ozarque ([info]ozarque) wrote,
@ 2005-07-31 06:39:00
Previous Entry  Add to memories!  Tell a Friend!  Next Entry
Writing science fiction; constructed languages; Tendu skinspeech
Amy Thomson's Tendu Skinspeech

The ETs (the Tendu) in Amy Thomson's The Color of Distance use a language she calls skinspeech that is displayed on the speaker's skin and is under voluntary control. Not all the questions a linguist would ask are answered in the novel (no reason why they should be), but a lot of information is provided -- including information on teaching and learning the language, and on translating and interpreting. .

The display takes three interacting forms: colors, which convey emotions; pictures, which convey narration, factoids, and the like, and patterns. Patterns modify both colors and pictures; they also include fixed forms like the "odd little hook" that marks past tense, individual's names, and arrangements of dots and bars and shapes -- like the three horizontal bars for "yes," the three vertical bars for "no," and the colored dot inside an oval for "food." Good food will require different colors for the pattern than bad food. The display (roughly equivalent to pixels on a computer monitor screen turning on and off) uses the whole body, with the chest serving as usual display area for non-emotional information.

I've seen "color languages" in science fiction before; all, as described, were really codes, unsuitable for use as true languages. Tendu, in which the color/picture/pattern components in simultaneous interaction would provide a huge potential inventory of forms, is far more plausible. I don't know if it would work, but I can imagine that it might. That's progress.

Here's a partial list of the color/emotion inventory: Pink=surprise/excitement; blue-grey=longing; brown=embarassment; purple=curiosity; deep green=satisfaction; orange=fear; pale grey=dread; misty grey=regret; beige=disgust; deep blue=approval; bright red=rage; deep gold=sexual desire. The more intense the shade, the more intense the emotion; thus, deep brown means shame. Thomson assumes that the stranded human character has no trouble distinguishing among all those various shades of a single color, which may be quite a stretch. But help is provided by her computer, which can record everything (as a video camera would), and has linguistic analysis programs hardwired.

Colored patterns and pictures turn up in sequences like: "Irritation forked like lightning" down X's spine; "a ripple of deep burgundy irony" passes over X's body; "bars of negation flicker rebelliously" on X. Since the Tendu can display anything they can visualize, the human is able to teach them to write "Standard"; they just display the letters of the alphabet on their chests as they would any other graphic item. And lying is possible in skinspeech, by making a false display or suppressing a valid one.

Finally, the Tendu use a few sounds -- a "chitter" to get someone to look at the display, a "croon" during mating -- and a few bits of nonvisual body language, like the brush of the backs of the speaker's fingers over the watcher's knuckles that's used to convey messsages like "thank you" and "you're welcome" and "no problem" and "not to worry."

Tendu is ingenious....


(Post a new comment)


[info]torapines
2005-07-31 02:36 pm UTC (link)
I'm intrigued! Thanks for making us aware of this book.

I know I can just 'ask Amazon' but do you know off hand if this book is available commercially? It's a perfect text for me to read during my upcoming vacation - where non-verbal communication will be key.

(Reply to this)(Thread)


[info]amyirene_40
2005-07-31 03:24 pm UTC (link)
It was published six or seven years ago, but I believe it is still be in print. You'll probably have to order it, because most bookstores don't keep paperbacks on the shelves for that long.

(Reply to this)(Parent)(Thread)


[info]torapines
2005-07-31 03:53 pm UTC (link)
Thanks!

(Reply to this)(Parent)


(Anonymous)
2005-07-31 04:01 pm UTC (link)
(Michael Farris)

Another thing I liked about the book (it's been a few years since I read it so my facts may be a little off) is that the system has to be learned and the conscious control it requires takes practice (and it takes the heroine some time to figure out the basics even with a computer).
Things still progress a little more quickly than plausible for a linguist to believe, but I did appreciate that the author did what she could to make it plausible.

(Reply to this)(Thread)


[info]almeda
2005-07-31 04:50 pm UTC (link)
Huh. So baby Tendu 'babble' and give away their innermost feelings accidentally, and stuff?

Neat.

(Reply to this)(Parent)(Thread)


(Anonymous)
2005-07-31 08:17 pm UTC (link)
(Michael Farris)

Well (trying to not include spoilers) the Tendu don't have children in any human sense (hint: they're amphibians). Only those Tendu who reach adulthood attain the capacity for skin-language and there's some fumbling in the beginning.

(Reply to this)(Parent)


[info]whatifoundthere
2005-07-31 05:37 pm UTC (link)
Thanks for this review. I love it when authors think out their biology and their sociobiology carefully. I really enjoyed this about Julie Czerneda's work, which you may want to look into when you have some time to read for pleasure. Beholder's Eye is a good place to start. Ms. Czerneda has a graduate degree in biochemistry, I believe, so she doesn't handwave anything about how her aliens sweat or blink. :)

And lying is possible in skinspeech, by making a false display or suppressing a valid one.

I find that many authors -- no matter what language their characters may speak -- are not very good at dealing with liars. I for one am fascinated by characters who lie, particularly those who lie to themselves, or who repress their real urges and motivations. Though I'm no Freudian, I guess I like Freudian novels. :)

I would be especially curious to see whether and how Amy Thomson deals with parapraxes, overdetermination, and so on, translating it all into a visual register rather than a vocal one. Of course Freud believed that these things worked best in a visual register, which is why dreams encode so much more information than language. But I wonder whether a species that works mostly visually might allow other information to "leak" into sound, where they're normally paying less attention. Just as a skinspeaker might be able to read the body language of a human better than another human could, so also a human's instinct might be to look for emotional cues that a spinspeaker does not know how to control very well.

(Reply to this)(Thread)


[info]almeda
2005-08-01 01:27 am UTC (link)
Ms. Czerneda is the only author I have ever started reading because of her input on a panel at Worldcon. :-> Specifically, a panel on how to make believable, well-thought-out alien species. Her preferences in how stringently this is to be done match mine right down the line, and her sense of humor and clear invention rocketed her to the front of my 'must read' list.

Also, in her Web Shifters books at least, there are a lot of different cognitive approaches to language and communication, tied to various biophysical facts of the myriad species.

(Reply to this)(Parent)


[info]tarasrightfoot
2005-08-02 04:31 am UTC (link)
i'm currently reading The Garden by Elsie Aidinoff, a novel about Eve and The Serpent.

the Serpent in that book does a lot of this non-verbal language, with color, and also with pattern to its skin. it also has ears, which it lays back like a dog, and perks up, etc. I had apparently skimmed the initial mention of the ears, so i'm engrossed in the plot and had to stop and flip back to re-read the part where The Serpent has a feathered head an ears.

anyway, the book you describe sounds fascinating.

(Reply to this)


(Anonymous)
2005-11-04 08:13 am UTC (link)
[info]decarnin here. Saw this review from a link at langmaker.com. The idea (before I read the review) immediately made me think of the alien writing system in Andre Norton's early series that began with "The Stars Are Ours". It consisted of intertwined lines of various colors that would run along walls like a frieze, or whatnot; it affected humans with feelings of horror and nausea. :-)

(Reply to this)(Thread)


[info]ozarque
2005-11-05 07:04 pm UTC (link)
Thanks for the comment. I've never read the Andre Norton story you mention, and am glad to have the information for my files.

(Reply to this)(Parent)


Create an Account
Forgot your login?
Login w/ OpenID
English • Español • Deutsch • Русский…