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Hey I'm Eddie. How d'you like me so far?

No, Pete. Bad. Bad dog

7/4/05 09:37 pm - Message to You, Rudy

Moneypenny and Arlette communicate with body language
Moneypenny and Arlette communicate with body language
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"Detectives."
Miss Moneypenny didn't rely on words. She was sufficeintly eloquent with her body language. In the time she's been delivering our phone messages as we stepped off the lift, I'd begun reading up on thought transference. Her sentiments penetrated me. Like you wouldn't believe. This afternoon, I gave her a heads up, placing a call as Pippin pulled his car into our spot in the Scotland Yard lot.

"Moneypenny. I'm on my way up. Any messages?" She didn't answer, but I heard a soft rush of air as she suppressed a quiet reaction. Telepathy didn't work over the cellular network.

The lift deposited us on our floor - and there she was.

"What have you got for me?"

6/9/05 02:37 am - Hyde [Park] in Plain Sight

Moneypenny and Arlette need to touch nature in Hyde Park
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"Here. Let us out right over there. No. No, I don't mean you should stop in the middle of traffic. There. By that horse. No, Carol, I don't know. I guess it's enjoying Hyde Park, too. Hey, pal. Any time, okay? Stop already. Yeah, there's the lake. Supposed to be a memorial to the princess. Damn. We forgot the Frisbee. Pete woulda loved this."

5/31/05 11:39 am - Eddie Loves Shopping

Miss Moneypenny thinks Eddie needs to visit Saville Row
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continued from here
Apparently, I'm not dapper. Miss Moneypenny's curious to see how I would look in a Saville Row suit. I like my look. Sort of Columbo meets Bullitt. The only think I like more is Miss Moneypenny...

5/25/05 04:22 pm - But I hate opera


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Hey. Still at the hotel with that opera singer, Liese Kohl. Superintendent says I have to be her minder until her performance. The good people of Germany apparently want their national treasure safe and satisfied. She's ignoring the ground rules, though. She's telling people we're an item. The German police seem to think we're going at it pretty good. She's just confused and conflicted because I'm protecting her from the stalker.

Besides, I forgot my shaver at home. )

5/20/05 03:35 pm - Chapter 35: Extraction for Insemination



It's a dumb case, Carol. I work with people, not horses. The Superintendent is just using us to run around solving this racehorse insemination case for his buddies of influence.

5/12/05 05:56 pm - The word 'cop' isn't written all over him - something more puzzling is


I heard McQueen, King Of Cool, mutter Bullshit, right there in the London flat. Last thing I remembered was loosening my tie and falling backwards on the bed. Fiona was gone and Pete was happily gnawing the remote in the other room. I welcomed oblivion.

It had been a quiet afternoon. However, true to form, we got a call just when I was signing off, intent on finally making an appearance at home. Another report of the happy slapping kids, this time at Godolphin and Latymer girls' school in Hammersmith. "Gadgets," I muttered. "Bullies with cell phones." Two fourteen year old perps had tried to escape at the scene. I think my leftover good humor from shopping with Carol made me feel McQueenish and I nabbed them with a tackle that left me dusty, with a growing bruise on my left shoulder.

A pushy reporter from The Guardian was all over me as we struggled, the kid beneath me gleefully filming our altercation with his mobile phone.

The Hack: "I say, what do you make of this fad?"
Me: "Look, you work your side of the street and I'll work mine." I gave him my best Frank Bullitt deadpan.

Like those tiny lizard dinosaurs from Jurassic Park 3 that flock around the hapless victim, a growing knot of uniformed schoolgirls and pre-teen thugs loosely circled around the spectacle, filming and snapping images with their tiny phones, sending them to their smart mob network. Word was out: Metropolitan police brutality on happy slappers. Good God. Pippin stood at a safe distance, an ad hoc press conference in his mind, talking with writers from the populars.

I handed the two punks over and took a statement from the huffy headmistress of the school. Pippin was subtley frowning at me and making a Madonna vogue move that, for the life of me, I couldn't comprehend. I leaned down to get a look at my reflection in the window of a parked Mini. I looked revolting. After a pathetic attempt to tame my hair, I gave up and headed home for a shower and little else. I was ready to close the books on today. God save the McQueen.

5/6/05 06:48 pm - He's just trying to get a rise outa me


"So you really gonna go on this whole ride without talking to me? I never forget things. I'm sorry. What if I got you that 3248 Tatio Personal handheld whatever?"

