge on Clark Kent at long, long last.

By naming him "Bunnykins." And scratching behind his ears.

I'm sorry, but if you don't see the joy inherent in that, you aren't even human.

The Funniest Joke Is One with Sound Effects and a Theme Song (Performed a Capella and in Slow Motion). My Observed Holiday, by [info]stoney321. Scrubs, gen.

There is not a single animal in this one, unless you count Rowdy. No mention of baaaaaaaaby animals at all. So if you've got tragic textual fur allergies, you can tune back in now.

Instead, we have a simple message of love, of individuality, of finding celebration and meaning in this cold cruel world of ours, of the beauty of some TV show I've never heard of. (But that doesn't mean I don't love it, people! I totally do! I'm just - a little confused. Is it seriously about a man whose skin comes off his arms so you can see the muscles underneath? Like, they made a show about the Visible Man thing that we used in elementary school for our "science" classes, where "science" means "passing around a plastic liver and listening to your classmates make EWWW GROSS noises"? Because if so, I see that drugs have been a problem in the entertainment industry and a threat to our nation's mental health for much longer than I'd thought.)

In this story, J.D. and Turk teach us the importance of making and observing our own traditions. In these crazy times, we need cultural touchstones. And, frankly, sometimes the existing ones don't cut it. So what do you do? Do you continue to celebrate Arbor Day even though you're allergic to trees? Or do you choose to celebrate the magic of one Steve Austin instead?

I know what I'm picking. Won't you all join me in February for Baaaaaaaaby Animal Transmogrification Day? (Yeah, I totally lied about there being no mention of baaaaaaaaby animals here.) There will be themed snacks! I have cookie cutters and I'm not afraid to deploy them adorably! Or obscenely, as necessary!

The Funniest Joke Is One with Lots of Towels. Although, Sadly, This Is Very Hard on the Towels. Poor Towels. Five Times Arthur Dent Lost His Towel, by [info]makesmewannadie. Hitchhiker's Guide to the Galaxy, Arthur Dent/Ford Prefect.

The Five Things meme always fills my heart with joy. People can do amazing things within the framework of "Five Times They Boogied Until They Just Couldn't Boogie No More" and "Five Things You Really Didn't Want to Know That Fraser Is Going to Tell You Anyway." Sometimes you can even request these. Admittedly, I never have any good ideas - or by the time I do the person in question has 55 requests already and is considering fleeing to a new country and taking up a life as an itinerant mouseworker - but it's always fun seeing what other people come up with.

And it's a lot of fun to see what the actual writers do with these prompts. (Although, really, do I just miss all the multi-fandom prompts? The ones I've seen tend to be, like, "Five Songs That Tim Listens to That Batman Secretly Likes, Even If He Would Die Before Admitting That" and less along the lines of "Five Tattoos That Aren't Canon but Totally Should Be." Possibly multi-fandom prompts are harder. Or possibly this is just further evidence of me sucking at prompts.)

Anyway. Um. I kind of got carried away with the love for the meme and failed to talk about my love for this particular story. Which is - well. There's Arthur. There's towel abuse and carnage. There's intergalactic slang. I just - do I need to say any more to get you to read this? Because if so - wow. You are a tough sell, and you should totally write me a list of five things I could say to get you to read a really excellent story, so next time I can start there. (Suggested example: "Read this story or the baby animal gets it." What, you thought I could let the baby animals go?)

The Funniest Jokes Are Ones That Feature Extremely Humorous Nicknames That You Will Inevitably Think of at a Very Inappropriate Moment in the Near Future, and Then Have an Unfortunate Fit of the Giggles. So Skip This One If the Fate of the Free World Usually Depends on You, Okay? Eight Simple Rules for Dating my Teenage Ward Sidekick Partner: or Dude you sound like a NAMBLA member, by [info]brown_betty. D. C. Universe, Robin/Superboy.

I think we can all agree that the worst possible in-law in the whole history of ever is Batman. Oh, you may think that people who married into the Borgia family had it tough, but that was before state-of-the-art surveillance. Also, probably the Borgias like to have a laugh from time to time. Probably they hugged and stuff, too.

