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i remember where i got my love / 愛をもらった場所覚えてるよ [22 Aug 2003|06:07am]
This is the last entry in this journal. The journal will not be deleted. It will remain here. I'll be deleting a few entries from it in due time -- the stupid, short ones -- and keep only the posts that are significant to the, uh, "story."

For now, enjoy the final entry, if you can. It's long. That's about all I can say.

i remember where i got my love / 愛をもらった場所覚えてる )

--tim rogersの最後の冒険が始まってる
88 comments|post comment

[21 Aug 2003|11:32pm]
I almost broke some old black dude's arm today.

I was leaving A Building near Clark and Lake in Chicago at a little after six-thirty PM, en route to a rendezvous with Big Joe near the Chicago Sun-Times building. I had punk rock in my ears and a Slurpee in my hand. It was a big Slurpee, and melting. That might have been fucking with me. Or it might have been something else.

So anyway, me with the Hell Ears and all, I heard, over my punk rock, this Old Black Beggar Dude on the corner says to me, "Hey, man." He wanted change. I ignored him, made like my ears were too filled with music, because for any normal person, they would have been.

Then the dude does something wrong. He starts to follow me. Now, those of you in Los Angeles will know beggars as pretty docile. They try to get your attention, and if you don't give it to them, they don't try to take it anymore.

Well, the bitches in Chicago is persistent. Persistent enough to follow you, and then do something you never do in the United States of America -- and not in other countries, either, though for different reasons -- he touched me. Not only did he touch me, he touched me with all five digits, on the widest part of my shoulder. Gripped it, almost.

His left hand, my left shoulder.

I swung my left arm up and around, catching his at the elbow. It was a split-split second later that I had the old bastard's arm in an aikido lock. It hurt him so bad, it was even hurting me a little bit. He made a squealing sound like a pimp being slowly deflated.

With my right hand, I pulled my headphones down to my neck. The old guy's mouth was wide open.

"What the fuck -- what the fuck, man?" He had a whole bunch of metal teeth. They weren't gold. They were some far less precious metal.

I narrowed my eyes at him. I might have looked angry. I wasn't. I was simply caught off-guard. His mouth opened in the shaped of an "ai."

"Ai," the Japanese word for "love." Were he Japanese, he might be about to admit something deep and/or soul-rending.

"What?" I said to him.

"Sh-shit!" he yelled.

I let go of the guy. He took off running away from me like a kid chasing a school bus. He sure could run.

It happens, sometimes, that I get caught off-guard. I'm usually brought back on-guard very quickly. I learned some six months ago, one night, that I was not at all selfish. I think the only person I told that story to is [info]aderack. It's not a bad story.

Well, I learned today that I might, really, be the kind of person nobody should fuck with physically.

When I get back to Japan, I'm going to continue with aikido. There's an intelligence to it, you know. There's a sense, when you look at a guy -- any guy -- you can think, deep down inside: I could beat him.

Kids in high schools will talk about their abilities to beat up anyone. Yet, there's a level somewhere behind all that shit -- there's a level of intellectual belief in your ability that, combined with stances and poses, can make anyone invincible. That shit you see on certain anime shows, where martial artists compete with their psychic powers -- there's a certain truth behind that. When two people with that belief clash, that's where adrenaline comes from.

The so-minded person is capable of anything.

And that's hardly the point of this entry. The point is that you don't touch someone in American public. You just don't do it. People in this country are born paranoid of muggers and murderers and rapists, even people from shit-towns like the one I'm from.

You don't touch someone, especially when you want them to give you money.

Unless, of course, they've agreed to pay you afterwards.

Or, better yet, if they've paid you in advance.

Some little black kids came up to me when I was standing on the Michigan bridge, looking down at the canal, listening to music and sweating. They were raising money for school. Some christian group at their christian school. I gave them two quarters. I didn't even take off my headphones to see what they had to say. I just gave them the quarters. They didn't even thank me.

They knew better.

