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The role of computers and technology in movies [Jul. 11th, 2005|10:13 pm]
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When I had made this 'weird pseudo-informative display' icon, I posted about it. Apparently [info]breyten disagreed with me, so he wrote a post in his own Journal about how computers and technology are portrayed in movies.

Of course, I disagree with him, and here is why:

He writes that I look at things from a technical point of view, but:
"What you see on that screen isn't something that is meant to be a form of communication between the actor and the computer, but in all it's purposes it's meant to communicate something to the viewer of a movie."
I disagree with this. What is on the screen is, often, completely irrelevant to the plot of the movie. Consider my example of Jurassic Park. What the little girl sees on the screen is not important: the audience doesn't even need to see the screen -- all they have to know is that the girl can somehow manipulate the machine into showing her the information she needs. That this is visualised by way of navigating a 3D representation of the file system is completely irrelevant -- it does not convey any message that is pertinent to the movie itself.
Take, for instance, The Matrix Reloaded. In a certain scene, Trinity uses nmap to discover a known ssh exploit to hack into a computer. No fancy animations here: just a text-interface, and she typing on the keyboard. The audience knows she is a l33t haxx0r and that she is haxx0ring very l33tly indeed, even though they don't understand what exactly is happening -- it doesn't matter, because it's not important to the plot how she does it.

In my post, I theorised that movie makers want to make us feel alienated by technology. [info]breyten says:
"Why would they want us to feel alienated from technology, when they know like no other what the possibilities are, and what the impossibilities are?"
You see, there you have it: we, as a society, are both enamoured and terrified of technology.

What makes a good movie? A good movie speaks to us about our hopes and our fears. We fear the unknown, and technology is one of those things, even though we rely on that same technology every day. Consider the role of computers and technology in movies. If a major part is reserved for a robot or a computer system, it is always the bad guy. Consider Jurassic Park, The Matrix, or 2001: A Space Odyssey, or I, Robot, or The Terminator, or Tron. The only time we see a machine do Good Things is when they are used to counter-act a machine that is doing Bad Things (Tron, The Terminator 2) -- we never see a machine being genuinely benign, robot pets aside.
The fact is that technological development has progressed tremendously in the last fifty years -- and the rate of development is still speeding up. Moore's Law still stands -- so far, chips have followed the logarithmic scale predicted by one of Intel's founders. Aided by computers, and soon extensive genetic engineering and nanotechnology, we will soon be able to do many things that ten years ago were the realm of science fiction.

That is frightening to many people. They aren't used to this fast pace, where new technologies are introduced while the stuff it's supposed to improve upon hasn't even been around for that long. DVDs are relatively new, yet the new standards are already lined up, and the first consumer products are already appearing. But the prototypes of the new systems (holographic!) technologies are already working in the development labs. The lifecycles of products are shortening, and the products themselves are growing more and more complex. Philips' new credo of 'Sense and Simplicity' notwithstanding, adding more and more complex features to a system makes it more and more complex to work.(*) People feel alienated by this, they feel powerless and insignificant. They feel threatened.

In William Gibson's "All Tomorrow's Parties", which is set in the near future, one of the characters visits a vintage hardware shop:
Looking past the dislay, she could see a lot of old hardware side by side on shelves, most of it in that grubby beige plastic. Why had people, for the first twenty years of computing, cased everything in that? Anything digital, from that century it was pretty much guaranteed to be that sad-ass institutional beige, unless they'd wanted it to look more dramatic, more cutting edge, in which case they'd opted for black. But mostly this old stuff was folded in nameless shades of next-to-nothing, nondescript sort-of-tan.
[...]
She pointed at the beige hardware. "How come this old shit is always that same color?"
His forehead creased. "There are two theories. One is that it was to help people in the workplace be more comfortable with radically new technologies that would eventually result in the mutation or extinction of the workplace. Hence the almost universal choice, by the manufacturers, of a shade of plastic most often encountered in downscale condoms." He smirked at Chevette.
"Yeah? What's two?"
"That the people who were designing the stuff were unconsciously terrified of their own product, and in order not to scare themselves, kept it looking as unexciting as possible. Literally 'plain vanilla,' you follow me?"
When I first read that passage, I dismissed it: clearly that was bullshit. But now I know it is true. Look around: there are beige computer cases everywhere, and only the snazzy hardware comes in a black case.
I know someone who opted to pay 300 euros for an iPod, instead of paying 25 euros less for the Archos Gmini 400 which has so many features that it makes the iPod look like its retarded cousin. His reasoning? He liked the design of the iPod better -- in other words, the buttons of the Gmini scared him and he didn't want to deal with that, even though it would enable him to do many more things that would have been useful to him.(**)