Just try to imagine hugging Batman. Yeah, I know. My mind goes to a bad place with restraints and blood tests and special Bat-shaped anti-hug guards, too.

Plus, Batman tends to be slightly, um. Protective of his Robins. I mean, sure, he can't keep track of each fallen Robin - notice how Steph STILL does not have a memorial Case of Angsty Batness - but he has standards. I think Betty's done an excellent job of delineating these standards here. The first one, for example, is "Don't." Batman probably has several stilted, abbreviated conversations with Robin along those lines, never getting any further than, "Robin. Don't." And then he gives up and goes to talk to Superboy instead. It's hard to date a Bat, man.

And yet Tim is obviously very tempting.

Poor Kon.

(If you were waiting for a baby animal reference: they are BATS and ROBINS, people. The animal references come built-in! Although Tim as an actual wee Robin would be - really, really disturbing, actually. "Quick, Robin! To the Batcage!" Yikes.)
 
 
Vice President of Cake
18 September 2006 @ 08:23 pm
Slashy Awards 151: Grave, Where Is Thy Victory?  
First, an announcement.

Does anyone remember the 20 Questions game online? You know, the one where you played against a program. Well, it has new versions that are still in the learning phase, and I've had a delightful time teaching the movie and TV edition to be fannish. I added a bunch of my favorite characters to the database and have been patiently playing through them over and over until the program learns to guess them. Add yours today! (Rare fandoms only at this point, I'd think.)

But here's the thing - I added John Sheppard. But I didn't have to add Rodney McKay. The database didn't know anything about Stargate: Atlantis - or most of my other fandoms, when I first got there - but it knew Rodney McKay.

Am I the only one who finds that amusing? Am I the only one who sort of suspects Rodney of adding himself, in some weird AU-twisty kind of way?

Anyway. Today's theme is near-death experiences. In fan fiction, I mean; I'm not going to, like, hold your head under water or anything. You want an actual near-death experience, you can pay to attend a management seminar, just like everyone else has to.

(P.S. [info]halcyon_shift just celebrated her 1000th entry. So, if you get a chance, go over here and leave a comment, to help her get to 1000 comments on her 1000th entry. You can request a vidlet, too, while you're there.)

You Know, a Lot of Men Claim That the Only Woman for Them Is an Indestructible Bisexual Amazon Goddess with Magical Rope, but When Batman Says It, I Kind of Believe Him. Aspire to Touch the Sky, by [info]brown_betty. DC Universe, Diana/Bruce Wayne, Diana/Batman. (Yes, the pairing information is entirely accurate. It's not my fault Bruce has issues, people. Or, okay, let me put it this way: it's not my fault Bruce Wayne is batshit crazy. Blame - I don't know. DC, I guess.)

[info]brown_betty describes this as a Lord King Bad Fic, and, frankly, I resent that. Or, rather, I did resent it (entirely on the story's behalf, let me assure you); I have since decided it's okay. Because, see, the key to the Lord King Bad designation is, as far as I can tell, to use all your talent, skill, passion, and belief to pursue an idea that you would totally have loved when you were 13. You let your inner adolescent write a story or make a vid, now that you actually have the ability to, you know, do it well. So, really, when Betty calls this a Lord King Bad Fic, she's just saying, "When I was 13, I would have read with pleasure any story in which Bruce Wayne and Diana entered into an arranged marriage. But I had to wait until now to be able to write it."

My only argument now is - who wouldn't read with pleasure a story in which Bruce Wayne and Diana enter into an arranged marriage? I just cannot believe there could be some sad, deranged soul out there who doesn't read that description and immediately say, "The only thing that could be better than that is a DC genderfuck pirate AU." (Seriously. If you don't want to read about Bruce Wayne + Diana = marriage of convenience, you just - well. I'm sure you have your reasons. But please don't tell me about them, because I want to retain some faith in humanity, thanks.)

