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QUINTESSENTIAL DEATH

  • Jun. 23rd, 2008 at 10:40 PM

Death is always a shock. It’s always a mystery to me why it has to be so. Doesn’t matter whether it’s something I’ve anticipated or something sudden. When it comes, a bit of me seems to chip off.

 

Today, I received info that a colleague had died. Tragically. Two days ago.

 

Hers felt inconsequential at first. After all, she wasn’t anyone I knew well. She was just one of those anonymous faces I sometimes bump into around the workplace.

 

Still, it began to dawn on me that another one of us had left. Significantly, she died not of disease or from getting caught in a heft of twisted steel. She died because she had decided to end it.

 

She chose height. Twelve floors of it.

 

She left behind a journal in which she talked about her vivacious nature. Of her life in the fast lane, of partying nearly almost diurnally, of driving home at dawn the next day. She wasn’t always keen at pursuing law. Her destiny, she said, lies somewhere else. However, like most kids with comfortable upbringing, she had difficulty ascertaining where—or what. And like most kids in the uppercrust, she was born with a spoonful of expectations. Both her parents are lawyers and it seems, from the moment she stepped into college, she was meant to follow her parents’ footpath.

 

She too had high expectations of herself. She thought of herself as smart and was “allergic” to failures. Imagine her devastation when she flunked her first try. She said she was lost. Torn between starting over and striking another pitch. In the end, she chose to retake and when she passed, she was relieved (instead of being happy).

 

From there, she began to delude herself. I can sense as I read her article that she had convinced—albeit feebly—that lawyering was her calling. That she was going to be happy with it. That she could truly make a noble difference with it—like “assisting the poor”.

 

But lawyering isn’t substitute for lost fun (especially if it isn’t what you truly want—I had to learn this the hard way). And it’s the worst sort of profession to hope amusement from. It’s a sober profession, very unlike the courtroom drama we are accustomed to seeing on TV. You come to court in your 5 thousand peso pina barong with matching Italian wingtips only to be told that the counsel for the opposing party has diarrhea and can’t show up for oral argument. Case postponed for next year.

 

Hers was worse, I think, because she wasn’t even performing what was expected of her as a lawyer (or a lawyer born from specially talented lawyer-parents). She wasn’t reviewing cases or arguing her client’s cause in court. She was her father’s personal secretary. She answered calls, wrote down his schedule, looked benign, stayed seated unless called, arrived and left with him every single day.

 

How else then can a partyphiliac managed to stay decently entertained with a job as monotonous as playing her father’s stooge?

 

I guess, it's especially difficult for active people such as her. People who have an exceptionally  high energy for late-night partying are theorized to have the deepest pit underneath (And I was right. She was diagnosed wiith bipolar disorder).  Lawyering for sure, is far too small a wedge to fill the void, no matter how successful or how grandly you’ve made it to be.

 

Her passing was the quintessential lesson in life. She parallels mine (and a number of others), save the part of incessant party-going because I am not as emotionally needy or as empty as she perhaps was. But like her, I assumed someone else's life. Took the path that I was told was for me, and, in spite of nagging trepidation, walked on it because I was naturally obedient, and good and too scared to be insolent.

 

At some point I imagined that we've both arrived at a certain point in life where picking the right choices was as crucial as walking across a heavy traffic. Had plenty of regrets along the way and quite a few times, fell into depression as a painful consequence thereof.  

 

I can only imagine the emotional bouts she must've had shortly before plunging into her demise. I can see her weighing herself on the ledge, balancing between staying still and catching a glimpse of her "own" traffic down below. It was bustling and honking with so much life. Speeding and breezing merrily into wherever. 

How very unlike hers. 

WHEN, WHY AND HOW

  • Jun. 18th, 2008 at 9:52 PM

I never wanted to be a designer. No.

 

I was 2 and the best guess one could make of my interests at that time was that I was going to grown up a painter. Or a photographer.

 

Everyday was an enthusiastic trip to my mom’s classroom where I’d sit fascinated by the picture she chose to cover her table with. It was a life-like depiction of a tiger hunching for a kill. The Bengali was barely noticeable in the shrubbery, but I could sense--so thrillingly--that some antelope or deer was going to get killed that day. On some other day, it would be a young wildebeest or a hapless zebra that strayed far from the herd.

 

From each imagining to the next was an outbreak of possibilities, of sounds and loud noises. Of roars and open flesh. Instant shock for the little animal, and ultimately a day's worth of fill for the great maned predator.