4/27/05 04:48 pm - "What do you say?" "More."


The shooting victim was still stable, but the Yard was a madhouse. Pippin and I just got back from going through his place, talking to his family, neighbors, finding out what he was involved in, what he was doing in London. Press was all over us like Charles on Camilla.

In the midst of chaos, Miss Moneypenny materializes midway down the hall. I'd been on the lookout for her all morning, only to duck into a room if I thought I sensed her coming. Coward. I tried it again, only to be blocked by Pippin, engrossed in primping for the reporters. Avoiding her wasn't the goal. It was not knowing the right... framework for our post Sticky Wicket encounter.

I stopped. The yammering of the fleet street bunch died away and reality around me slowed way down.

"Hello, Miss Moneypenny."

4/12/05 03:32 am - The Flat



Hey. Pippin. Fiona's moving to New York with Nigel. It's one of those good new-bad news kind of things. I have to find a new flatmate.
Dude, I'll help you find a new roommate.
Forget it.

4/7/05 08:06 pm - The Bentley


Hey. *I walked into Inspector Pippin's office in Scotland Yard, way too excited for the Tomlinson extortion case we were investigating*
Yeah. Dude.
Who's the luckiest guy you know?
That'd be Edwin Goodman. Has a willie like a penguin. Massive. Actually considering a reduction.
Damn. That's lucky.
That's pretty lucky. But he has one leg shorter than the other so it sort of works out in the end.

4/1/05 12:29 pm - The Sticky Wicket Inn

I walk in to The Sticky Wicket Inn, London's finest American and Scottish ex-pat pub. One-Ball Bill waves me over to the U.S. side of the bar. I offer an apologetic nod to Johnny Red and his snarling Scottish defenders. One-Ball starts laughing at his partner. Snubbing Scotland is high on One-Ball's list of inciting the blood feud with his red-headed brother-in-law.

"STOP LAUGHING, YOU YANK WANKER!" yells Johnny Red.

"I'LL BLOODY YOUR NOSE, YOU TARTAN TASSER!" bellows One-Ball Bill.

They both simultaneously turn their backs on each other, folding their arms. For good measure, Glasgow Gil knocks an empty bottle of Guinness off the bar. "American prick."

I take the stool furthest from the Maginot Line. One-Ball slides me a pint of English bitter. Finally. I'm decompressing.

Midway through my first pint, they erupt again over an unseen slight, probably a chair leg infringing across the border. "DIE, SCOTSMAN!" An immediate retort: "BUGGER OFF, YOU ONE-TESTICLED BASTARD!"

Into this powder keg and utterly out of place strolls Carol Ross, Superintendent Johnson's right hand girl at Scotland Yard. Johnny Red's mouth is hanging open, but he recovers enough to offer her his dubious version of an invitation to the Scottish side of the bar. Her eyes are locked on me and I'm her deer in the headlights, unable to move.

She stops in front of me, an unreadable expression on her face. I grin. "How you doin'?"

She looks at me dead straight. "Terribly horny." She innocently asks Bill for a glass of wine, then walks over to a table in the corner.

I can't move, staring at the empty air where she stood. Bill hums and pours, oblivious.

"Wait. What?" I say to no one.

"Huh?" One-Ball doesn't bother to look at me. It's just a courtesy noise that bartenders toss out because they really don't give a damn.

"Did you - did ya hear that? What she just said?"

"Who?"

"Her!" I'm annoyed. Bill's been in one too many head clashes with Johnny Red. I keep my back to her, but give him a conspiratorial tilt of my head.

"The dame?" His loud voice carries to every corner of both the U.S. and Scottish sides of the bar. I hunch lower, trying to disappear, and gesture for him to quiet down. He looks confused until the light dawns. "That bird told you she was 'terribly well'."

I drain the bitter, order another and hold my head, not nearly decompressed enough. Pippin's words come back to haunt me. "You know what your problem is, Eddie? You're not getting any. You know who's not sleeping with you, yeah? London. London's not sleeping with you."

"Bill, give me another of what she's having." He may have a point, but I just want a little conversation. Really. I pick up both glasses, walk toward her and sit down in the chair across from her.
"Terribly well, huh?"

1/13/05 02:25 pm - Painted Black | A Flashback

New York City | My apartment | Night

It was an omen.
Not so much an omen as a door closing.

My building had a typical New York courtyard with New York trees and a circular drive so one could be dropped off in front of the glass door leading to the lobby. I liked it. The cabbie honked at the moving van parked square in the front, its hazards flashing and its tailgate open. As I paid the guy and walked past the van, I saw a familiar couch inside.