I'm going to have boba tomorrow. And then maybe die. How I'll do either thing, I don't know. Death is a good thing, though -- in the metaphorical sense, of course.

I'm going to take a shower.

I've got something else I'm working on. It might go up tonight, on this very page. Or maybe it never will.

Oh, and something big might be on insert credit tonight. Be sure to check it out. If it goes up.
18 comments|post comment

[19 Aug 2003|06:20pm]
You know, every time I used to write a new article for insert credit, I used to link it in this livejournal.

Like this.

These days, though, I'm too busy with far too many things to do that. So I don't do it.

Besides, everyone who cares probably reads the site every day, anyway, right?

And you hardly need me to bring you interesting news stories when you've got, say, Slashdot Games or some shit.

Hmmm.

I'm not going to Chicgago tonight. I'm going to Chicago tomorrow, instead. Either way, I'm still going to Chicago. It all still amounts to me in Chicago.

With all hope, I'll be in Tokyo in a little over three weeks. With even more hope, I won't be back to Indianapolis, Indiana ever again, and I won't be back to the United States of America for a long time. I won't go ahead and badmouth anyone here. I won't give a kind of Bilbo Baggins last speech about how I've known half of you half as long as I'd liked and liked half of you half as much as you deserved, because, quite frankly, I don't do that sort of thing.

I'm not an audience-burner. I've never been able to fall in line with that aesthetic. I've been accused, before, of self-importance; of writing things because I, myself, like them. I can defend this easily by saying that I wouldn't want to write something I don't like. Now, I have, as an exercise in tone or structure, at times written entire essays or novels in narrative voices I loathe. That's not to say I consider this more important than, say, what I'm doing right now.

A writing professor once told me that you have to know your audience. A guy who pretended to be my literary agent, and is now half-dead hopefully bordering on three-quarters dead, once cited Kurt Vonnegut's Timequake as an example of audience-loathing writing.

I say to the people of the internet: there exist differences between not seeing the audience, not knowing the audience, not minding the audience, and acknowledging the audience, insulting the audience, and hating the audience. Truth be told, each of these things can be done either very poorly or very well -- except insulting the audience. Yes, hating the audience can cause beautiful results -- look at Haruki Murakami's novel Norwegian Wood, written for the kinds of high school romance-novel leisure-readers the author loathed.

Insulting the audience is simply not smooth, and not cool, especially if the audience can't fight back. Kurt Vonnegut oversteps many hundreds of boundaries in his later novels, and bitterly.

There are people who like this kind of thing. Unfortunately, they are far outnumbered by the people who do not.

"Tim Rogers" is ending. Very soon, there will be no more "Tim Rogers." I had planned to retire the name this April, and got hung up on certain things. Now, I figure, it's closing in on that time. With another move to Japan and another autumn comes another name and another persona. What you're reading right now is the "real me," both apologetic and unapologetic.

In closing, FUCK YOU YOU DUMB BITCHES.

(Now, see, I didn't mean that -- it was supposed to be a joke. There were . . . grounds for it. Given the above example.)
13 comments|post comment

[18 Aug 2003|03:11pm]
Idiotic assholes of the world, listen up:

If you are right now in the presence of an infant, and you feel somehow compelled to speak to it, fucking speak normally. Infants learn to speak a language by hearing it spoken normally. It takes them many months, maybe even years, to learn to shape their tongues correctly to speak normally. The sounds they make during these months or years are a result of linguistic adaptation.

Do not -- I repeat, do FUCKING not -- stand around imitating the damned baby's sounds. If it were old enough, it'd be insulted by your mockery. Since the babies of the world are not old enough to be so insulted, I stand insulted in their place.

I stand even more insulted by the people who tell me that "babies react to high-pitched sounds." Yes, doctors have proven that babies react to high-pitched sounds, however, it is only a reaction. What kind of reaction is it?

We can tell that animals react to being stroked. We can also tell that they react to BB-gun pellets.

I stand before you, idiotic assholes, as someone who is smarter than you. And I say: your baby is learning more English from the fucking television you never turn off than from your assholic babbling.

