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Saturday, July 26th, 2008


breathe_poetry

[ voleuse ]
8:49a
"The Shout" by Simon Armitage

The Shout
by Simon Armitage

We went out
into the school yard together, me and the boy
whose name and face

I don't remember. We were testing the range
of the human voice:
he had to shout for all he was worth,

I had to raise an arm
from across the divide to signal back
that the sound had carried.

He called from over the park—I lifted an arm.
Out of bounds,
he yelled from the end of the road,

from the foot of the hill,
from beyond the look-out post of Fretwell's Farm—
I lifted an arm.

He left town, went on to be twenty years dead
with a gunshot hole
in the roof of his mouth, in Western Australia.

Boy with the name and face I don't remember,
you can stop shouting now, I can still hear you.

(2 comments | comment on this)

Friday, July 25th, 2008


breathe_poetry

[ mythomanic ]
12:37a
Nicholas Johnson - At The End

At the End

of this Eastern course, on deck observing
the gulls reel in the old dilemma, the tarpaulin
chaffed to a shine. Through the wheel the pull of
the sea is evident as separate vignettes appear
out of cigarette smoke. How tempting to drown
in such perceptions as you reconstruct shadow and sun
to a daze among polite trees somewhere on shore.
Coming home, it is clear the real tragedy is
dreams die too easily and the difficult country
reached via the grey, ice-bound river
can never be subdued. No, there are no Roman
roads here, but on the roads by the Seaport
you can feel the warm pavement give way
under your feet, giving you a sense of your own weight
and how easy it is to make an impression. Though hungry,
the longer you go without, the less you feel like it.
So we let them sleep in the lifeboat and do not
wake them for the prize of adoration, but simply continue
all the malicious lullabyes of the fair autistic weather
and those conspiracies of the tides that let you think
you can keep the course once set, that
you will not sink or rise.

-- Nick Johnson, from 'Degrees of Freedom'

(comment on this)

Wednesday, July 23rd, 2008


sca_garb

[ kittikins ]
3:27p
Beginnings of a Frau

My foray into German started because I'm in the SCA and retaining for a new reign that is delving into early 16th century craziness.  I've been *going* crazy because late period garb is a little beyond me but I've been trying.  Lots. =)  The first near finished thing I have done is a kampfrau.

This dress is all in linen, with the yellow around the cutwork hand embroidered.  Eventually there will be a chemise (hopefully tomorrow), and an overskirt in the blue linen that the bodice is lined in, with guards and cutwork on the guards.  Unfortunately, not before Pennsic, as I also have tippets, a tabbard, chemise, apron, and hat to make.  And then packing. 

Its not perfect at all- the sleeves are supposed to be short and poofy but I failed at that, and I started the cutwork about two inches too low, so the bodice is a bit too long.  Also, I messed up the yellow in the front.  BUT- its a first attempt.  And one of my more complicated efforts.

  
Cross posted to [info]dressdiaries </div>


current mood: busy

(10 comments | comment on this)

breathe_poetry

[ mythomanic ]
9:58p
David Roderick - Rothko's Earth & Green, 1955

Rothko's Earth & Green, 1955

Perhaps each color was inspired by a sensation
in his pores, cigarette smoke in his nostrils
or the pleasant rise of heat around his head.
Red sweat. Ashen door. Then his whole sight
was that: canvas and haze, the sour hint of dinner
still on his breath. Already he had left the room
by painting a portal into the next, and this despite
his urge to stay in this world, to frame an impossible
gesture. It is said he could not remember
the faces of his country: reading near the warmth
of his father's samovar, hide-and-seek in the crooked
alleys of Dvinsk, yet such an ordinary fear haunted
him in every green vibration and encroachment

of blue, every thin overlap the hue of rainwater,
every wall through which a trace of light might pass.
Sometimes a color was just the thrill of his skin
at the brink of discovery, like when a boy notices
figures in the grain of a kitchen table, or milk
swirling with tea while his mother irons laundry
just behind him. Corresponding signals of press
and steam, wisp and dispersal. And even while
painting he understood that somebody else must
open the space between them, that a viewer could
ease his passage by recognizing that his canvas
was a door to the common world, dawn between
then and now; so stare for a moment into the mouth
of this picture: inhalation exhalation, green
blue, the yawn of a man before he stirs awake.

-- David Roderick, from Blue Colonial

(comment on this)

Tuesday, July 22nd, 2008


sca_garb

[ silverstah ]
11:57a
Sari/Saree recommendations?

