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[---------------| Tailspin Recovery - o+o's current band ]
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oToLAthe Live Set! [Jan. 6th, 2006|04:53 pm]



I will be performing a two-hour abstract ambient Laptronica/Live P.A. set at the opening of Dragon Veins: Traditional East Asian Art and Contemporary Paintings, at the USF Contemporary Art Museum. The show is Friday January 13th from 7-9 p.m.

I'll be playing Five Elements Fist, my composition consisting of five 20 minute ambient environments with elements of traditional chinese music (but glitched-the-fuck-out, beyond recognition) interspersed with some darker moods reminiscent of Jason Voorhees (hey, it IS Friday the 13th, after all).

I'll be the guy in the corner behind the laptop MIDI controller, trying not to get into a political discussion with anybody....
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FAQ if your band is not popular [Dec. 1st, 2005|12:54 pm]
1. If my band is unpopular, does that mean that we suck? Not necessarily. Many popular bands suck. Many excellent bands are unpopular. The music world is like a big High School, only moreso.

2. This band really sucks and they got more fans than we do. Waaaah!! Yeah, some bands can get a crowd out because, frankly, they suck in a pleasing manner. There are hordes of bands ripping off Dave Matthews, Grateful Dead, Screamo (the genre where individual bands cannot be told apart), Nickelback, Tool, Metallica, etc. ad nauseum. They can always get a better crowd than yours because, if you are doing something original, nobody's heard of your thing. Everyone's heard of Nickelback, and that band sounds JUST LIKE Nickelback. And it only costs $3. And those dudes, like, live in our dorm.

3. Let's go back to question 1 for a second. If my band is unpopular, does that mean we suck? Well yes, actually, your band may very well suck.

4. How can I get more people to show up for our shows? Should I do more flyers? Play on bills with more popular bands? Suck somebody's cock? Yes, you should do all of those things. Your band may still suck, but you might get more people out to shows. It takes a long time to build a loyal following.

5. Actually, I don't like the people showing up to our shows. They scare me. This kind of thing can happen every once in a while. Don't worry about it; you have more in common with them than you might think.

6. Will I get famous from this and be able to get that house in Malibu along the beach? Probably not. I hope you're not doing this because you have some kind of hope to sell platinum. Ask yourself the following questions: a.)are people throwing money at me? b.)are big name producers falling over themselves to be on our next project? c.)do we even HAVE a project, let alone a next one? d.)are famous people coming up to me and asking to suck my joint? Are they also giving some love to the ballsack? e.)am I dating a supermodel? f.) do I employ a housekeeping staff? If you've answered no to any of the above questions, keep your job at Autozone.

7. Should I quit this band and form or join another one? Maybe. It could be that you are an unrecognized talent, the next Kurt Cobain or maybe even Brad Gillis of Nightranger. You can look forward to playing St. Petersburg Ribfest when you are in your fifties. Then again, you may be peaking at the present moment....
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My Thanksgiving Prayer [Nov. 25th, 2005|03:03 pm]
Okay, my mom surprised me by asking me to say grace at Thanksgiving so I improvised the following prayer:

Dear God In Heaven,

Thank you for getting us through another year and allowing us to meet at this table today to eat and to give thanks. We are grateful for all of the victories and bountiful treasure that you have bestowed upon us to date. We worship you for visiting despair and death upon our enemies. May you continue to favor us with the sunny side of your infinite power and wisdom, and humbly beseech you to continue raining heinous bad luck and tragic circumstances upon those who oppose us.

In the name of the Father and of the Son and of the Holy Spirit. Amen
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More tales from the glamorous indie underworld [Nov. 15th, 2005|04:55 pm]
A band I shall not name preceded us on Saturday night at the Pegasus. They were a skatepunk kind of band; the kind that cranks out tunes usable on Xbox racing games. Singer guy was into the Johnny Rottenesque practice of distributing spit all over the stage.

As our turn came I had to kneel in substantial puddles of this guy's spit while setting up all my guitar pedals. There's spit getting on my cables, guitar stand, etc. It was really very difficult to avoid dragging equipment through this stuff without suspending thick ropey strands of saliva all over the place. Finally I accidentally got some on the back of my hand. Fucking gross. I grabbed the nearest absorbent material at hand, which appeared to be some kind of forgotten notebook. I threw it onto the largest puddle of spit right in front of my mic stand, and used my boot to wipe up some of the dude's phlegm.