I now back this statement up:

As one who has studied linguistics and even taught conversational English to past-their-linguistic-prime salarymen in a country as lingually disabled as Japan, I have become enlightened. See, in Japan, the misinformed company I taught for -- managed by a whole load of baby-patronizers, I imagine -- had a rule whereby all students were supposed to learn English by speaking to one another, with only the barest hints from the teacher. This accounts for the close-to-zero level of progress of all students enlisted at that school. Through witnessing these people making fuzzier linguistic copies of fuzzy linguistic copies, I have come into the posession of a nice little bit of practical knowledge.

I know, if nothing else, this:

People learn to speak by imitating you, not by imitating you imitating them.

Save an establishing IQ: stop being an ignorant asshole.

Thank you in advance. With all hope, the generation after this one won't drop out of high school to sell narcotic cough medicine to kids in gas station parking lots.
17 comments|post comment

[15 Aug 2003|09:23pm]
I now have Star Wars: Knights of the Old Republic.

If you were, uh, going to send me a copy, don't do it. Deep thanks for the offer, at any rate. Keep it for yourself.

I'm about to start playing.

b00m.

EDIT 21:36:

and it froze during the portrait selection phase of the character generation.

it . . . won't start.

my xbox is . . . dead.

holy motherfucking shit.

God doesn't want me to play this game.
15 comments|post comment

tim rogers on the current cinema, 08142003 [14 Aug 2003|03:35am]
EDIT: first, your new desktop wallpaper.

Now, continue.

pyramid108: i think pirates is kind of a movie miracle
pyramid108: it's the cinematic equivalent of the chicken that lived a year without a head
idprism: ha
idprism: :]
pyramid108: i mean
pyramid108: there's a huge . . . HOLE in the movie
pyramid108: like, a GIANT one
pyramid108: yet
pyramid108: it's still wholly watchable
pyramid108: and even UProckingly enjoyable
idprism: it is enjoyable
idprism: to what hole do you refer?
idprism: i think there may be more than one
pyramid108: i mean
pyramid108: there's just a giant part of the movie where every line of dialogue
pyramid108: just . . . everything is collapsing in on itself
pyramid108: it becomes a cinematic black hole
idprism: haha
pyramid108: yet, johnny depp makes it watchable
idprism: he does
pyramid108: it's . . . kind of senseless
idprism: indeed
idprism: i mentioned that on someone's livejournal
pyramid108: theyre going back and forth to and from that island
idprism: [info]morganlight's maybe
pyramid108: rescuing one guy, then another guy, then the girl
pyramid108: the ending is FUCKRIDICKULOUS
pyramid108: . . . yes, i just made that word up
idprism: haha
idprism: i figured
pyramid108: and i'm not referring to the BRILLIANT final shot
idprism: with the monkey?
pyramid108: no
pyramid108: where johnny depp is mumbling the pirate song
idprism: oh
idprism: that
pyramid108: the monkey doesn't count
pyramid108: heh
idprism: haha
idprism: ok
pyramid108: that's not brilliant
idprism: i know
idprism: -.-;;
pyramid108: that's like . . . a teaser of a teaser
idprism: yeah
pyramid108: you know
idprism: so do you sit in til the end of the credits like i do?
idprism: or did you just hear about that somewhere?
pyramid108: how sometimes movies end with 'BOOOOOM, WAIT FOR THE SEQUEL, BITCH!'
idprism: oh yeah
pyramid108: well, that was . . .
pyramid108: 'BOOOOOOOM!
pyramid108: 'LOOK AT THE MONKEY, BITCH!'
pyramid108: which is . . . not the same
idprism: hahaha
idprism: its not
pyramid108: it's more of a 'this COULD be a teaser, if it WAS A TEASER!'
6 comments|post comment

an interview [12 Aug 2003|05:27pm]
This is one of those interview things. The questions are from ferozan.

1) will you move to japan permanently someday?

No.

