The artwork of Houston-based Otabenga Jones & Associates!

The artists of Otabenga Jones & Associates -- Dawolu Jabari Anderson, from left, Kenya Evans, Jamal Cyrus and Robert Pruitt -- gather around a man the group identifies as "Otabenga Jones."
Otabenga Jones & Associates

A piece from Symmetrical Patterns of Def, the group's first collective show at the Lawndale Art Center.
otabenga jones & associates

Dawolu Jabari Anderson's Cheating Chief Wahoo.
otabenga jones & associates

A painting from Symmetrical Patterns of Def.
Otabenga Jones and Associates

The group's Exploring the Outer Reaches of the Garden of Pro-Black Sanctuary was featured at the Whitney Biennial in New York.
Otabenga Jones and Associates

A photograph by Jamal Cyrus from The Art of Subversion.
Otabenga Jones & Associates

Robert Pruitt's New Kiddz in tha Hood won first prize at the Lawndale Art Center's Big Show in 2004.
Otabenga Jones & Associates
July 21, 2006, 1:34PM
Our story. Our vision. Our purpose.
Proactive and provocative, the artwork of Houston-based Otabenga Jones & Associates seeps into the mainstream art world
By BILL DAVENPORT
For The Chronicle
An overturned police car, a graffiti mural drawn on the wall in Magic Marker, bootleg mix tapes for sale from the trunk of a plywood Cadillac. How you react to the work of the Houston-based art collective Otabenga Jones & Associates depends strongly on who you are -- black or white, rich or poor, old or young. Everyone takes the provocative works personally. They force you to take sides.
The group takes its name from Ota Benga, a displaced African pygmy who was exhibited at the Bronx Zoo in 1906. Like the original Ota Benga, Otabenga Jones has been on display in New York, too: The group and the four artists individually were selected for this spring's Whitney Biennial, the tip-top national showcase for American artists. But there's a key difference, says Robert Pruitt, the group's de facto spokesman: "We control what they're gawking at."
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Houston Chronicle