Anyway. This is a fabulous story; an arranged marriage with a side order of near-death experience, gods, Amazons, hot sparring sequences, sarcastic Robins, and, best of all, fabulous Diana narrative, so perfectly in character that I would suspect Betty of being her, except that would break the fourth wall so thoroughly that we'd all end up in the fourth dimension, like those poor characters in the really clever kind of modern novel that you end up having to read because a friend or relation wrote it. (And, of course, now I'm wondering - if Wonder Woman was in fandom, what fandom would it be? And would she be exclusively femslash, or would she ruthlessly bring all characters together regardless of gender, or would she completely ignore sex in favor of writing lengthy gen stories featuring a lot of fighting and rope play? I have no idea, but I can say that whichever of the options she chose, I would be entirely in favor of it.)

The One in Which John Sheppard Racks up More Near-Death Experiences Than All the Other Characters in This Recs Set Combined, and No One Is Really Surprised. MVP, by [info]cesperanza. Stargate: Atlantis, John Sheppard/Rodney McKay.

Lately, I've been trying to avoid the, "But everyone already knows about that one" line of reasoning. I mean, I assumed that everyone on earth knew about the vid Atlantis!, and it turned out several poor unfortunate souls did not. Imagine if I hadn't recommended it. They'd be condemned to a wretched, tragic existence, endlessly searching for something to fill the gaping hole in their lives, sort of like those ghosts that wander around sucking people's lifeforces and wailing and rattling chains. And in those situations, do people ever think of systematically watching all the vids in the world until they find the problem? No. They turn to drugs and sex and then, in the fullness of time, therapy. So, really, I was saving souls when I recommended that vid. Or at least a lot mental health co-pays.

And that's what I'm attempting to do here. Because it is just possible - just barely within the margins of possibility - that someone has not read this story, and, well. Did anyone ever read "The Little Match Girl"? Yeah. It could turn out like that. I can't take that risk.

Because, see, I think that maybe, just maybe, this is my favorite of all Speranza's SGA stories to date. (I know, I know, tough call. And I'll probably make a different decision tomorrow. But at the moment of typing it, that was a true statement.) It has a simple plot, really. Rodney is tempted by forbidden knowledge and then learns that snooping doesn't pay. No, wait, wrong - I think Milton wrote that one. In this one, Rodney learns that snooping totally does pay, in hot gay sex. And, frankly, I think we're all better people for observing his learning process.

John, on the other hand, once again demonstrates his amazing abilities to defy death and confuse the fuck out of everyone. (And I don't just mean everyone on Atlantis. Half the attraction of this canon, I suspect, is that the fans can stare at John, totally mesmerized by his intensely weird suite of behaviors, and then try to make up explanations for them. The current leading explanation, I believe, is that he's the reincarnation of Elvis, but it's neck-and-neck with the shapechanging robot from the future theory.) And did I mention the hot gay sex? (I find, upon review, that I did. But, hey, it's worth a second mention, right?)

The One in Which Death Is Proven to Be a Minor Obstacle, All Things Considered, in the Search for the Divine Hand. Well, the Canon Proved That, So Let's Just Say This Story Provides a Meaningful Underscore. Bloodstone, by K. Stonham, aka [info]sakon76. Hikaru no Go, gen. (If you're looking for the manga, you can find it here, a chapter at a time, or I'll be happy to upload it in larger sets for you. If you're looking for the anime, you can download it at ftp://ftp.hikago.flirble.org.)

There is, actually, a near-death experience in this, but it comes rather late in the story. The predominant plot is actually about what we might call a trans-death experience. You know they say - and by "they," I mean "a bunch of people I can't call to mind, only some of whom are imaginary" - that you can't call it a fandom until it has a vampire story? Well, this is Hikaru no Go's vampire story. (It's actually based on one of those extra pieces of canon art that you find with manga - a Hallween picture with Hikaru as a vampire. And I would totally link to it for you, but I can't find it. If you've downloaded all the manga, you'll find the vampire picture somewhere in there.)

