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Saturday, July 26th, 2008
breathe_poetry
[ voleuse ]
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8:49a "The Shout" by Simon Armitage
The Shout by Simon Armitage
We went out into the school yard together, me and the boy whose name and face
I don't remember. We were testing the range of the human voice: he had to shout for all he was worth,
I had to raise an arm from across the divide to signal back that the sound had carried.
He called from over the park—I lifted an arm. Out of bounds, he yelled from the end of the road,
from the foot of the hill, from beyond the look-out post of Fretwell's Farm— I lifted an arm.
He left town, went on to be twenty years dead with a gunshot hole in the roof of his mouth, in Western Australia.
Boy with the name and face I don't remember, you can stop shouting now, I can still hear you.
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(2 comments | comment on this) Friday, July 25th, 2008
breathe_poetry
[ mythomanic ]
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12:37a Nicholas Johnson - At The End
At the End
of this Eastern course, on deck observing the gulls reel in the old dilemma, the tarpaulin chaffed to a shine. Through the wheel the pull of the sea is evident as separate vignettes appear out of cigarette smoke. How tempting to drown in such perceptions as you reconstruct shadow and sun to a daze among polite trees somewhere on shore. Coming home, it is clear the real tragedy is dreams die too easily and the difficult country reached via the grey, ice-bound river can never be subdued. No, there are no Roman roads here, but on the roads by the Seaport you can feel the warm pavement give way under your feet, giving you a sense of your own weight and how easy it is to make an impression. Though hungry, the longer you go without, the less you feel like it. So we let them sleep in the lifeboat and do not wake them for the prize of adoration, but simply continue all the malicious lullabyes of the fair autistic weather and those conspiracies of the tides that let you think you can keep the course once set, that you will not sink or rise.
-- Nick Johnson, from 'Degrees of Freedom'
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(comment on this) Wednesday, July 23rd, 2008
sca_garb
[ kittikins ]
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3:27p Beginnings of a Frau
My foray into German started because I'm in the SCA and retaining for a new reign that is delving into early 16th century craziness. I've been *going* crazy because late period garb is a little beyond me but I've been trying. Lots. =) The first near finished thing I have done is a kampfrau.
This dress is all in linen, with the yellow around the cutwork hand embroidered. Eventually there will be a chemise (hopefully tomorrow), and an overskirt in the blue linen that the bodice is lined in, with guards and cutwork on the guards. Unfortunately, not before Pennsic, as I also have tippets, a tabbard, chemise, apron, and hat to make. And then packing.
Its not perfect at all- the sleeves are supposed to be short and poofy but I failed at that, and I started the cutwork about two inches too low, so the bodice is a bit too long. Also, I messed up the yellow in the front. BUT- its a first attempt. And one of my more complicated efforts.
Cross posted to dressdiaries </div>
current mood: busy
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(10 comments | comment on this)
breathe_poetry
[ mythomanic ]
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9:58p David Roderick - Rothko's Earth & Green, 1955
Rothko's Earth & Green, 1955
Perhaps each color was inspired by a sensation in his pores, cigarette smoke in his nostrils or the pleasant rise of heat around his head. Red sweat. Ashen door. Then his whole sight was that: canvas and haze, the sour hint of dinner still on his breath. Already he had left the room by painting a portal into the next, and this despite his urge to stay in this world, to frame an impossible gesture. It is said he could not remember the faces of his country: reading near the warmth of his father's samovar, hide-and-seek in the crooked alleys of Dvinsk, yet such an ordinary fear haunted him in every green vibration and encroachment
of blue, every thin overlap the hue of rainwater, every wall through which a trace of light might pass. Sometimes a color was just the thrill of his skin at the brink of discovery, like when a boy notices figures in the grain of a kitchen table, or milk swirling with tea while his mother irons laundry just behind him. Corresponding signals of press and steam, wisp and dispersal. And even while painting he understood that somebody else must open the space between them, that a viewer could ease his passage by recognizing that his canvas was a door to the common world, dawn between then and now; so stare for a moment into the mouth of this picture: inhalation exhalation, green blue, the yawn of a man before he stirs awake.
-- David Roderick, from Blue Colonial
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(comment on this) Tuesday, July 22nd, 2008
sca_garb
[ silverstah ]
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11:57a Sari/Saree recommendations?