I look through my mail, waiting for the elevators. Ding. As I wander off the elevator, flipping through Alice's Cosmopolitan ["What Every Man Wants But Will Never Admit"], I hear a television blasting down the hallway. It's coming from the apartment at the end of the hall - with the open door. There are boxes stacked uniformly on a dolly and clothes draped over the handle.

Alice. Alice is hugging a box, standing in the doorway. "I said seven thirty, Eddie. You're lucky I'm almost finished."

"Did your Stuart guy at work tell you to say that?"
continued )

1/10/05 04:30 pm - In some countries that would make us engaged

I'm sitting in the kitchen, reading the paper, my dishes in front of me. Fiona comes in and heads straight for the pantry and begins making tea. "Good morning." "It is? Has your Visa expired?" she asks. She goes to the fridge and shakes her empty milk carton, then points to my plate. My milk carton, more specifically. "Are you finished with that?" "My milk? Why? Do you want the rest of it?" "I asked you if you're finished with it." "Not unless you want it." Silence fills the kitchen - until Pete the Dog offers a little gruff. "Not unless I want it?" she demands. I nod and go back to reading the paper.

Fiona decides to make her tea - without milk - and finally stops, dropping her head, suddenly getting it, turning to me and smiling. "Ah. I get it. Now I get it. You're talking about Nigel and me. How brilliant."
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1/8/05 01:00 pm - In The Roadway

Keen Eddie's shoeA LONDON STREET - NIGHT

IN THE ROADWAY

A soaking wet black men's dress shoe is sitting on its side...lonely...curiously abandoned...as if it were discarded, or ejected from a passing car.

It's damaged slightly, scuffed, resting in a shallow murky puddle.

The sound of a speeding lorry, horn sounding, fast approaching. The lorry screams past, revealing a blindfolded man, 30, hands tied behind his back as he runs, stumbling into the motorway, falling to his knees. One look at him and we realize he's been worked over pretty good.

He's the unfortunate fellow who happens to be missing a single black shoe.

He tries to stand, leaning his head forward for balance, and he's almost struck by a series of cars, which continue on at high velocity, not noticing him in the darkness. Trucks thunder past, lights surging, hair-raising near misses, another, and another still, as he runs towards the centre lane, woefully helpless, oblivious to the perils as he inadvertently kicks an empty windshield washer fluid container littering the motorway.

Keen Eddie's shoeHe lurches, stepping on the spent container, which shatteres partially, allowing his foot to become stuck in it. He tries to get it off.

He's like a spooked, wayward dog who wandered onto the motorway; it's just a matter of time before he's killed. Another car illuminates him in its headlights. a ghastly image, for we can see blood on his shirt; we can see cuts and bruises.

Only thing certain here is Eddie Arlette has seen better nights.

The car manages to swerve into another lane, missing him by centimeters, continuing on its way, horn blaring. Veering in the wrong direction, as he finally frees his foot from the container, Eddie is spun around violently by another car, its chassis barely grazing him, sending him to the ground hard on the inside lane.

A massive lorry is speeding towards him like a freight train. Eddie turns to face the thundering noise, headlights brilliant, drawn to them like a moth. He steps one step... a small side step... the step that will save his life.

The lorry thunders past, no more than half a yard from his face. Eddie leans back, quite sure death is almost upon him, fighting the powerful suction of its air stream.

In a moment, he's lost his balance, feeling himself succumbing to the pull, instinctively, he heaves backwards, tumbling over the median, disappearing, falling down fifteen feet to the on ramp running below the motorway.

Keen Eddie's shoeLights illuminate him as he hits the pavement. A car screeches to a halt, swerving past him, just... missing... his head. The car jams into reverse and backs up, stopping at Eddie. Three men quickly get out and collect him.

One of them, Fishy, the largest, grabs his head and shoulders. The other, Bernard, takes his feet. The third, wearing a Cheap Trick t-shirt, opens the back door as they stuff Eddie into the car, looking around, hoping to not be observed.

Cheap Trick sees something on the ground where Eddie fell and runs to get it. It's his wallet, open, exposing a shiny gold NYPD Police shield. Cheap Trick picks it up, considering it, lost in it for a moment. Put a jerk in it! yells Fishy. He runs back to the car, as called, and they speed off into the night.

In a moment, silence on the roadside. As if they were never there.
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