After I was done I glanced down at the notebook and it appeared to be filled with lyrics from this band, a mailing list sign-up, etc. By then it was too late, but the stage was clean and I proceeded to rawk the haus.
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Music Will Never Change the World [Nov. 5th, 2005|06:03 pm]
Some musicians resemble the mouth, some have guts, others are assholes. Musicians generally resemble a type of noisy alimentary canal, and are predisposed to swallowing any of a number of romantic lies. This is true of every one of them that I have worked with or met. An entire industry has been founded upon this vulnerability.

To sustain themselves during times of unpopularity, anonymity, and indifference, band members will fix their hopes on flimsy and ephemeral achievements such as getting signed to a record label or gaining radio airplay. With vast reserves of youthful idealism available, they will endure long periods of roadsickness, poverty, sleeping on floors, etc. And this, really, is fine with me: as a society, we need people willing to do this so we can listen to new tunes all the time.

But please, let us have the strength to dispose of one existential illusion: that what we are doing as musicians will actually "change the world". Bullshit.

In describing orchestral music, Stravinsky once said

"I consider that music is, by its very nature, essentially powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc...Expression has never been an inherent property of music. That is by no means the purpose of its existence. If, as is nearly always the case, music appears to express something, this is only an illusion and not reality. It is simply an additional attribute which, by tacit and inveterate agreement, we have lent it, thrust upon it, and as a label of convention -- in short, an aspect unconsciously or by force of habit, we have come to confuse with its essential being."

The above passage has been interpreted as a critique of Romanticism but it is equally serviceable contradicting the notion that the content of instrumental music can ever be representational. With rock music, of course, an artist can easily craft words that directly or indirectly express his intentions. But does that ability necessarily give music some kind of mojo to drive events and history? I say it does not. If you disagree, give me one good example.
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The Main Benefits of Logging In [Oct. 18th, 2005|10:01 pm]
One, of course, is that you can spout whatever kind of crap you want to. My preoccupation recently has been the publication of the genome of the 1918 flu virus, which Ray Kurzweil thinks is a bad idea. He reasons that it is akin to handing terrorists a blueprint for a nuclear weapon.

I like Ray Kurzweil's keyboard samplers, and have always enjoyed his books (particularly The Singularity is Near: When Humans Transend Biology) but this latest seems a little sensationalistic. If these Terrorists are just straight up nihilists, maybe they'd enjoy the opportunity to kill as many people as possible. If these Terrorists are, oh, I don't know, Islamofascists bent on furthering the Universal Caliphate and the Jihadist International, I don't see how releasing a killer virus into the world will help them.

Give al-Qaeda its due: Osama bin-Laden is a civil engineer and Ayman al-Zawhahiri is a cardiologist. Certainly they've reflected on the fact that a killer virus would kill many, many muslims indiscriminately, regardless of whether they were Wahabbists or Cairo nightclubbers. Western civilizations, with a public health infrastructure and armies of epidemiologists and hordes of molecular biologists, are not likely to suffer nearly as much. Improvised cures, quarantines, and public sanitation measures would spring up in Tel Aviv a lot faster than they would in Mogadishu. This cannot have escaped the notice of anyone sophisticated enough to bioengineer a new mutant influenza virus.

And to give George Bush his due, he has sufficiently put the squeeze on al-Qaeda to where they really need to husband their resources. AQ can't go squandering money on a weapon which clearly is useless. Of course, I would in no way trust them to keep safe a test-tube full of killer virus; it might too easily fall into the hands of some unhygienic bearded fanatic with a less-subtle understanding of the geopolitics of jihad than that of old OBL. If he survived the earthquake. But because of the increasing attrition of Zarqawi's foot-soldiers and the slow-but-steady deterioration of his command and control, I can't see R&D of a weaponized killer flu virus as a budgetary priority for that bunch of assholes.
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Weak links in a band [Mar. 5th, 2005|08:49 am]
[mood |foreboding]
[music |The Beauvilles]

Our drummer quit, which sucks because he rocked. He had issues & history with the bass player, as well as in his own life. A whiff of wellbutrin may have gotten him right, but that's not my business.

So now we are auditioning drummers. What a sorry lot, these drummers in Tampa. An endless supply of them, if you want to play nu-metal. I am fucking nu-metalled out; never did like that updated cockrock. Last guy we knew from playing out & he loves our band but he doesn't have a cell phone. He got to being about an hour late & we call his place & his roommate says he left the apt. with his drums but the guy never shows up. Still don't know what happened to him.