Despite the presence of a ghost in the canon, I have to say "Hikaru no Go vampire story" was not high on my list of obvious stories for someone to write. It's just - Go. Vampires. They don't seem like a good fit. But they are, and I am so glad. And not just because I crave good Hikaru no Go stories (although, hey, if anyone ever wants to make me happy, that's how) but because it works so surprisingly well. And it mostly does that by focusing on what really matters.

Because, okay, yes, Hikaru's a vampire, and, yes, that does cause certain problems - sensitivity to light, need to drink blood, living death - which lead to other problems, like a certain amount of difficulty getting to scheduled matches. But that's just minor stuff, really. Totally irrelevant, in fact, because Go is what matters.

In this story, Hikaru and Akira have the same laser-like focus on Go, and on each other, that they do in the canon. (The first real game they play against each other, Akira says he's been waiting for two years and four months. And then they play lightning-fast, because they can't hold back - they've been waiting too long and wanting each other too much. Seriously, the Go is sex in this canon.) And Akira won't let anything, including a minor case of death, get in the way of Go, and neither will Hikaru, and I just - I love them for it. *sniffle*

The Story That Is Going to Make Me Feel Like a Total Wimp the Next Time I Whine About Not Wanting to Go to Home Depot. Sinner's Grove, by Martha, aka [info]saffronhouse. Stargate: SG-1, Jack O'Neill/Daniel Jackson. (You know, it's just occured to me that if SG1 fandom was starting up now, in this modern era of unfortunate pairing names, this pairing would be called JackJack. Unless - wait. It's not actually already called that somewhere, right?)

So, first and foremost: disturbing themes, folks. I mean this. I'm going to try not to spoil this here, but - well, as the author says, if you've got places you'd rather not go in your fan fiction, read the warnings on her index page. (There's a link at the top of the page.) I will also be offering an alternate near-death experience SG1 story, so you can still get your fix if you need to give this a miss.

And I would not in any way blame you for skipping this, but you would be missing out in a big way. When I first read this, I was horrified and absolutely transfixed; I could not move away from the computer until I was done. This story is way, way outside my comfort zone, dealing with a topic that I basically never want to read in my fan fiction, and yet it is so perfectly done that I regularly re-read this out of pure admiration. I'm not even sure why it works the way it does - surely the contrast of the mundane and the horrible helps, as does the way the story is told; she doesn't hit you with it, but lets you figure it out, and she builds the comfort right alongside the hurt. I get all that. I still can't quite see why this works this well. I'm guessing the secret ingredient is genius. (Or tea. Could be tea.)

I do think, though, that it'd be damned near impossible to tell this story with different characters. This story comes close to defining SG1 for me, because - yeah, this is what they do. They live through the pain, the horror, the suffering, the near-death (and real death) experiences: they live to fight another day, only they do it without any of that pansy retreating and regrouping stuff. It's pretty much damn the religion-associated evil aliens, light speed ahead for this team. (And if you want one of them to take a vacation, you either have to kill him or drive him to Minnesota, which, as I'm sure you know, is basically the same thing.)

My point is - I believe, or this story makes me believe, that Jack and Daniel could go through this and survive. I know I couldn't; I would have given up before I gated out (my motto is: no science fiction devices that defy all known laws of physics near my component atoms, thank you). Even the toughest of characters would likely have given up somewhere in the middle of this story. And yet Jack and Daniel (oh my god, that's hideous pairing name for them that must already be in use: Jack Daniel's, or bourbon for short) live to have bickering arguments - and visit Home Depot - another day.

The One That Proves That Daniel Jackson Cannot Stop for Death. And If Death Kindly Stops for Him, It Will Just End up Regretting It.* Post Hoc: After This, by Otter, aka [info]agentotter. (I very nearly mistyped her LJ name as [info]agenthotter, which is a whole other deal.) Stargate: SG1, Jack O'Neill/Daniel Jackson. (You could also call them Jack'D, you know. My god. I think I've got some kind of pairing name disease. Send help.)