I'm looking to purchase a sari for warmer weather events. Does anyone have any recommendations for websites/companies they really like - or, conversely, companies to avoid? I'd prefer a woven pattern (as opposed to block print) with a mostly natural fiber content. Low cost is, of course, a goal. ;) Any recommendations would be greatly appreciated. :)
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(8 comments | comment on this)
sca_garb
[ sarcasticmuppet ]
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8:19a Uses for Velvet?
I'm completely chicken-counting before I get it, but I might get myself into a length of dark purple velvet for a very low price (she bought it at a thrift store thinking it was black, and thinks it nonperiod). Since our shire has an elevation event coming up in September, and we were highly encouraged (to the point of being commanded) to wear the shire colors of purple and gold for the ceremony, it seems like a good buy. The only problem is, I have no idea what to make. I think of velvet, and I tend to think of Elizabethan noble. Which I don't have the time for. Factor in that velvet from all accounts is an absolute beast to work with, I think to succeed at all I should probably do something fairly simple. I had thoughts of keeping 16th century by doing a loose gown, which might take a bit less work, but I'm still not sure if I'm up for it to finish in two months.
I have aspirations of making someday making a simple cotehardie or a 15th c. kirtle, but I'm not sure if velvet is the appropriate fabric choice (I've done a bit of research into pre-16th century, but not a whole lot). Houppelands seem right for it, but I really don't want a houpe.
Does anyone use velvet for pre-16th century garb? If so, how do you like it?
Thanks, Marguerite
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(11 comments | comment on this)
breathe_poetry
[ mythomanic ]
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9:34a Frank Gaspar - My Hood of Stars
My Hood of Stars
God was still walking around in the wilderness fascinated and puzzled. He kept trying to show me how to take the words from dreams and old magazine covers, to make something out of them. He was preoccupied for hours and hours, but he never spoke his mind plainly. He did not like people to feel too comfortable around him. He was far more troubled than anyone now wants to remember. This is when the world was mostly without form, but it wasn't void: it is just that everything made only one kind of sense. You didn't have good words like automobile or deduction, though you had rebuke and anoint. Then God bent down and picked up a handful of desert. Not really. It's just how we talk about such things. He picked up a handful of desert and there came a great tempest. Then there were worlds standing in line, waiting on street corners and in train stations. Then God went a great way into that wilderness, whistling and singing in bright garments. I watched him go. Everybody did. Then his stars fell around us like swallows, stricken and stunned: That’s when the people began scooping them into their pockets and purses, trying on names, in- venting excuses. That’s when I tried on my own garment, drunk on fear and craving. That’s how I began whistling and singing.
--Frank Gaspar, from Night of a Thousand Blossoms
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(3 comments | comment on this) Monday, July 21st, 2008
sca_garb
[ tudorpot ]
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10:53a Kirtle - circle skirt
I found this page and plan to make a kirtle with a waist seam. A mention of a full circle skirt is made- and I am seriously tempted for several reason- no difficult setting of gores, and a less sewing. However, I'm unsure as to how to connect skirt and bodice together at the front opening. Should the skirt have an open seam for a few inches that is then laced together? Or is there some period fastening that I have not found yet? Suggestions please.
Also, are there potential problems I'm not seeing re circle skirts? Tips on how to avoid please?
I notice that in the pictures some of the kirtles are worn with what appears to be a coloured chemise or underdress ? Opinions?
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(26 comments | comment on this)
breathe_poetry
[ mythomanic ]
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8:10a Frank X. Gaspar - It Was So Dark Inside The Wolf
It Was So Dark Inside the WolfAll day with nothing on my mind, the soft old couch, the heating pad, a book of Tennessee Williams’s letters, tea, camembert, beer, soup, dozing, speaking in tongues off in my drowsing mind, invoking this or that god, thinking of raising my fortunes, thinking of all of this swimming forward without me someday, this bag of small wishes, the greatest sorrows indelible and indistinct in the afternoon’s haze: I cannot remember who said that our salvation must come from a turn within our own nature and that there are no turns and there is no nature. Oh, it was so dark inside the wolf said the little girl with the basket after the hunters had killed that beast who had eaten her, after they had cut him open to let her out, although you don’t hear that version so often anymore. Surely this is significant. Who hasn’t lodged in the belly of something, who hasn’t been devoured? Do you remember? Maybe it is something for you like an old tune that haunts you, that makes you so suddenly sad when you see a place where the carpet is coming up or where the screen door is sagging on a desperate hinge. Unbearable, this material music dissipating the neighborhood around you into nothing. How does one rise from this torpor and say, I don’t know what to do anymore? Outside the trees have sneaked above the line of the neighbor’s wall. How did I not notice? They make a tiny forest along our city driveway. They are as dark and deep as it gets here. I am still trying to rise up from the loveliness of dying objects into the loveliness of whatever it is they point to. I’m trying to get at just how things are, to adjust to that, but then I start shaking. Isn’t that how it is with you? It was so dark inside, but that’s not the whole story. They are leaving something out. I can feel it in the sleepless night when I run my hands over the openings in doorways. I can feel it when my own heart delivers all my secrets to my enemies. I can feel it when the poem doesn’t turn, but heads for the bottom with a hook in its mouth or when the sky runs to the color of tin and the sparrows disguise themselves as leaves in the hedge waiting for their moment. Isn’t that how it is with you?