The older a drummer gets, the fatter, kind of like ex-pro football players. But it's not fair to condemn them as a class & say they are the weak links in a band. If anything, singers are notorious for their histrionics, and guitar players for their insufferably pompous poseuriffic arrogance. Bass players can be a little rough around the edges. "Singer-songwriter-guitarists" are usually the lamest cheezballz, particularly if they worship Dave Matthews or Jimmy Buffett.

And of course there are hordes of misfits making electronica, since alls you need is a computer and peer-to-peer access to rip cracks & keygens. Say what you might about this kind of music, but producing it requires nobody to show up to practice sober. It is not dependent upon the inter-relationships of band members. It comes straight from The Well.
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Business will be good.... [Oct. 14th, 2004|09:32 am]
...seeing as how i take these out for a living
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"Pampered Cipher" [Sep. 26th, 2004|09:12 am]
The best two word characterization of John Kerry that I have ever read.
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Must hear. [Sep. 13th, 2004|04:42 pm]
Holy shit, this is funny! I...can...barely... resist auditioning for this project, as I am an Elite Musician.
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This is BULLshit. [Sep. 13th, 2004|11:52 am]
[mood | aggravated]

An extremely dangerous category 5 otolathe is posting this from a boarded-up Starbucks in soho Tampa. All my cases were cancelled today by the brain trust at TGH. The hurricane is NOWHERE NEAR US nor is it likely to get here until late this week. I have long-since caught up on all my paperwork, as I go in to work everyday, freed of the weekend distractions of women for the time being. With no surgery, I have decided to drink so much coffee that typing becomes impossible.

I am supposed to go to NYC next week for the Academy meeting and this will afford me the opportunity of seeing a population of ladies who are not nearly as enthusiastic for fake boobs as the ones here in tiny Tampa. I am hearing Willy Nelson sing "It Was a Very Good Year" now for about the one-millionth time since I sat down here. I don't know how these Starbuck workers can stand listening to the same shit over and over all day. I must say there are some extremely high-maintenance ladies around here, with well-maintained tans and no obvious means for support. I don't know where I should go to get lunch. I have already been to our clinic but there are no patients scheduled for me as this is usually my OR day, and my colleagues there jeered at me. Yet I can't really make this into a "day off" somehow, psychologically.

Idle, idle, idle. No musical ideas, but some fresh callouses from playing guitar for a total of almost 12 hours over the weekend. I guess I could get a haircut, go to the gym, and watch MNF with some of our guys like Mattie who got their cases cancelled for TOMORROW.
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Ominous Vobiscum [Sep. 10th, 2004|07:01 pm]
With the current Hurricane Advisory and the possibility of the impact of Hurricane Ivan, we want to limit the number of patients. Effective immediately we are canceling surgeries and admissions. The Emergency Center will be placed on Bypass accepting only Trauma, Burn and Cardiac Alert Patients.

Please discharge all appropriate patients at your earliest convenience. For those patients requiring continued hospitalization, please be aware that there could be high winds and a high storm surge that could result in closure of Davis Islands Bridge.
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Still THE MAN!! [Sep. 9th, 2004|11:57 am]
"The majority of pacifists either belong to obscure religious sects or are simply humanitarians who object to taking life and prefer not to follow their thoughts beyond this point. But there is a minority of intellectual pacifists whose real though unadmitted motive appears to be hatred of western democracy and admiration for totalitarinaism. Pacifist propaganda usually boils down to saying that one side is as bad as the other, but if one looks closely at the writings of the younger intellectual pacifists, one finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States. Moreover they do not as a rule condemn violence as such, but only violence used in defence of the western countries."

"All in all it is difficult not to feel that pacifism, as it appears among a section of the intelligentsia, is secretly inspired by an admiration for power and successful cruelty."

George Orwell
Notes on Nationalism
Polemic
No. 1, October 1945
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Band Instrument Warfare [Sep. 5th, 2004|09:08 am]
The New York Times has an adorable little article in which prominent Democrats contemplate Bush's double digit convention bounce. Bill Clinton experienced grave angina pectoris, and even Teresa got the vapors. Meanwhile the Dem heads are flopping around like a school of beached mackerel:

Gov. Jennifer M. Granholm of Michigan said: "I think it is very critical that you don't answer a tuba with a piccolo. If he's hit, and he will be, he needs to stand up and fight."