This story is just as good as the Sinner's Grove, but, you know, totally different, with a bare minimum of disturbing themes. (Unless you consider Jack, Daniel, or near-death experiences disturbing, in which case SG1 is really not the fandom for you. It's not the canon for you, either.)

I love this story for many reasons, not the least of which is Daniel's casual ability to defy the odds and his absolute belief that the odds don't apply to him. (Hint, Daniel: that attitude may have something to do with why you die all the time.) But I will always love it most and best for the exchange when Jack says, "Landmine" and Daniel says, "Pants?" Because, okay - that's Daniel. He files away every single attempt at communication, and if something doesn't make sense to him, he puzzles it over, and it's right there in his head when the same thing comes up later.

He's totally willing to try communication without understanding, too. His response in this story reads to me as though he is attempting to divine the customs of the alien tribe Jack O'Neill, and he's heard that "Pants" is the right response in some O'Neillian situations, so he'll try it out. If it works, he'll write a paper about it. (Of course, given that he works for the SGC, only four people will read the paper, and only three of them will understand it. And then later there will probably be a briefing that lasts a really long time and never actually gets to the "Pants" item on the agenda because everyone is too busy arguing about pastries. I know what it is to work for the government, people.)

This is, for me, a fantastic SG1 comfort story. Pure fluff doesn't work for me in this fandom; it has to be something like this, where, okay, sure, there's some pain, but there's never any doubt that everyone will be okay, and then at the end there's pain medication and cuddling. I'm not sure if that's attributable to me or the fandom, but I'm going to hope it's the fandom.

-Footnote-

* Am I the only one who immediately thought Daniel Jackson/Death OTP here? I am? Okay. Um. Let's just, you know, forget I ever said anything.
 
 
Vice President of Cake
28 August 2006 @ 07:40 am
Slashy Awards 150: Text Is the New Black  
Last night, Best Beloved said to me, "Hey, remember when you used to rec fic?"

Of course, I immediately snapped, "I still do rec fic." And I was entirely correct. But it seems that some actual recommending of actual fan fiction might go a long way toward proving that.

And, possibly because it's been long enough that I have forgotten a hard-earned lesson, I've decided to start with everyone's favorite thing: an extra-long set of shorter gen stories!

Um. I don't hear any actual cheers. Or even any polite clapping.

That's - no, that's perfectly all right. I'll settle for a "Well, it's better than nothing." Can I get one of those, at any rate?

Fine. See if I care. I'm going to do it anyway. Let me just see if I can ... hmm. You, um, press some buttons, right? It's kind of been a while. But I'm sure it's like riding a bicycle. Although, of course, I can't actually do that.

Ah, well; unlike riding a bike - which, seriously, I have never understood how you're supposed to learn that, since you have to be able to do it just to sit on the damn thing - it's probably best to learn by doing. Shall we begin?

The One That Reminds Us That Batman Is Not Just a Mysteriously Sexy and Seriously Broken Crimefighter in Need of Several Successive Lifetimes of Therapy. He's Also a Skilled Nurturer of Those Qualities in Others! Squandered My Resistance, by Petra, aka [info]petronelle. DCU.

Perspective is a major kink of mine, and this story hits my kink just about as well as anything ever has. (Okay. Except An Instance of the Fingerpost, which hit my kink for something like 500 densely printed pages and still left me wanting more.) The perspective, in this case, is Jim Gordon's, and if you know anything about the Batman canon (and I do mean anything - like, if you know who the Robins are, and how the first two retired, that's enough), you know more than he does here - only a bit more, though, because the man's no idiot. So it's not like we're learning any new plot in this one; the change in perspective is the story. And it's amazing what that change can do.