Good movie makers know what the public wants, and good movie makers know how to exploit those repressed emotions and fears. Hence the eternal role of technology as Bad Thing. But obviously, the public works with technology as well -- surely they would recognize Excel as being a spreadsheet and not a Tool Of Evil?
And thus the movie makers need to invent weird displays and Blinken Lights, to stress that this computer/technology is different from the small and harmless PC that lives in the study. Instead, this computer is a large monolithic block, set in a clean room with lots of machinery surrounding it. An acolyte in labcoat checks the various subsystems, and the audience knows: This is Technology that is Unknowable. It could do Bad Things and we wouldn't know until it was too late.

It is too bad that this negative portrayal of technology is so pervasive. Neo-luddism is putting a serious brake on, for instance, genetic technologies. We need those technologies to thrive and survive in the future.(***)

I was going to write here that the only movies that I know of that present a neutral (and perhaps even favourable) view on technology are the Ghost in the Shell and GitS: Innocence (Mamoru Oshii is a known transhumanist), but these also feature scenes of 'brain hacking' and all sorts of negative consequences of further technological development.
Does anyone know of a movie that is optimistic about technology?

(*): At work, I sometimes have to make interfaces onto databases, so that the client can, for instance, edit the information about the products that need to be presented on the website. Sometimes, this is pretty complex, because the rules and the features of the products are complex -- and this results in a complex interface. I do not try very hard to make this 'easy': if it is complex, then you are doing your users a disservice by pretending it is easy. The most common interactions with the system should be simple, yes -- but if the complexity is inside the system, then no amount of fudging can make it completely simple, short of cutting features.
(**): That, or he is the victim of marketing and mass hysteria -- I don't know what is worse.
(***): Amongst others, in space.
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Comments:
[User Picture]From: [info]arnoudens
2005-07-11 09:36 pm (UTC)

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Holy schmuck, something went wrong there wil commenting. O_o;

What I wanted to say was the following; Back to the Future isn't that pessimistic about technology. Star Trek is neither. And Star Wars isn't that pessimistic about it either; of course the robots of the Trade Federation are the bad guys, but then again - the clones (also new technology) are the good guys for quite some time as well!
[User Picture]From: [info]fub
2005-07-12 07:47 am (UTC)

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Back to the Future isn't that pessimistic about technology.
The movies you mention aren't about the Technology. The DeLorean isn't a "character" in the movie -- it only serves to get Marty into the 50's.
Where Technology is a "character" and not just a plot vehicle, they are invariably bad guys: the robots of the Trade Federation, or Star Trek's V'Ger.
[User Picture]From: [info]arnoudens
2005-07-12 08:18 am (UTC)

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What about RoboCop? What about the upcoming Hitchhiker's Guide To The Galaxy? The Iron Giant has a friendly robot.

Not that I don't disagree with you; most movies do tend to be on the pessimistic side - showing humanity 'prevailing' over robotics, but there are exceptions to the rule. Even though I might not recall them right now.
[User Picture]From: [info]fub
2005-07-12 08:26 am (UTC)

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RoboCop: Murphy's robotic systems are merely a tool by the corrupt OCP to further their own ends. It is precisely Murphy's humanity that saves the day.
Haven't seen the Hitchhiker's movie, so can't comment on that.
Iron Giant: Yes, he was friendly. Until his battle-program kicked in and he destroyed the town.

You need to come up with better examples -- or I should watch more movies. :)

Even though I might not recall them right now.
The thing is: there are very, very few movies where the technology is a character and the message is positive.
[User Picture]From: [info]arnoudens
2005-07-12 08:42 am (UTC)

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Okay, let me think for a moment then:

Alien 2. Bishop, the entirely robotic android, is nothing but good.

Blegh. Maybe [info]halfnorn should kick in gear - she watches a whole lot more sci-fi than I do.