Here at last is advice for Kerry that makes perfect sense in a Monty Python skit in which instead of attacking with fruit, band instruments are used. Just as when somebody comes at you with a banana you must release the tiger, it is obvious that if George Bush is menacing you with a tuba, you should not undertake to attack him with anything smaller than, say, a contrabassoon. Certainly dropping a Steinway on his head -- even a baby Steinway -- would be preferable.

It is not clear whether, in interviewing Governor Granholm, the subject of amplified instruments was brought up. I'm sure other guitar players were wondering, "what if the President attacks Mr. Kerry with an Ibanez SG430 amplified through a MESA Boogie Triple Rectifier through an old Marshall 4x12 cabinet? Should he respond with perhaps a Stratocaster with Hot Rails blowing through a boutique amp like a Bognar or a Diezel?"

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Hurricane Plans [Sep. 3rd, 2004|07:28 am]
Going to Chicago. Hang with my homeboys, who are large & dangerous drunks. Grill Lithuanian sausage. Jump on trampoline. Play tug of war & 16" softball. Sleep outside.

My car will be parked high & dry. All the guitars are off the floor, in case of flooding. The BBQ grill is secured.
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Stick a fork in the two Johns [Sep. 2nd, 2004|11:40 pm]
Watching the RNC convention was quite an opiate for my lean-body mass. Just compare George W. throwing a pitch at Yankee Stadium to John Kerry throwing a pitch at Fenway like a girl. John Kerry looks like a moron doing just about anything: riding his bike on the Esplanade, playing guitar, skiing, wind-surfing, dressing up in that Teletubbie costume in the clean room at NASA, etc.

Terry McAuliffe gets on CNN, friendly territory for him, and has the unmitigated gall to call the RNC convention "mean-spirited". This was after Howard Dean saying W had advanced knowledge of 9/11, after the depraved Al Gore called W. a traitor, and after the absolutely batty diatribe by Al Sharpton.

It's times like these that I wish Republicans really WERE fascists. There's humor in the idea of Michael Moore being locked up in a concentration camp and wasting away to a wraith-like 200 lbs, mainly because he is already squealing that he is that kind of victim. There's also humor in Kerry's newly announced strategy of a midnight speech in Ohio to say Dick Cheney was a draft dodger. Bill Clinton's maneuvers to escape Vietnam military service remain acceptable to democrats. I am a fascist dog; I can smell fear.

So y'all democrats have selected a candidate who is a mediocre junior senator who absolutely will NOT discuss anything he's done after 1971!! Now he's sinking like a punctured fish! Are you surprised? There will be no close election in 2004; the Republic wouldn't stand for it. It's going to be a major blow-out. Your venom will continue to ferment. The aneurysm business will be good. Soon you will be like me. You will laugh AT John Kerry, not with him.
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Cross Platform Observation, #1 [Aug. 30th, 2004|08:14 pm]
I've had it with this stupid clown-hand cursor on the internet browser.
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Router [Aug. 29th, 2004|08:11 pm]
Last week I bought a G4 Powerbook 1.5 GHz/17" monitor and an airport express. It's my first Mac. Installed all my music software on it, fired up the wireless internet, no problem.

Decided to buy a network card for the other computers, and started with the Pentium4 2.2 GHz laptop. I've spent the last 48 hours trying to get the damn thing to work. I can get it to connect to the internet for about 5 minutes and then POOF.

So fuck you.
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Hurricane Weekend [Aug. 12th, 2004|11:31 am]
got my:

1. Novation reMOTE 25
2. Ableton Live/Reason/Vstation
3. 10 packs of guitar strings
4. Plenty of TP
5. Power Bars
6. A few sixers of Aquafina & Zephyrhills
7. Beef Jerky
8. Two bags of mesquite and one of hickory
9. Johnsonville Brats (with & without cheddar, microwave and regular)
10. Flashlights with fresh batteries
11. Antibiotics

Bring it on, Bonnie & Charley!
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The Long-Awaited Oto Guide to Gin [Aug. 2nd, 2004|09:01 pm]
10. MAGELLAN (France) -- a very piney and antiseptic tasting gin, pale blue in color. The distinctive color is from infusion of iris root. Striking color and taste contrast if you use a blackberry instead of the conventional martini olive.

