| Bryan Poyser ( @ 2005-12-21 00:58:00 |
Got heat
Finally crawled up into the ceiling to light the pilot lights in our respective sides of the duplex. Now Dad, sis & I won't freeze to death! Neither will Mom when she comes to visit after X-mas.
Usual cluster-fuck with trying to get TCK out the door and on to its online session. Final Cut Pro spazzed out at the worst possible time. Kyle, Naiti, Jake & our other interns pulled un-Godly shifts over the last two days trying to get everything done. Jake's out in L.A. with our master tapes now. Hopefully all will go well over the next three days at the on-line house.
Rachel & I are taking another trip out into the Hill Country to work on her script. That means I'll have... about a day to do my Christmas shopping. I always wait to the last, last minute. That's just my way.
In wider film news, NY Slamdancer Paul Rachman discusses his unique Sundance/Slamdance dilemma with the NY Times. Guess what other Slamdance-pedigree'd film had to make that decision back in '04? Napolean Dynamite. It was based on a short film that premiered at Slamdance. They submitted to both fests & got accepted to both. Wonder how its fortunes would have turned out if it had played at Slamdance instead...?
Finally crawled up into the ceiling to light the pilot lights in our respective sides of the duplex. Now Dad, sis & I won't freeze to death! Neither will Mom when she comes to visit after X-mas.
Usual cluster-fuck with trying to get TCK out the door and on to its online session. Final Cut Pro spazzed out at the worst possible time. Kyle, Naiti, Jake & our other interns pulled un-Godly shifts over the last two days trying to get everything done. Jake's out in L.A. with our master tapes now. Hopefully all will go well over the next three days at the on-line house.
Rachel & I are taking another trip out into the Hill Country to work on her script. That means I'll have... about a day to do my Christmas shopping. I always wait to the last, last minute. That's just my way.
In wider film news, NY Slamdancer Paul Rachman discusses his unique Sundance/Slamdance dilemma with the NY Times. Guess what other Slamdance-pedigree'd film had to make that decision back in '04? Napolean Dynamite. It was based on a short film that premiered at Slamdance. They submitted to both fests & got accepted to both. Wonder how its fortunes would have turned out if it had played at Slamdance instead...?