Jim Gordon is a good man. But he accepts the unacceptable, or what should be unacceptable, because, see - Robins, whatever else they are, are kids. (Dick Greyson was age 12 when he started as Robin, as you'll know if you're even vaguely familiar with All Star Batman and Robin the Boy Wonder (and if you have a sense of humor at all, click on that link, people - you don't need to know anything about comics to marvel at this truly stunning train wreck), also known as Who the Fuck Are These People in the Batman and Robin Costumes and How Did They Get out of Arkham Asylum?) Hands up everyone who thinks that it's a good idea to put kids in spandex and send them out to fight vicious criminals and psychotics, often in the company of someone only marginally saner than said opponents. All right. Frank Miller, seriously, put that hand down. And, oh my god, do not even tell me where you have your other hand. Okay. Anyone else have a hand up? No. And Jim Gordon's hand wouldn't be up, either. But he still accepts it - and not only that; he uses it, uses the Robins. And this story explains that. Which you will grant is amazing.

The other amazing thing about this story is that it's interstitial. All the action takes place off the page; it's like this is the text that happens in the space between the panels of a comic book. So, really, all we see is a series of conversations. But you don't need to know a thing about the canon to understand what's happening all around these conversations. This is the written equivalent of the kind of play where you hear the shots and the body fall, but you never see anything on stage but the characters' reactions. Except that in this story, we don't hear the shots. But it's impossible not to hear the body fall.

No, wait, I was wrong. There's a third thing that's amazing about this story, and that thing is Jim Gordon himself. Because on the Worst Jobs in Fiction list, Police Commissioner of Gotham has to rank in the top 50. And Commissioner Gordon is just a guy, a decent guy in an awful job he does because he can. That, to my mind, makes him as interesting as Batman, but it's rare that anyone, canon or fan fiction, actually shows that. Petra does. And that? Is totally amazing, and I love her for it.

The One That May Actually Make You Grateful for Adolescence. Who Knew That Was Even Possible? Slouching, Forever, by Torch, aka [info]flambeau. Good Omens.

And now let us speak briefly of Torch, who has evidently recently ascended to the next level in her mystical pursuit of fictional perfection; in fact, I suspect she may be close to achieving union with the fictional godhead. If you cruise by her house, I bet you'll find her all swathed in robes and sitting in a lotus position, meditating. And then, once in a while, she'll leap up and go over to her computer and type stories like this. She calls them snippets, but oh my god. In almost all of them, she's turned the canon inside out, shaken out its pockets, and found a whole new universe inside, and I - I'm kind of scared of her, actually. What if she has other powers? What if she can change the universe or something?

I'm just saying, maybe we should wonder if there's a reason that Lance Bass came out recently.

Anyway. This story is maybe, maybe my favorite of all the "snippets" she's done recently, although it's kind of locked in a three-way tie with Over the Hills and Far Away and Suburban Consumption Rituals. (Which was written for meeeeee! And that just proves that Torch has mystical powers, because, as anyone who has ever gotten one will tell you, I give the shittiest fic prompts in all the universe. Only a very few, highly cherished writers have ever managed to make one of mine work. And yet - Torch took one of my prompts - and did - well, this.)

Of course, I've spent all this time talking about Torch because I can't really tell you anything about Slouching, Forever, except that you need to have read Good Omens to get the story. (But, well, you need to have read Good Omens, period, no exceptions, so I'm hoping all of you have.) If you have, get clicking. (The other two snippets, by the way, are SGA, and I can't tell you anything but that about either, except that they are just fucking amazing, so if by some chance you haven't read Good Omens yet, head for the other ones. And then get your butt to a library or bookstore and do some light reading about Armageddon.)

The One That Proves (Yet Again) That the Ancients Are Not Our Friends. In Fact, Just As a General Rule, I Think It's Best Not to Trust Those Who Think That Superior Power Makes Them Superior Beings. Uncanny Valley, by Sarah T., aka [info]harriet_spy. Stargate: Atlantis.