9. DARESBURY'S Q Quintessential Warrington Dry Gin (UK) -- sort of reminds you of drinking cologne, but in a good way. Like, you're drinking Issey Miyagi instead of Hai Karate. Must go old school for martinis with this one: baby onions or olive/pimiento are the only things that stand up to it.

8. CITADELLE (France) -- I hate acknowledging any country that does not support us in the war against islamofascists, but this is one tasty gin. Smooth and drinkable, it has a conventional gin taste, like an average of every gin you've ever tasted. This implies, to me, heavy reliance on juniper and not going overboard with other botanicals. When mixing a martini, it displays a wide range of flavors depending on how "dry" you make the martini; the martini is extremely sensitive to how much you titrate it with vermouth. However, novices can still enjoy it.

7. HENDRICK (Netherlands) -- This unorthodox gin, renowned for its cucumber/rose petal hints, is not that flexible. If you don't use a slice of cucumber as recommended by the distiller, your options are somewhat limited. The blackberry trick made me almost hurl the first time I tried it. Citrus just doesn't really do it either. Olives or onions are somehow just not right with it. This one is not for novices but tastes fine with the cucumber.

6. BOMBAY SAPPHIRE (UK) -- This gin is the workhorse of every bar, and has the taste most people associate with a higher-end gin. It is satisfactory, seemingly covering all the botanicals associated with gin without favoring any one of them. A solid fall-back when there's no alternative, but rarely am I in the mood for this stuff anymore when there are so many less conventional gins out there. A dirty martini really works with this stuff, as does using red vermouth rather than traditional white vermouth. In fact, a red vermouth Bombay Sapphire martini almost got me laid by this hot, hot OB-GYN resident during Gasparilla. She unfortunately drank too many of these.

5. TANQUERAY MALACCA (UK) -- Good luck finding this one, if it is made at all anymore. This recipe dated from 1848 or so, and for some reason I haven't seen it anywhere for a couple of years but I remember it as a strangely spicy gin that reminded me of lemon pepper butter, which are the same flavors that I enjoy in good pussy. Throw in a little cinnamon, with a note of juniper to remind you you're drinking gin. Great with either citrus or olives.

4. GREENWICH MERIDIAN (UK) -- Took me awhile to understand this gin. Initially I didn't like it, believing it compared unfavorably to turpentine or wood alcohol. The first martini I made with it was not, admittedly, the first martini of the night, and I was like "I could swear I just made a GIN martini but I think I'm drinking a VODKA martini?" Later into the bottle (not on the same night, asshole) I began to appreciate a weird note vaguely reminiscent of Swedish Malort, to which the infamous Erik Beck first introduced me. An interesting gin, full of surprises I am still trying to reckon with.

3. TANQUERAY X (UK) -- I'm overjoyed that this gin is so popular because, unlike Malacca, I never have to worry about it becoming unavailable. A citrussy, spicy gin that goes admirably well with a lime twist and mellows nicely and sensitively with vermouth titration. One of my standbys, if I am in a relatively uncivilized bar. I've never had a hangover with this stuff, despite abusing about six TX martinis, once. Actually, the lack of hangover with higher-end gin is one of the things I love about gin.

2. DAMARK (Netherlands) -- I used to make my friends Absinthe martinis, using Czech Absinthe instead of vermouth. This gin has enough of a licorice note to it and you can conserve your precious absinthe. Rarely do I add a garnish to a martini made with Damark as the garnish becomes completely, completely irrelevant. There is a coffee-ish subtle aftertaste that has been noticed by other alert palates, besides mine. I have no idea how they accomplish this. The bottle has a Grolsch-style ceramic bottle-stop mechanism on top of it, and the rubber o-ring gets a little brittle in your freezer, but doesn't affect the taste.

1. MARTIN MILLER'S REFORMED LONDON DRY GIN (UK) -- Perhaps there is no accounting for taste, but this is my favorite gin. Purists may scoff because this gin has that distinctive juniper lemonade finish. Has a watermelon Jolly Rancher flavor with a floral overtone. Responds well to precise vermouth titration, and it makes a huge difference whether you use a twist of lemon, a twist of lime, or a blackberry garnish. Use of olives is questionable in this gin, and a dirty Miller's martini is pretty much an abomination. Anytime I find this stuff I buy multiple bottles, as I live in the tropics and gin is necessary medicine to ward off malaria....
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