 

You could say that I was a very self-involved child. I wonder at this time whether other kids were as ridiculously imaginative as I once was. Young as I was, I was already rearing for a life spent capturing images in paper, or in fabric or in film. I thought, what beauty it must be to experience life as it moves, as it unfolds, as it makes for the final sprint  in such natural precision.  

 

All these at the age of 2.

 

Then I was 13. It was the first month following my illness which I thought I could never survive. My Tita, a dressmaker, came to me and showed me an article on Readers Digest about a designer named Yves Saint Laurent.

 

I knew nothing of fashion or of designers that rule it. Saint Laurent, was... love at the moment of introduction.

 

So suddenly, in a single stroke of circumstance, life took a shift. I remember mouthing his name incessantly for the rest of the day.

 

That evening, I began to sketch dresses in sync with the memory of his clothes. There was his trapeze dresses which he became famous for. I modified that and landed with my first design. A halter dress with straps clasp around the chest area with a metal plate. It was pleated with a deep back.

 

My cousin wore it to our prom that same year.

 

Ideas came pouring in as if some sleuce gate had just been busted open. I had on sketch pouf sleeves with full skirts, sheered blouses and bustier in gold and blue, thigh-high slits and lames, trenches that cascade into the ground, gradation of colors on jackets with makeshift capelets, see-throughs and dome skirts. Drawing after drawing. Minute after minute. Night after night.

 

I sketched without knowing their names, or their cuts. Without an idea what silhouette was or why this trick was called an appliqué.

 

Soon after, my friends came to me for sketches and design suggestions (P10.00 per design). By the end of the day, I had enough money to buy a whole pizza and a can of soda.

 

My Tita wondered why some of her students’ designs were so revealing, so exaggerated that she suspected that someone might be behind it (her students eventually admitted that I designed all their prom dresses). When I came to her office some time before the prom, she offered me lectures on symmetry, proportion, color coordination, class and sexiness. All sorts of stuff covering the spaces between the hemline and the neckline.

 

Before anyone else, she knew who I was. What I should do and believed that I could truly do it. And for that, I sincerely thanked her.

 

For years, I held on to the idea that I was going to be someone like Saint Laurent. Nothing exceptional really, just a bit of him. A fraction of his legend would suffice.

 

He began really young. Assuming leadership at Dior at the age of 21. He was soon drafted to the French military during which he was taunted and abused repeatedly.

 

His life was legendary, and his talent incomparable. But who would’ve known that before launching his own house, he broke down, went mad and was hospitalized for years.

 

True talent however, is like Bengali. It waits patiently for the right moment, and when cue strikes, it lunges for the precise kill. The result was a dazzling series of first: First tuxe for women, first see-through daywear, first inventive reintroduction of the halter dress, first black model on the catwalk--the list could go on.

 

I intend to assume this challenge. I’ve been sidetracked for years and years. But this year, I’ve resolved to go back to design school. I’m not sure if I could do it, what with work, and finances and my sisters both going to college all at the same time. And the house needs remodelling.

 

There is fear and loathing and excitement and thirst and need and dreams clamouring for attention. I’m only one person and at times, oh so feeble in resolve. I could go mad—god forbid—but if I still could, if I still have it, if the world is fair as I know it is, I will rise to the occasion and be the person  I was always destined to be.


GOOD NIGHT, SWEET PRINCE


Yves Saint Laurent, 1936-2008

OF LUXURY AND DINNER TABLES

  • Jun. 10th, 2008 at 10:23 PM

Above all, the most exciting of luxuries happen to be in people. Not in fancy beachfronts, or in the sheen of a brand new multi-million dollar yacht (albeit I wouldn't mind having one).

 

In these times, the luster of people’s indulgence far outshines the values that depreciate as time progresses (diamonds are a bit of an exception). Imagine the insights you gather from these people, the timelessness of their sincerity or the matter-of-factness of their gestures.

 

It's easy to get awed in gold-laden autobiographies or at the sight of champagne bottles dotted with diamonds. But they last no longer or sink deper  than school book cliches. Diamonds are forever, true. But you're not. Perhaps, if life was to mean something, one should aspire for others. The stories in their eyes or the fragrance of their speech.
 

Hence, true luxury is in convivial dinner tables with people who matter. On my right, for example, is Barack, sleeves rolled and handing a bowl of tinola to his wife Michelle. Seated opposite him is Suze Orman who tells you that class precedes a 500 dollar Louboutin (agree). To my left, seated next to Fatima Bhutto, is Samantha Brown who is beguiling everyone with tales of her recent trip to the Alps (she slipped, broke her ankle and fell on a tourist who broke three ribs). Fatima on the other hand is busy relishing her kare-kare (a drop dribbles down her chin) and is feeding a spoonful to an eager Tom Ford (“I’m straight you know.”).  Far to my left is Ian Wright who is sharing his gooey dinuguan with Ellen Degeneres.