I'm looking to purchase a sari for warmer weather events. Does anyone have any recommendations for websites/companies they really like - or, conversely, companies to avoid? I'd prefer a woven pattern (as opposed to block print) with a mostly natural fiber content. Low cost is, of course, a goal. ;) Any recommendations would be greatly appreciated. :)

(8 comments | comment on this)

sca_garb

[ sarcasticmuppet ]
8:19a
Uses for Velvet?

I'm completely chicken-counting before I get it, but I might get myself into a length of dark purple velvet for a very low price (she bought it at a thrift store thinking it was black, and thinks it nonperiod). Since our shire has an elevation event coming up in September, and we were highly encouraged (to the point of being commanded) to wear the shire colors of purple and gold for the ceremony, it seems like a good buy. The only problem is, I have no idea what to make. I think of velvet, and I tend to think of Elizabethan noble. Which I don't have the time for. Factor in that velvet from all accounts is an absolute beast to work with, I think to succeed at all I should probably do something fairly simple. I had thoughts of keeping 16th century by doing a loose gown, which might take a bit less work, but I'm still not sure if I'm up for it to finish in two months.

I have aspirations of making someday making a simple cotehardie or a 15th c. kirtle, but I'm not sure if velvet is the appropriate fabric choice (I've done a bit of research into pre-16th century, but not a whole lot). Houppelands seem right for it, but I really don't want a houpe.

Does anyone use velvet for pre-16th century garb? If so, how do you like it?

Thanks, Marguerite

(11 comments | comment on this)

breathe_poetry

[ mythomanic ]
9:34a
Frank Gaspar - My Hood of Stars

My Hood of Stars

God was still walking around in the wilderness
fascinated and puzzled. He kept trying to show
me how to take the words from dreams and old
magazine covers, to make something out of them.
He was preoccupied for hours and hours, but
he never spoke his mind plainly. He did not
like people to feel too comfortable around him.
He was far more troubled than anyone now wants
to remember. This is when the world was
mostly without form, but it wasn't void: it is
just that everything made only one kind of sense.
You didn't have good words like automobile or deduction,
though you had rebuke and anoint. Then God
bent down and picked up a handful of desert.
Not really. It's just how we talk about such things.
He picked up a handful of desert and there came
a great tempest. Then there were worlds standing in line,
waiting on street corners and in train stations. Then
God went a great way into that wilderness, whistling
and singing in bright garments. I watched him go.
Everybody did. Then his stars fell around us like swallows,
stricken and stunned: That’s when the people began scooping
them into their pockets and purses, trying on names, in-
venting excuses. That’s when I tried on my own garment,
drunk on fear and craving. That’s how I began whistling and singing.

--Frank Gaspar, from Night of a Thousand Blossoms

(3 comments | comment on this)

Monday, July 21st, 2008


sca_garb

[ tudorpot ]
10:53a
Kirtle - circle skirt

I found this page and plan to make a kirtle with a waist seam. A mention of a full circle skirt is made- and I am seriously tempted for several reason- no difficult setting of gores, and a less sewing. However, I'm unsure as to how to connect skirt and bodice together at the front opening. Should the skirt have an open seam for a few inches that is then laced together? Or is there some period fastening that I have not found yet? Suggestions please.

Also, are there potential problems I'm not seeing re circle skirts? Tips on how to avoid please?

I notice that in the pictures some of the kirtles are worn with what appears to be a coloured chemise or underdress ? Opinions?

(26 comments | comment on this)

breathe_poetry

[ mythomanic ]
8:10a
Frank X. Gaspar - It Was So Dark Inside The Wolf

It Was So Dark Inside the Wolf

All day with nothing on my mind, the soft old couch,
the heating pad, a book of Tennessee Williams’s letters,
tea, camembert, beer, soup, dozing, speaking in tongues
off in my drowsing mind, invoking this or that god, thinking
of raising my fortunes, thinking of all of this swimming forward
without me someday, this bag of small wishes, the greatest
sorrows indelible and indistinct in the afternoon’s haze:
I cannot remember who said that our salvation must come
from a turn within our own nature and that there are no turns
and there is no nature. Oh, it was so dark inside the wolf said
the little girl with the basket after the hunters had killed
that beast who had eaten her, after they had cut him open to
let her out, although you don’t hear that version so often anymore.
Surely this is significant. Who hasn’t lodged in the belly
of something, who hasn’t been devoured? Do you remember?
Maybe it is something for you like an old tune that haunts you,
that makes you so suddenly sad when you see a place where
the carpet is coming up or where the screen door is sagging
on a desperate hinge. Unbearable, this material music dissipating
the neighborhood around you into nothing. How does one rise
from this torpor and say, I don’t know what to do anymore?
Outside the trees have sneaked above the line of the neighbor’s
wall. How did I not notice? They make a tiny forest along
our city driveway. They are as dark and deep as it gets here.
I am still trying to rise up from the loveliness of dying objects
into the loveliness of whatever it is they point to. I’m trying
to get at just how things are, to adjust to that, but then I start
shaking. Isn’t that how it is with you? It was so dark inside,
but that’s not the whole story. They are leaving something out.
I can feel it in the sleepless night when I run my hands over
the openings in doorways. I can feel it when my own heart
delivers all my secrets to my enemies. I can feel it when
the poem doesn’t turn, but heads for the bottom with a hook
in its mouth or when the sky runs to the color of tin and
the sparrows disguise themselves as leaves in the hedge waiting
for their moment. Isn’t that how it is with you?