2) why are women better companions than men?

Because they're smarter. And for the most part, they don't treat everything like it was some kind of football game.

I was watching this dating show last night, where a group of men is trying to win this one woman. The thing is, if and when the woman chooses them, the guy can then choose to dump the woman for a million dollars.

This one thick, large guy was standing before the woman during the elimination phase, and sweating. We heard a voice-over of his strategy, as related to the camera earlier that day:

"Times like this, you just got to keep your feet planted, keep breathing, think of the game plan, keep your eyes on the prize."

What the fuck?

If there had ever been an argument that men thought less than women, and if that argument had been meant to cast men in a negative light, I both hate and like to inform the world that men think more than women, and that's what makes them worse.

You think I got where I am by thinking?

. . . Well, then again, where am I? That's a good question.

I always recount the story of my high school experience. How I, as a child, never went through a "girls are icky" phase, while all the other boys grew up hating girls. The girls, though -- they didn't hate the boys. They were picking which boys they wanted to marry, back when they were five. Does this make them more thoughtful, or more instinctive?

Suddenly, at age fourteen, the guys were throwing around profane terms for female anatomy and sneaking pornographic magazines out of chain bookstores. I held the same opinion as ever, from long before.

I disliked that kind of ambivalence, and not because it wasn't mine. Just -- in general.

3) what is your favourite (and least favourite) country out of all the ones you've seen so far?

I like Japan the most. Germany appealed to me the least; however, that was more of a "bad experience" thing than anything else.

Then again, I had some bad experiences in Japan, too. Far worse experiences, if you count them all up.

Maybe I just like being surrounded by a foreign language that looks nothing like the language I grew up surrounded by.

4) what the hell happened to drunken tiger?

They're still around, you know. They released a new CD back in February. I listened to it at a record store in Shibuya one morning. I didn't buy it, because . . . it sounds too much like American hip-hop now. I guess you could say they done sold out.

5) if you were made to choose: movies or music?

I guess music. Because I could always do something else while listening to music. And I could always make music more easily than making movies.

. . .

The rules say that I'm supposed to ask you people if you want to be interviewed by me. And then you post a comment here or some shit. So do it.
14 comments|post comment

legal action of the eiffel tower variety, bottom suit jacket buttons, urinary tract infections aglow [11 Aug 2003|12:56pm]
Did you know it's legal to publish a picture you take of the Eiffel Tower during the day, yet a published photo taken of it at night is subject to copyright laws?

It kind of reminds me of the bottom button on a suit jacket. See, the bottom button exists to be unbuttoned. However many buttons there are, the one that's on the bottom is never to be buttoned. Now, before you ask why they include a bottom button, let me point out: It's like the last day of school. Remember the last day of school, when you were eight years old? You might have complained, "Why is today the last day of school? We're not doing anything today. We're just sitting around, watching movies, talking about summer vacation." Well, see, if today isn't the last day of school -- if the last day of school were yesterday, you'd have been complaining similarly.

Someone accused me just yesterday of having no sense of symbolism. Another someone asked me, "Don't you have any sense of formality?" These are questions they were made to ask by my Columbo-level of Fucking With People In Public.

Oh, oh, no: my sense of symbolism is in truth far greater than yours. My sense of formality is in truth far more acute than yours, in that I know formality, I know maturity, and furthermore, I know my own personality. I simply choose when to let each one show.

Yesterday, I stood before a rented church in a rented tuxedo with rented friends, after guiding a rented girl down the aisle. Be aware that the word "rented" does not indicate any kind of distaste. It simply means that everything was, for the moment, whether I wanted it to be or not, temporary. These are places and people whose time I can only share when situations and circumstances are in certain line. As I stood before this church, the top three buttons of my suit jacket were buttoned, following the closest thing the wedding came to a cinematic disaster: the top button had popped off, requiring the wedding director, the one who'd ask me at the reception if I'd like a plate for my slice of cheese, so I actually looked like I belonged here, to fish a safety pin out of her pocket. Everything went well. The top button -- which someone at the rental shop had tied on, maybe as a prank -- was buttoned, the bottom stayed unbuttoned.