-- Frank X. Gaspar, from Night of a Thousand Blossoms
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(8 comments | comment on this) Sunday, July 20th, 2008
breathe_poetry
[ mythomanic ]
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8:55a Book One - Anne Marie Macari
Book One
Light was being, held by her own hands or touched like water burning bare skin. In the beginning meant learning to see: a thousand kinds of green, the vine-crawl along rocks, the groping mouths of flowers. In the beginning all they knew was yes, so when the first no settled quietly around the tree they thought it birdsong, it took days or weeks for them to even notice its echo in the leaves, an absence really, the start of loss. Later, when the suffering began, who could she turn to and say: I didn’t ask to be born, squatting, the light separate and cold, distant as God, and she, already, refusing to kneel.</font></font>
-- From Gloryland
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(2 comments | comment on this) Saturday, July 19th, 2008
breathe_poetry
[ mosca ]
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1:12a "Driving at Night in the Pine Barrens," by Valerie Loveland
Driving at Night in the Pine Barrens Valerie Loveland
The road no longer had lines or street lights, just a white wooden house with peeling paint or a log cabin about every five miles, then every fifteen, then they stopped showing at all.
The van's lights could no longer rip through the thick dark air to lead me.
Stars disappeared from the black sky one by one. The moon slammed shut.
The road narrowed as the forest closed in, I shifted from traveling in the black air to the black dirt without noticing.
Sap wafted in through the side windows of the van; roots and worms coiled in the dirt.
The dirt was alive.
Moles and millipedes were shaken awake, annoyed by the van rattling by -— ants momentarily stopped their construction to stare.
I entered the difficult rock of the Earth's mantle wondering if I would turn back before the core,
but I knew I wouldn't -- not until magma spilled in the car windows blind, red hot, and furious.
From Stirring.
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(1 comment | comment on this) Thursday, July 17th, 2008
breathe_poetry
[ mosca ]
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3:51p "To Sixty," by Elizabeth Volpe
To Sixty Elizabeth Volpe
At this junction between old and really old, a mere step between the salsa and the waltz, the three-inch heel and the pump, you’re a shadow I can’t shake, even in the shade. I feel you in my fingers and my knees, hear you in the wheezings of the wind, the joint-crackings of ancient branches, see you in the way morning unclenches, making me feel bruised.
These days I wear risk like a flak jacket.
I see you in the crow perched on the neighborhood jungle gym. At first I thought it was a child, black-jacketed, sleeves flapping. Who are we without our illusions?
I never thought I’d admit to laughing with my legs closed, preferring footbaths to rollerblading. So what if my skin hangs like old wallpaper, if my children have never heard of canasta or pedal pushers, if my prescriptions are delivered in bulk from UPS. Elasticity? I used to have it, now I wear it.
Sixty, I’ve got to hand it to you. You do know how to milk the publicity teat. Time’s cover story this week tells us to make peace with aging. You’ve got to be kidding. Peace? I picture a long table with you on one side and me on the other, God standing at the head looking like Henry Kissinger. No one understands a thing he says so it’s weeks before we agree on anything. When the negotiations finally begin, I propose coffee, but you hold out for green tea. I suggest bagels, you counter with prunes. Okay, you win. Don’t worry, this is not going to be a stormy settlement. I know when I’m outnumbered. Forget munition dumps, demilitarized zones. Just let me get my knitting basket, and I’ll come quietly.
From StorySouth.
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(1 comment | comment on this)
sca_garb
[ suraktaarati ]
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3:03p Help!
So I'm trying to come up with some garb ideas, but I'm running into A LOT of dead sites. I'm mainly interested in ottoman/persian. Trying not to resort to a sari all of the time. I can't for the life of me find any patterns! Any sites that I can find these at? Or perhaps store patterns that I can use?