-- Frank X. Gaspar, from Night of a Thousand Blossoms

(8 comments | comment on this)

Sunday, July 20th, 2008


breathe_poetry

[ mythomanic ]
8:55a
Book One - Anne Marie Macari

Book One

Light was being, held by her own hands or
touched like water burning bare skin.
In the beginning meant learning to see: a thousand
kinds of green, the vine-crawl along rocks,
the groping mouths of flowers. In the beginning
all they knew was yes, so when the first no
settled quietly around the tree
they thought it birdsong, it took days or weeks
for them to even notice its echo
in the leaves, an absence really, the start of loss.
Later, when the suffering began, who could
she turn to and say: I didn’t ask to be born,
squatting, the light separate and cold, distant
as God, and she, already, refusing to kneel.</font></font>

-- From Gloryland

(2 comments | comment on this)

Saturday, July 19th, 2008


breathe_poetry

[ mosca ]
1:12a
"Driving at Night in the Pine Barrens," by Valerie Loveland

Driving at Night in the Pine Barrens
Valerie Loveland

The road no longer had lines
or street lights,
just a white wooden house with peeling paint
or a log cabin about every five miles,
then every fifteen,
then they stopped showing at all.

The van's lights could no longer rip
through the thick dark air to lead me.

Stars disappeared from the black sky one by one.
The moon slammed shut.

The road narrowed as the forest closed in,
I shifted from traveling in the black air
to the black dirt without noticing.

Sap wafted in through the side windows of the van;
roots and worms coiled in the dirt.

The dirt was alive.

Moles and millipedes were shaken awake, annoyed
by the van rattling by -—
ants momentarily stopped their construction to stare.

I entered the difficult rock
of the Earth's mantle wondering
if I would turn back before the core,

but I knew I wouldn't --
not until magma spilled in the car windows
blind, red hot, and furious.

From Stirring.

(1 comment | comment on this)

Thursday, July 17th, 2008


breathe_poetry

[ mosca ]
3:51p
"To Sixty," by Elizabeth Volpe

To Sixty
Elizabeth Volpe

At this junction between old
and really old, a mere step between the salsa
and the waltz, the three-inch heel
and the pump, you’re a shadow I can’t shake,
even in the shade. I feel you
in my fingers and my knees, hear you
in the wheezings of the wind,
the joint-crackings of ancient branches, see you
in the way morning unclenches,
making me feel bruised.

These days I wear risk like a flak jacket.

I see you in the crow perched on the neighborhood
jungle gym. At first I thought it was a child,
black-jacketed, sleeves flapping. Who are we
without our illusions?

I never thought I’d admit to
laughing with my legs closed, preferring footbaths
to rollerblading. So what if my skin hangs
like old wallpaper, if my children have never heard
of canasta or pedal pushers, if my prescriptions
are delivered in bulk from UPS.
Elasticity? I used to have it,
now I wear it.

Sixty, I’ve got to hand it to you. You do know how
to milk the publicity teat. Time’s cover story
this week tells us to make peace with aging.
You’ve got to be kidding. Peace?
I picture a long table with you on one side
and me on the other, God standing at the head
looking like Henry Kissinger. No one understands
a thing he says so it’s weeks before we agree
on anything. When the negotiations finally begin,
I propose coffee, but you hold out for green tea.
I suggest bagels, you counter with prunes. Okay,
you win. Don’t worry, this is not going to be
a stormy settlement. I know when I’m outnumbered.
Forget munition dumps, demilitarized zones. Just let me
get my knitting basket, and I’ll come quietly.

From StorySouth.

(1 comment | comment on this)

sca_garb

[ suraktaarati ]
3:03p
Help!