So you may ask: why have a button, if it has to stay unbuttoned? Why have a fourth button at all? Why not simply have three buttons? And I tell you: because then the third button would need to stay unbuttoned. I tell you: I've seen it happen. I've worn three-button suit jackets with two buttons buttoned. I've worn two-button jackets with one button buttoned.

And then you say, well, the tuxedo vest you wore yesterday had buttons that didn't even have buttonholes. They were just kind of stuck in the "fastened" position. And I say: that's different.

In related news: I hate -- I fucking hate when people ask me what I'm eating. As a perhaps-not-normal person -- I've come to accept this, maybe -- I don't eat what more-normal people do. That's not to say I like being different, or that I'm trying to be different. It's just what I do. It's how I am. I won't start apologizing now, nor will I stop doing it now. I'll let the wind keep blowing, and keep eating the sometimes-hateful things I eat. You, people of the world -- including and/or not limited to my brother's wife -- please, don't assume that both because I like talking and because I eat these strange things, that I'm dying to tell you what they are, choking to tell you all about them. And don't walk into my kitchen and ask me what the hell that smell is. My mother used to make Polish ground-beef-filled-cabbages, the name of which I remember, and can even spell, yet choose not to do, and they smelled more horrible than horrible itself. Nothing I make for myself to eat smells that bad -- I cook bland things, to tell the truth, and then douse them in Tabasco; such is the lopsided sensitivity of my taste -- so you have absolutely no right to complain, or to pretend to be complain. And you can say I'm being pretentious when I say everything I've said in this paragraph, and you could say it until right now, when I say this: I don't hate you because of this. I simply hate that such situations arise.

I'm the bottom button on a suit jacket. There's a buttonhole I can see. I am aware of the buttoning process. I know all the rules and all the methods for being buttoned. Yet I shall not be buttoned.

I'm reminded of something Miyamoto Musashi says in the Book of Five Rings, about how his positions will make any person armed with two swords and the willingness to see invincible, and how this one guy in my Japanese class who thought "like a Japanese person" didn't understand the differences between lines and rays, or even line segments and lines, when I told him what I told him about Musashi's Geometric Invincibility. Yet, he read the book, over and over again, and said he did so because he absorbed the philosophy "like a Japanese person." That's pretentious; it's even more pretentious to tell me that I don't understand Musashi because I don't understand the symbolism of the Void, and I cannot give myself to the Void. I'd say you're just lashing out and grabbing at the last few sentences of a book you don't understand. I'd then ask: if I'm not the Void, what am I?

(In a connected note: I hear the Void in television commercials for wholesome family products where people smile with white teeth, and the music is a kind of throaty rock and roll where drums, bass, vocals, and guitar blend into one instrument, and I wonder: who wrote this? And I think: no one.)

In closing, I wonder how one gets a urinary tract infection. I've got cranberry juice on the way, over here. I talked to a fellow groomsman about Neverwinter Nights for an hour during the rehearsal dinner, only to see him that night drink half a bottle of NyQuil before bed, and then feel ridiculously sick about six minutes into the reception the next day. This diagnosed-as-genius brain of mine has put two hundred and two hundred together, and come up with both four hundred and "maybe I have the flu." This morning, I realize that more, though only after a strange experience involving the toilet.

See, as a person with much Inguinal Hernia Experience, I have honed my urinating ability so that I can hit a Cheerio in the dark from fifty feet. I have, at times, and jokingly, suggested that once I start my own religion, I'll propose an "Inverse Ramadan," where no follower of me is permitted to use the bathroom during daylight hours, so that by the end of the day, you might feel, with regards to urinary tract, how I feel every fifteen minutes. Yes, yes, I'm getting the problem looked at once I get some money. I'm getting the best-trained doctor to fish that link of small intestine off my bladder and out of my scrotum, and I'm going to make sure he has a good time doing it if it kills me.