The thing is, it is much more interesting plotwise to have technology run amok, and humanity having to fix it. The other way around, humanity running amok and technology having to fix it, wouldn't attract as many paying customers. It would make the audience feel like they were the bad guys. I'm not saying it can't be done, but it is a risk, and every project which bears the big red stamp 'risk' is considered a dozen times before being produced by the movie studios. They've become a bunch of pansies.

Now, the theme 'humanity running amok, technology going to fix it' is exploited in I, Robot. Of course, the "weakness" (or perhaps, strength) of the computer is that it has no feelings and can just stash away all humans without feeling bad. Simple reasoning; humans harm environment, must deal with humans. (It is a bit more complex, but you've seen the movie, so I won't go into it further.) The other robot appears to be a baddy at first, but turns out to be good in the end. I didn't mention this example because this robot is weird, something with a 'human spirit' or a 'ghost in the machine', which doesn't make it entirely technological in my view.
[User Picture]From: [info]fub
2005-07-12 11:15 am (UTC)

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Alien 2. Bishop, the entirely robotic android, is nothing but good.
Isn't he a plant by the Corporation? Isn't his mission to ensure that the Alien is captured alive, rather than the survival of the human crew and colonists?
That movie has one of my all-time favourite quotes: "Let's nuke the place from orbit. It's the only way to be sure!"

The thing is, it is much more interesting plotwise to have technology run amok, and humanity having to fix it.
That is precisely my point. Technology is consistently cast in an unfavourable light in movies and other media.

I didn't mention this example because this robot is weird, something with a 'human spirit' or a 'ghost in the machine', which doesn't make it entirely technological in my view.
It is an example of 'good' Technology existing only to battle against Bad Technology -- the only times that a piece of Technology is cast in a favourable light.
[User Picture]From: [info]arnoudens
2005-07-12 11:22 am (UTC)

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Isn't he a plant by the Corporation? Isn't his mission to ensure that the Alien is captured alive, rather than the survival of the human crew and colonists?
Talking about Aliens (the second movie) here, not the first, third or fourth.

Technology is consistently cast in an unfavourable light in movies and other media.
But mostly I think, because people don't want themselves in the role of the bad guy.
[User Picture]From: [info]ankie
2005-07-12 11:07 am (UTC)

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In two of your your examples, you mention systems that you recognize. Unix, nmap. I think they are used- and hacked into- because they might be recognized by the viewer, thus making the film more realistic than by using a custom made "downloading" screen like you see in plenty of other films (like The Net), and maybe as a form of product placement.

Ofcourse there have been a lot of films who use 'technology going haywire' as a plot point;
You've named a couple. But that's only natural- films portray doubts and worries in today's society. True science fiction puts our fears, and stories of how we conquer those, in a fresh setting so an amusing story remains that we can relate to. That's why films are so quickly dated- good sci-fi isn't about the then, it's about the now.
That's why I'd like to mention The Truman Show. The reason that story came to be was the influx of reality tv, and as a critique on reality shows, it's more about the people victimized by the use of technology (media), than the evil technology itself. "The Net" came to our movie screens just when the Internet was the latest thing. The internet was real, so the threat was scarier. But it was people using technology that caused all the trouble in that film; not the technology out of it's own.
Upcoming film "The Island" starring Ewan McGregor looks to explore the subject of cloning. You will probably see some examples why technology is in your eyes evil; but as I explain below in my Jurassic Park 'review', it will probably only be a setting for the people to be in.

Let's go to those reviews.

If a major part is reserved for a robot or a computer system, it is always the bad guy. Consider Jurassic Park, The Matrix, or 2001: A Space Odyssey, or I, Robot, or The Terminator, or Tron.

I actually think most of your examples are flawed. I will not discuss 2001 because I haven't stayed awake long enough to see it all; and Tron I haven't seen yet.

In Jurassic Park, technology only plays a minor role. It's only there to convince people in theatres of the authenticity of the dinosaur-presence. It's to make the film more realistic; it doesn't make it (feel like) a science fiction film. I think it's obvious to all who watch the film that it's the guy behind the steering wheel that is evil- not the computer who grants access. (By the way, if you haven't read the book, I would strongly recommend that- it's a great read on chaos theory etc. and way better than the film)

In The Matrix, humanity let robots and technology take over their jobs, and it backfired. Technology farms on human flesh (eew). Then why does this technology keep the humans in a lulled state leading happy (synthetic fantasy) lives till they die of old age to be turned into glue? I think the message people walk away with from watching this film isn't "gee golly, technology is evil", but will ignore the whole part about how we are responsible for our own demise and look at all the nifty gadgets. Technology in the Matrix is just the setting for another story of good versus evil.