I. Here's the thing. I secretly kind of believe this story. I've seen dozens of fictional explanations for Why John Is Weird (But We Love Him Anyway), and many of them made me want to do highly intimate things with the author. And most of them really worked. But this one works maybe the most of all of them, and - well, it doesn't make me want to do highly intimate things with Sarah T. It makes me want to take her hostage until she writes a fix-it sequel to this. Because the fix is hinted at, and I believe it's coming, but I want more. I want an ending with puppies and sparkles and love and very probably some pie. In general, I need stories with explicit happy endings way more than I need or even want stories with explicit sex, and for this one - well. I want "And they lived happily ever after" in writing. Signed by the author. And notarized. (Doesn't have to be in her own blood or anything, though. I'm no fanatic.)

You know, I'm kind of amused that I'm writing this whole "This gutted me but in a good way" writeup for a story in which no one dies and no one is, like, raped or tortured or drained by the Wraith or just anything like that. All that really happens is that two people eat breakfast. But, you know, in fiction, especially when it comes to making people honestly ache for a character, less is more. You really want to turn the knife? Don't give me star-crossed lovers killing themselves because they each think the other's dead. Don't give me all the death, loss, torment, and abuse you can pack into 57 chapters. Give me one loss, one loss of something essential, and then make the characters - and me - live with it.

(I'm also amused that I didn't rec the other SGA gen story that seemed to fit in this set because I was like, "Nah. Don't want people to think all gen is depressing." But, really. It's not! Even this story isn't, actually! It's just - it hurts. But there's a happy ending on the far horizon, and - okay, screw it, that's never going to work. How's this: the last story in this set is the perfect antidote. I'm offering the pain and the cure, people. What more can I do?)

The One That Proves That You Really Can Get Used to Anything. But You Might Not Want To. All His Funerals (Back in Black Remix 2006), by Punk, aka [info]runpunkrun. X-Files.

This is such a small story in terms of word count. And it's in a fandom that I, despite all my efforts, still don't understand at all. But it doesn't matter - you can read this no matter what you know about the canon, as long as you know something about serial fiction. Because this is, yes, a gorgeous story about how one person gets used to a very particular kind of loss, but it's also a great meta commentary, because we've all been through this, I think, in one canon or another.

(I realized this at the end of X2, which I saw with my mother and Best Beloved. My mother knows nothing about comic books and had never heard of the X-Men before the first movie. And my mother is, by the way, the queen of being spoiler-free. As in, she saw The Phantom Menace and had no idea that Anakin was going to grow up to be - spoiler warning, people! - Darth Vader. And that Darth was Luke's father. Anyway, at the end of X2, she was all upset, and Best Beloved and I were stunned that anyone could be upset by that ending. Because knowing comics mean you develop the same attitude that Scully has in this story.

And, wait. Did I just spoil the story (or X2) or not? I can't tell. Um. If I did, someone let me know so I can cut-tag it; even if it is a spoiler, I don't think it'll have any effect on your enjoyment of either, but I aim to be polite. My mama - okay, she didn't give a shit about my manners, but my internet mama raised me right. Admittedly, my internet mama was Usenet, so she mostly did it via a constant stream of very clear examples of what not to do, but still.)

But here is the coolest part of this story - cooler even than the meta commentary. This is Punk remixing one of her own stories, and how insanely excellent is that? I would so love it if other folks who have been writing a while did this, because I've read the original of this story, and it is just. Um. Not the same. At all. Whereas the remix is brilliance. So the two stories together are the most perfect example in the world of how Punk has changed as a writer, and I would love to see that same demonstration for other people. So if any of y'all are, you know, bored or anything - well, just don't say I never give activity suggestions along with my recs.

The One That Gives a Whole New Meaning to the Phrase 'Body Dysmorphic Disorder.' The Kingdom of Heaven, by [info]c_elisa. X-Men comicsverse.

This story contains spoilers for a certain development in at least one iteration of the X-Men, uh, "plotline," for lack of a better word. (Sorry, but I have no idea how many X-Men books/movies/universes/parallel dimensions/other assorted thingies have this development, and I lack the software equivalent of the TARDIS crossed with Hal, which is what it would take for me figure that out.) I'm not at all sure I can discuss the story without mentioning that same spoiler. So I'm cut tagging this. )

The One That Proves That, Looking at It from a Technical Perspective, the Wizard of Oz Should Have Been a Zombie Story. Big Damn Zombies, Sir, by [info]shrift. Firefly.