Yet, yesterday night -- last night, if you like short words -- something strange happened. Allow me to relate:

That twelve-hours-without-making-water feeling arose. I stepped into the bathroom. Nothing.

It didn't go away. I had to squint to get to sleep.

This can't be good, can it?

Or is it simply fitting behavior for a bottom suit-jacket button?

If living -- nay, speaking -- nay, using words -- nay, trying to transform thoughts from thoughts to something else -- is essenced in being mistaken, how am I mistaken when my brain tells me, right now, that I have to go to the bathroom, and my words on this screen tell me that right now, "It's not going to work"?

I learned yesterday, and at a wedding, in fact, that I am too trained in my excretory sensitivity to ever, under any circumstances, urinate in my pants, even if I'd wanted to. In addition to ruling out comfortable scuba-diving and uncomfortable body-in-bed activities of the sleeping variety, this makes me something of a symbol myself, of myself.

Anyone who uses these traits in a character in a story is not subject to legal action, unless that story is a novel, and that novel takes place as night, when the lights are aglow.

That's all. I think we should call it a day for now.
7 comments|post comment

sad word from japan [02 Aug 2003|01:33pm]
Got an email from Jun-chan just now. She writes:

また3人でガスト行こうね!drink barしよう。
でもよく3人で行ったあのガスト最近閉店したんじゃよ...。思い出の場所だからちょっぴり悲しいよね。ガストが壊されてマンションが建つ予定よ。

Yes: The Gusto Skylark Diner me, Jun-chan, and Sachiko used to eat at has been teh closed down and marked for destruction. They're building more apartments in its place.

That sucks ass. Places like Gusto, with their huge fries, get shut down, and stingy-bitch places like Saizeriya and Jonathon stay open. The Japanese have so little idea what makes an American-style family restaurant good, and it's a shame.

Shit.

Mourn, yo.


the tateishi-yotsugi-yahiro yotsugibashimae gusto skylark family restaurant, near asakusa, shitamachi: 1969-2003

now it has fallen into teh a darkness of memory

Mourn.
4 comments|post comment

[02 Aug 2003|03:03am]
"this much skin"
4-8-2001

Ferozan stepped out of the bath on Saturday evening just as she sensed the water was starting to grow cold. With only a towel around her body, she walked down the hall to her bedroom.

Ferozan had recently purchased a full-length mirror, which replaced the smaller mirror she'd normally stood in front of when she brushed her hair. In the dark quiet of midnight, Ferozan stood, brushing her thick hair, untangling all the knots, letting the bottom seven-eighths of the mirror's reflective surface go to waste.

The evening was warm, and the surface of Ferozan's skin still retained the heat of the bath. She pulled the wiry brush through her hair again and again. She held the end of her hair with the hand that wasn't brushing. Again and again she winced as she pulled the brush through her hair.

Just as Ferozan pondered slipping into her pajamas and lying down in bed, she also pondered sleeping in the nude. The night was so warm and pleasantly rainy, the damp breeze was flowing in through the windows; it was the perfect night to sleep with only a single, thin sheet covering her body. Ferozan winced as she thought this, both because she was ashamed to think such a thing and because she had just, at that time, pulled the hairbrush through a particularly persistent knot. The towel that covered Ferozan's body was still damp, and it was losing the heat of the bathwater far more quickly than her skin. The surface of the towel gave off the perfumed scent of damp cloth, and as the breeze whispered through her room, Ferozan could smell only the smell of the towel.

Ferozan set the brush atop her dresser, then undid the fold on the towel and let it slide to the floor. When she looked at herself in the full-length mirror, she realized how long it had been since she'd seen herself fully naked. She closed her eyes after seeing her reflection for just a second. The smell of the damp towel and the gentle tapping of the rain combined with a thought Ferozan was not equipped to understand, and she opened her eyes.

She could never remember seeing so much of the surface of her skin at once. The imperfect beauty of her naked body struck her as no notion more complicated than the single thought, "I really do have this much skin." Ferozan spoke these words aloud.