So I'm trying to come up with some garb ideas, but I'm running into A LOT of dead sites.
I'm mainly interested in ottoman/persian. Trying not to resort to a sari all of the time.
I can't for the life of me find any patterns!
Any sites that I can find these at? Or perhaps store patterns that I can use?

Also I need a good choli pattern. I found http://www.eagnet.com/edipage/areaserv/camdentor/cholipat.htm this one, but I can't understand whats going on.. I just can't get what goes where. Maybe a little help explaining it?


And- sari wrapping. I know of fishtail wrapping, but what else can I do that would be period? Is there anything?

Finally (promise this is all) does anyone have photos of actual people in persian/ottoman/indian garb? I find it hard to translate drawings into clothing :(

Thanks in advance :D

(14 comments | comment on this)

Wednesday, July 16th, 2008


sca_garb

[ tudorpot ]
11:26p
Parti coloured garb

I have several short lengths of fabric- about 3 meters each- need to make garb, but no cash to buy more at the moment. Any suggestions/patterns/links for parti-coloured garb or garb with gores of different colours  that I can use to stretch this?

ETA : I know about cotehardies- but I'm waiting for help in making the pattern ala the cotte simple- In the mean time I need to make garb for an event.

(23 comments | comment on this)

Tuesday, July 15th, 2008


sca_garb

[ kaylee_illyria ]
1:28a
Raw silk

What is the best way to wash raw silk?  I just recently went to my first event, and need to wash my garb, but I don't know what the best way to wash raw silk is.

(18 comments | comment on this)

Monday, July 14th, 2008


breathe_poetry

[ mosca ]
8:40p
"Flirting With Disaster," by Denise Duhamel and Amy Lemmon

Flirting With Disaster
Denise Duhamel and Amy Lemmon

My perm smelled like rotten eggs every time it rained.
Forty straight days, the Weather Channel said. Boys
hauled buckets of frogs that poured from clouds, white noise
poured from AM radios, dogs had to be restrained.

My husband's divorce lawyer wrote, "The winner takes it all."
"The loser standing small," I snorted, quoting ABBA.
At the mall, I backed my used Toyota into a new Saab. A
trim, coiffed dame stepped out in Jimmy Choos, appalled

by my bumper sticker: Honk If Anything Falls Off.
She whipped out her BlackBerry and business card, turned
into the Wicked Witch of Neiman Marcus. Shoppers learned
cosmetic discipline at her Lancome counter. I tried to doff

my Auntie Anne's paper cap in deference. Elizabeth Bishop
wrote that poem about losing, an art, a disaster.
Cameron Diaz read it aloud in In Her Shoes. (The movie cast her
as smarter than the book, and sluttier.) My latest pickup

ate my last Pop Tart the morning after and never even
asked for my number. My perm began to droop
like my bloated, dirty blond Cheerios. Even my Hula Hoop
sagged, dented (I'd run over it with the Corolla). Seven-

Eleven clerks rolled their eyes as I rummaged for the right change
to pay for the burrito that had exploded in their microwave.
The peonies in my flower box turned brown, misbehaved
when I'd doused them with leftover Sanka. Deranged

neighbors rummaged through my recycle bin, looking for
gold among the Yoohoo bottles and Fruit Loops boxes.
My fortune cookie messages were full of paradoxes:
"You appreciate a place only once you've left it." "Ignore

any warnings you receive today except for this one."
"Buy Chung San noodle now." Home amid the empty
calories, I watched Barbara Walters on 20/20
interview skinny Nicole Kidman. Tomorrow's forecast? Sun.

From Superstition Review.

(3 comments | comment on this)

Sunday, July 13th, 2008


breathe_poetry

[ mosca ]
7:50p
"Ocean Maps," by Kathryn Jacobs

Ocean Maps
Kathryn Jacobs

Bad news, as usual: the big black holes
our axis made in shish kabob-ing through
are growing big time, and they're dangerous:
apologize, Columbus. Studies show
they look like doughnut holes. And if the earth
is round like doughnuts, should we reassess
our view of Chris's sailors? Here's a hole
that plankton won't set tail in, big enough
to suck Australia down and still have room
for Captain's ego, after. You'd balk, too.

Now, as to why they're growing: scientists
(as usual) blame warming. Don't ask them,
ask me. Because to me it's obvious
that these look just like whales with appetites.
See how that hole elongates, flipper end
making tsunamis over Papua?
He's got his head by South America—
and folks, he's hungry: if you have to swim,
remember Moby on the inside ring.
Last but not least, to all those cruise ship fans:
beware, and stick to shore trips. I admit
that he'll devour us all eventually,
but if you let him rush it — don't blame me.

From Toasted Cheese Literary Journal.

(comment on this)



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