This is another fandom I don't know from Adam, Eve, or in fact the entire garden of eden. I mean, Jayne - that's the guy with the hat, right? I see him in vids, acting dim or showing the ethics-free brand of cunning. He's generally comic relief in vids, except he also occasionally seems to do the thing that no one else could quite manage to, even though it really needed to be done. But, hey, I don't know him at all, so I could be totally wrong there.

My point is that obviously you don't need to know diddly-squat about Jayne or Firefly to enjoy this story. Because, see, what happens here is that Jayne turns into a zombie, and mirth ensues.

Now, wait. You need to understand just how weird it is that I am recommending a story about zombies as comic relief. Because, okay, I admit it - I'm afraid of zombies. I was not the happiest person in all of fandom when zombie stories got popular for a while there, because I'd be reading a story quite happily and then suddenly Daniel Jackson would be lurching around calling for brains. (But I never did see, say, zombie Aragorn, so I have much to be thankful for. Believe me, I'm quite aware of it.) And I would have to flee the story, or possibly the room, for a while.

But this story is funny even to a certified zombiephobe, because - I just, I can't explain it. It just is. I avoided it, for obvious title reasons, for quite a while, and I so should not have, because Shrift proves that zombies can, in fact, be entertaining to have around, providing they are made from the right sort of character. Or, more specifically, providing that the right sort of characters are standing around commenting on the zombie, because it is the dialog that makes this story. And that includes, but is not limited to, the dialog that goes, "Braaaaaaaains."

(I do feel the need to state, just for the record, that there is nothing amusing about zombies. They are a major imaginary scourge against which our planet has no defenses. Garlic does not work on zombies, people. Think about it. And in the next election, make yours a vote against the zombie menace. And don't forget to ask your politician of choice what he's doing to prevent the zombie takeover!)
 
 
Vice President of Cake
06 August 2006 @ 09:18 pm
Slashy Awards 149: The Bigness Which You See  
You all will be pleased to hear that nascent plans for the third consecutive Things That Never Happened set were scotched by a wedding, followed by a right bastard of a cold picked up at the wedding, like it was a very novel favor or something. I’ve now reached the stage where I’m no longer actively wanting to die just to spite the damned rhinovirus convention happening in my upper respiratory system (“Hah. Try making me miserable when I’m dead, you snotwads.”), and I can’t remember what stories the set was supposed to have had. TTNH haters, you are saved! Although it was through my suffering, so I hope you feel soul-crushingly guilty.

Instead of TTNH, today’s subject is - okay, I call this category “long,” but really the stories are somewhere between short stories and novellas in length. Basically, if it would take more than one LJ post to get the whole thing up, then it’s long. (If it would take more than five LJ posts, then it has moved into the territory of “very long.” I am so rigorous in my classification schemes that someday I will rule the world through quantitative analysis. Although there’s a major kink in this system - and notice, SGA fans, that I did not capitalize “major,” and thus I am not referring to first-season Sheppard’s well known fetish for long fiction - in that a lot of long stories don’t get posted to LJ. Researchers continue to study this problem round the clock at the famed TFV Fan Fiction Laboratory, so please view this as a merely interim story classification method.)

My point is, sometimes you need longer fiction. Today, I need longer fiction, and, well, as long as I was looking the stuff up anyway . . .

The One in Which We Learn Why Touya Akira Needed Shindou Hikaru: Because Every Almost Immoveable Object Needs an Irresistible Force. Inertia, by [info]rageprufrock. Hikaru no Go, Akira/Other, Hikaru/Other, Akira/Hikaru.

Okay. Here’s the thing. I didn’t actually want to rec this until I’d uploaded all the manga, because this is a story set well after the canon and so it spoils almost all of it. Then it occurred to me that I could rec this and upload all the canon, because - well, here’s a long story by [info]rageprufrock; what’s more tempting than tha