Ferozan had been a woman for some time, and she was denying herself something. Ferozan smiled, and as she smiled, she saw herself smile, and as she saw herself smile, she wondered when the last time was she'd seen such a beautiful thing.
6 comments|post comment

[30 Jul 2003|10:07pm]
I made a list of my favorite movies.

I'm not sure it's done. I'm not sure it's accurate. I'm pretty sure.

Someone say something about it.

I've got . . . something to do.
25 comments|post comment

dictatorial directive downloading insistence of the day 07282003 [28 Jul 2003|08:45pm]
[ music | hoover's ooover -- collection ]

God in an orange paper bag.

[Error: Irreparable invalid markup ('<a [...] </a>') in entry. Owner must fix manually. Raw contents below.]

God in an orange paper bag.

<a href="http://www.kevkev.net/music/hoover.mp3"</a>Download this now, or I'll fucking kill you.</a>

That is all.
3 comments|post comment

one-sided editorial from the campaign to abolish names in 2004 [28 Jul 2003|01:51pm]
Melina: Have you lost your mind?
Quaid: No, Cohagen stole it from me.

("Total Recall," 1990)

This little bit of dialogue is good. It's a nice little turn of words. It inspires people to chuckle.

Let's look at it more deeply.

Why wouldn't anyone walk out of the theater quoting this, even in 1990, when people quoted everything Arnold said?

What lines did people quote from this movie, lines that people quoted over the phone with relatives in Pennsylvania?

Sharon Stone: Honey -- we're . . . married!
Arnold: [Shoots her in the forehead] Consider that a divorce.


The closest we get to a name there is "Honey" -- a pet name, a universal.

This is how it works:

Names aren't quotable. Sometimes, they are.

To wit:

"Ginger Lee, I've done a bad job of being a good person."
(TRIN(N)IT(T)Y, by tim rogers)

Usually, they're not.

Look at the above line, way at the top here. Think about it hard. Now look at this variant:

A: Have you lost your mind?
B: No, they stole it from me.


It feels like something that belongs to us, regardless of its truth within its silly little movie world.

Right?

Thoughts?

And . . . that's all I really got to say about this.
4 comments|post comment

[27 Jul 2003|06:17pm]
I wish I looked imposing. That way I could really walk into a room and demand stuff.

Combined with the powers I've got already, a sincerely imposing look would make me nearly unstoppable.
14 comments|post comment

'smoking vegan, smiling gun' -- part four [17 Jul 2003|03:02am]
This is the end. This is

smoking vegan, smiling gun -- part four )

Okay, if you read all of that -- or any of that, I'd like you to email me.

In my original update, the one that got devoured by time, I said a whole bunch of extra shit about the book. I said, well . . . I don't remember everything I said. I tried to convince people to email me about the book is pretty much all I did.

I really don't care anymore. I guess this is the internet's way of telling me to let the novel speak for itself, or something.

I have decided to leave these entries up for only seven days. That gives the copiers and pasters of the world until Thursday, July 24th, 2003 to do their respective things. After then, this journal might just be deleted. At that time, God willing, I'll move on to a better place, in more ways than one. I'd like to think I'll see you all when I get there.

Until that ever-elusive someday,

--tim rogers

'smoking vegan, smiling gun' -- part three [17 Jul 2003|02:59am]
Yes. This is

smoking vegan, smiling gun -- part three )

Part four -- the ending -- is coming.

Yes.
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'smoking vegan, smiling gun' -- part two [17 Jul 2003|02:56am]
smoking vegan, smiling gun -- part two )
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'smoking vegan, smiling gun' -- part one [17 Jul 2003|02:50am]
Hello.

I've been trying to update this for a few solid hours. It's annoying. Apparently, it's over the length limit. What the hell ever. So I'm doing it in four parts. Or something.