In I, Robot you see an advanced society and a man who has always been paranoid about technology. It's easy for him to point the blame at the robots. And it turns out to be them, following orders of their queen bee, taking extra good care of people who don't know how to take care of themselves. Sonny is flawed (thus relatable to), and isn't evil.

>> to be continued
[User Picture]From: [info]ankie
2005-07-12 11:07 am (UTC)

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>> part two!

In The Terminator, the main, most popular character was a robot. Yes he was evil. But he was so popular he became the lead for the other two films in the franchise. Again, technology is the setting (as it is in Jurassic Park). More so than that the film is a truly negative view of what happens. OK, death and mayhem if the kid dies. ;)

When it comes to robots, the rule seems to be that if the robot has feelings, he is 'safe'. But do emotions make the robot human? They're still part of technology.
To name a few friendly robots Arnoudens may have forgotten;
The housekeeper of The Jetsons
C3PO, R2D2
Bicentennial Man (Robin Williams)
Artificial Intelligence's main characters (played by Haley Joel Osment & Jude Law)
Data (Star Trek)
The computer (Star Trek)

When it comes to emotional robots, I think it's interesting to take a look at Star Trek. Every Star Trek series has had a character we couldn't relate to, who as the show progressed became more human (Spock, Data, Odo, Tuvok, T'pol). Spock may have been the first 'robot' to grace our tv screens in that regard ;)
[User Picture]From: [info]ankie
2005-07-12 11:08 am (UTC)

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BTW, I think you can add I, robot's Sonny to that list as well :)
[User Picture]From: [info]fub
2005-07-12 11:32 am (UTC)

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Again, technology is the setting (as it is in Jurassic Park). More so than that the film is a truly negative view of what happens.
How is "Robots kill all humans" not casting Technology as the bad guy(s)?

When it comes to robots, the rule seems to be that if the robot has feelings, he is 'safe'.
It's 'warm humanity' versus 'cold Technology', yes. That is the point of most of these movies.

To name a few friendly robots
You have good examples of Technology being cast as the Good Guys, thank you. But I also see a trend: the robots you mention all have 'human' qualities -- they are more like humans inside a tin enclosure, rather than a Technological product.

Movie makers try their best to make Good Technology human-like, anthropomorphised (C3PO's appearance and whining, R2D2's stubbornness, Data's quest for humanity), while they are trying to make Bad Technology exactly the opposite. They employ tactics such as BlinkenLights and nonsensical displays to alienate the audience from the Technology -- which was my original point. By doing so, the movie makers are reinforcing the audience's instinctive fear of Technology.

To be fair, I do not know in which way movies are influencing Neo-Luddism -- the causation could be entirely the other way around. Still, I think the movie makers are doing their audience a disservice by doing so.
[User Picture]From: [info]ankie
2005-07-12 11:54 am (UTC)

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In mass-media class, I was taught about the horseless carriage syndrome. A car was a horseless carriage, until people were used to it. A TV was a radio with pictures until people were used to it.
That's why you had a lot of non-sensical displays and flashy lights and closet-computers. Not to alienate viewers, but to bring across a point: 'this is something only the hacker understands, so now you know he is a very smart man'; or 'the computer is now downloading all the megabytes of information to the floppy'. If you see a hacker hack into windows, just clicking around in Windows Explorer, it's a whole lot less impressive. ;)

In the same way, you can go back in film/tv history and see what way people looked at robots and technology, and how both were used as plot points or setting in the story. The negative-technology plot as you see it from 2001: A Space Odyssey is a direct result of the era surrounding it.
I really do not believe Technology is to be feared or that movie-makers are trying to make you frightened of it. It's merely a 'horseless carriage' that is new, nifty, can be used for all kinds of plot points and investigations into morality. I think it's less predictable than the british accented villain in most Hollywood films or the black underdog character. There is only so much you can do as a storyteller to use technology as your 'deus ex machina' solution (be it for a positive or negative turnout in the story), and I think all of those options have been exhausted in the nineties. (Actually, as far as I'm concerned, I think this whole discussion is a bit too late ;) )
[User Picture]From: [info]fub
2005-07-12 06:32 pm (UTC)

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the horseless carriage syndrome.
I know this phenomenon as "hoorspelen op TV". Your sources go even further back than that. :)

Not to alienate viewers, but to bring across a point: 'this is something only the hacker understands, so now you know he is a very smart man'
"This is Technology that you can't understand" -- I'd call that pretty alienating.