Also I need a good choli pattern. I found http://www.eagnet.com/edipage/areaserv/camdentor/cholipat.htm this one, but I can't understand whats going on.. I just can't get what goes where. Maybe a little help explaining it?
And- sari wrapping. I know of fishtail wrapping, but what else can I do that would be period? Is there anything?
Finally (promise this is all) does anyone have photos of actual people in persian/ottoman/indian garb? I find it hard to translate drawings into clothing :(
Thanks in advance :D
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(14 comments | comment on this) Wednesday, July 16th, 2008
sca_garb
[ tudorpot ]
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11:26p Parti coloured garb
I have several short lengths of fabric- about 3 meters each- need to make garb, but no cash to buy more at the moment. Any suggestions/patterns/links for parti-coloured garb or garb with gores of different colours that I can use to stretch this?
ETA : I know about cotehardies- but I'm waiting for help in making the pattern ala the cotte simple- In the mean time I need to make garb for an event.
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(23 comments | comment on this) Tuesday, July 15th, 2008
sca_garb
[ kaylee_illyria ]
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1:28a Raw silk
What is the best way to wash raw silk? I just recently went to my first event, and need to wash my garb, but I don't know what the best way to wash raw silk is.
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(18 comments | comment on this) Monday, July 14th, 2008
breathe_poetry
[ mosca ]
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8:40p "Flirting With Disaster," by Denise Duhamel and Amy Lemmon
Flirting With Disaster Denise Duhamel and Amy Lemmon
My perm smelled like rotten eggs every time it rained. Forty straight days, the Weather Channel said. Boys hauled buckets of frogs that poured from clouds, white noise poured from AM radios, dogs had to be restrained.
My husband's divorce lawyer wrote, "The winner takes it all." "The loser standing small," I snorted, quoting ABBA. At the mall, I backed my used Toyota into a new Saab. A trim, coiffed dame stepped out in Jimmy Choos, appalled
by my bumper sticker: Honk If Anything Falls Off. She whipped out her BlackBerry and business card, turned into the Wicked Witch of Neiman Marcus. Shoppers learned cosmetic discipline at her Lancome counter. I tried to doff
my Auntie Anne's paper cap in deference. Elizabeth Bishop wrote that poem about losing, an art, a disaster. Cameron Diaz read it aloud in In Her Shoes. (The movie cast her as smarter than the book, and sluttier.) My latest pickup
ate my last Pop Tart the morning after and never even asked for my number. My perm began to droop like my bloated, dirty blond Cheerios. Even my Hula Hoop sagged, dented (I'd run over it with the Corolla). Seven-
Eleven clerks rolled their eyes as I rummaged for the right change to pay for the burrito that had exploded in their microwave. The peonies in my flower box turned brown, misbehaved when I'd doused them with leftover Sanka. Deranged
neighbors rummaged through my recycle bin, looking for gold among the Yoohoo bottles and Fruit Loops boxes. My fortune cookie messages were full of paradoxes: "You appreciate a place only once you've left it." "Ignore
any warnings you receive today except for this one." "Buy Chung San noodle now." Home amid the empty calories, I watched Barbara Walters on 20/20 interview skinny Nicole Kidman. Tomorrow's forecast? Sun.
From Superstition Review.
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(3 comments | comment on this) Sunday, July 13th, 2008
breathe_poetry
[ mosca ]
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7:50p "Ocean Maps," by Kathryn Jacobs
Ocean Maps Kathryn Jacobs
Bad news, as usual: the big black holes our axis made in shish kabob-ing through are growing big time, and they're dangerous: apologize, Columbus. Studies show they look like doughnut holes. And if the earth is round like doughnuts, should we reassess our view of Chris's sailors? Here's a hole that plankton won't set tail in, big enough to suck Australia down and still have room for Captain's ego, after. You'd balk, too.
Now, as to why they're growing: scientists (as usual) blame warming. Don't ask them, ask me. Because to me it's obvious that these look just like whales with appetites. See how that hole elongates, flipper end making tsunamis over Papua? He's got his head by South America— and folks, he's hungry: if you have to swim, remember Moby on the inside ring. Last but not least, to all those cruise ship fans: beware, and stick to shore trips. I admit that he'll devour us all eventually, but if you let him rush it — don't blame me.
From Toasted Cheese Literary Journal.
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(comment on this)
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