A novel by me, dedicated to someone who's not me. This is

smoking vegan, smiling gun -- part one )
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'not entirely a bad piece at all' [16 Jul 2003|11:44am]
That novel I said I was going to post into the livejournal?

It's really, really, finally done now.

Really. I just rewrote the last SIXTY PAGES THIS MORNING.

I now have a fucking migraine.

First person to email me about when I'm putting it into the livejournal . . .

. . . gets shot in the neck.

It'll be later today or tomorrow. Like I said, it requires mad formatting alterations.

It is: 40,580 words -- and the slowest god-damned 40,580 words I ever done wrote.

It begins like this: "part one."

And it ends like this: "Thank you."

Some novels, they say, don't know what they want to be. While if you would have asked me a week ago I would have said -- and maybe even quipped -- that this novel didn't be what it wanted to be, now I'd say otherwise.

It's come up as not entirely a bad piece at all.

However, I can't count it as a "real novel" of mine. If any of you want to steal it, pretend it's your own, and/or try to sell it, please do. I don't mind. I have another novel I wrote three weeks ago that I believe represents the direction my work is headed far better than this little throwaway.

Don't let the excerpts fool you -- this novel is very dense. And has lots of poetic language. Flowery language. Kevin at video-fenky said of an excerpt "Your prose is . . . purple."

(Protip: that's not a compliment.)

Here's the deal. I will post this novel, entitled smoking vegan, smiling gun, for all of j0s pleasure or whatever you call it. I will leave it posted -- in its entirety -- in a public livejournal post for SEVEN DAYS, then make it FRIENDS-ONLY, then make it PRIVATE three days after that. Do whatever you can to it during that window. Copy it, paste it, send it to your mom, or whatever.

Quote passages, I don't know.

My better novel, which only three people I know of are going to read (Protip: one of them may or may not be me), is entitled electric sexism. It's about Japan. (again) It's my best novel yet about Japan, however, and j00 can quote me on that. Like . . . I actually think I'll be able to . . . sell this one.

First, though -- a GROUND-UP REWRITE!

It might be the funnestest ground-up rewrite EVER!

Yes. Even funner than the one I did for DH.

Which I'm considering renaming from DH: episode one: a thirsty demon in tokyo's parking lot to

DH Grey and a thirsty demon in tokyo's parking lot

how da hell does that sound?

I think my laptop keyboard is dying. I have to push the keys more . . . hardly.

Or maybe it means my fingers are tired?

Holy hell, my fingers are tired. My wrists ache.

You try writing 180 words per minute for seven hours, typing and retyping 12,000 words until you kind of like it.

Shit.

It's time for a little bed. Call with your donations or whatever. Still accepting paypal.

*coughMovingtoJapanagainattheendofAugustcough*

There, I formally announced it.

Hm.
4 comments|post comment

fun with pr0nb0tz [15 Jul 2003|07:47pm]
[19:40:39] cuteefunpie27: hi... anyyone there?
[19:40:47] pyramid108: um
[19:40:49] pyramid108: anyone THERE?
[19:40:53] cuteefunpie27: oh yourr there :) hi...
[19:40:59] cuteefunpie27: a/s/l (age ssex location)?
[19:41:08] pyramid108: fuck you/die/in front of your mom's tombstone
[19:41:26] cuteefunpie27: im 27/f/USA. was lookin at your profile. thought you migght like to chat.
[19:41:39] pyramid108: i'd like to chat with your CORPSE
[19:41:47] cuteefunpie27: so what have you been up to pyramid108?
[19:41:56] pyramid108: pondering violent homicide
[19:42:05] cuteefunpie27: cool. i was just hangin out waching tv. i was getting kinda horny :) (*blushes)
[19:42:11] pyramid108: people get that way sometimes
[19:42:17] cuteefunpie27: feel like a little cyber fun with me ? llease please...
[19:42:28] pyramid108: i'd rather shotgun my inguinal hernia
[19:42:44] cuteefunpie27: was just browsing the yahoo profile thing
[19:42:47] pyramid108: i bet you were
4 comments|post comment

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