I think all of those options have been exhausted in the nineties.
"I, Robot" was of a later date... Perhaps the scenario writers are indeed moving away from "Technology as Bad Guys", but I do think the trend will continue for quite a bit before it's all dissapeared.
[User Picture]From: [info]fub
2005-07-12 11:22 am (UTC)

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I think they are used- and hacked into- because they might be recognized by the viewer, thus making the film more realistic than by using a custom made "downloading" screen like you see in plenty of other films
Then why don't all movies do this? Why have the custom 'downloading'-screen or nonsensical 3D filesystem navigation?

But that's only natural- films portray doubts and worries in today's society.
I am not saying that it is unnatural. But my point is that Technology is always cast into the role of Bad Thing -- you seem to agree with this.

it's the guy behind the steering wheel that is evil- not the computer who grants access.
Actually, the whole diatribes about Chaos Theory seems to suggest that the real message is that Technology is dangerous, because as the systems become more and more complex, the human user is less and less able to accurately predict the system's responses. How is this not casting Technology in an unfavourable light?

Technology in the Matrix is just the setting for another story of good versus evil.
Good (humans) versus Evil (Technology, in the form of Agents).

it turns out to be them, following orders of their queen bee, taking extra good care of people who don't know how to take care of themselves.
And how does this portray Technology in a favourable light?

Your refutations of my examples are flawed -- you're proving my point for me. :)
[User Picture]From: [info]ankie
2005-07-12 11:41 am (UTC)

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Then why don't all movies do this? Why have the custom 'downloading'-screen or nonsensical 3D filesystem navigation?

These were primarily used in films before the millenium. It probably has something to do with american audiences not being familiar with computers and technology and needing a summary of what is going on. Or not getting money/not wanting to pay money to Microsoft for using windows in their displays.

I am not saying that it is unnatural. But my point is that Technology is always cast into the role of Bad Thing -- you seem to agree with this.

No, it isn't a Bad Thing. Technology is a tool, in almost all of these films you mention- it's man that's the bad thing, that abused it or mis-used it. A robot or a machine doesn't build itself.

Actually, the whole diatribes about Chaos Theory seems to suggest that the real message is that Technology is dangerous, because as the systems become more and more complex, the human user is less and less able to accurately predict the system's responses. How is this not casting Technology in an unfavourable light?

I did not mean to pull the chaos theory part in the book into this discussion, because we were talking films and television, not literature.
However, you essentially say in the underlined sentence that it's the human user who is the problem. Technology can only be a bad thing or evil if it has a mind of it's own. Technology as a whole doesn't have that.

Good (humans) versus Evil (Technology, in the form of Agents).

The Agents are computer programs, true, but I thought the whole Jesus-'the One' story in the Matrix was to remind people of the great Flood, how man made about their own undoing and now has to face the demons it created?
[User Picture]From: [info]fub
2005-07-12 06:35 pm (UTC)

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These were primarily used in films before the millenium. It probably has something to do with american audiences not being familiar with computers and technology
That is a very valid point.

Technology is a tool, in almost all of these films you mention- it's man that's the bad thing, that abused it or mis-used it. A robot or a machine doesn't build itself.
Everybody understands that Skynet and the Terminators didn't build themselves (well, they did, but not initially). But that doesn't change the movie's premisse a single bit: someone made a Frankensteinian monster, and it's gone out of control.

Technology can only be a bad thing or evil if it has a mind of it's own. Technology as a whole doesn't have that.
That is certainly true. Yet in movies, Technology is consistently cast in the role of Bad Thing. Technology isn't value-neutral in movies, as it is in real life. That's my point.
[User Picture]From: [info]bakenius
2005-07-12 03:17 pm (UTC)

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My god... you're entries become more and more essay-like over time don't they? ;)

What I scanned of your post and replies it's all very interesting. I'll put this one in my memories for later reading and reference. :)