 

I’d have wanted Ana Wintour to be there as well, but she had to attend Lagerfeld’s boring soiree at the Ritz. Good thing she sent Gisele Bundchen in her behalf who arrived in time with Alicia Keys. After dinner, the latter indulges the crowd with her soulful, heart-breaking rendition of Never My Love. As she mellows to a halt, you can’t help but notice just how dangerously Frank McCourt’s jaws have dangled to the floor.

 

The crowd thunders after her. My heart skips and my mirth explodes in distinct red liquid. As if I were a cup brimming with what appears to be vintage wine. Sweetness on the tongue is what it is, as in melted love in a morning’s cup.

 

DEVELOPMENT PART 3

  • May. 21st, 2008 at 10:46 PM

It was in fact, rather surprising that my difficulty in school was not having to come through the clumps of school jocks but finding acceptance from fellow students of the same persuasion. I’ve always felt a pariah in their midst, someone of huge but no less annoying significance. Sure there was pleasant, if not forced, civility among us but when it was time to head home, only one would walk the mile stretch with me.  

 

He was special, in a way that’s entirely platonic but on a plane so vast and innocent, he seemed to me like a toddling child that walked grown-up steps. No one else knew that of him but me, not his family and certainly, not those we thought could understand us best.

 

The mutuality grew, like first time bloomers in the heat of spring.  We became rather exclusive, too exclusive for our own good, turned out. People, the faculty especially, started to fidget when they spotted us walking from one class to the next, or when walking home from school. Thus, began the suspicion that there was more to it than what we’d like everyone to believe. Like lovers, one pointed out nervously.  

 

In hindsight, it sure felt suspicious but neither him nor I felt the necessity to explain. We rationalized that people simply weren’t accustomed to seeing two kids of the same sex do almost everything together. It probably would have been different if our interests had more to do with sports or things manly like guzzling or skirtchasing. Ours however, involved activities considered unmuscle-y (for lack of better term) such as art, both being into tinkering with lines and colors, or writing because I was the editor of the school paper while he ran the Filipino version thereof. He was prexy of the school’s dance troupe while I PR-ed for him. We shared mutual love for living room fun such as TV and movies or books and, in school, we sought no one else’s help in formulating the best way to solve an algebraic equation (we both struggled at it).  

 

If I were Clark Kent he would certainly be Lex Luthor. Our liaison was akin to that: intimate in places, competitive in others. In spite however, of its obvious innocence, people seemed determined to find fault in it, like a misplaced crease, or a suspicious stain. We were cousins, they knew that, but the school had our scheduled changed in the hope of breaking us up and directed the faculty to never accommodate our appeal to be in the same classes together.

 

But what we had was too pure to just wilt at the first strike of pressure. Hence, we wiggled our way out of that predicament by making it certain we were in the same organizations together. We spread ourselves in as many activities as our time could possibly afford just so we could hang out and pick on people in bare whispers. We’d have occasional adventure trips to his farm and my grandfather’s (he had all sorts of pets while I had chickens, a horse and a dog). We exchanged books and held gatherings for the members of the organizations were in. It truly was geeky, I have to say, something we thought excitingly as cool at that time but would soon fall into something trivial and laughable later in life.

 

In college, we grew sadly apart. Who knew we’d eventually move in different directions and hang out with different people while doing things on opposite sides of the city. But we both became lawyers--eventually, I'm betting, far from the idyllic lives we hoped we’d have after highschool. We based ourselves in the capital believing in the romantic notion that it’s in the hustle and bustle of it all that we’ll find promise of excitement and satisfaction. When feeling most disdainful, he packs up and turns nomadic—the States, Canada, Singapore, China and Thailand. If I had his wealth, I told him, I’d choose Milan, Paris, Tuscany, Florence and parts of western Europe, like Prague or Vienna.

 

He said, he’d race me to it. I just smiled, knowing full well he’d beat me to it.

 

We barely see each other anymore. From time to time, if we aren't the busy bees that we now are, we send each other silly MMS and boring SMS.

 

The other night, just as he texted me goodnight, I remembered him once saying that when he marries, he’d ask me to be his main man. We were fourteen then, and believe me, even that seemed such a beautiful possibility. I actually said yes.

DEVELOPMENT CONTINUED...

  • May. 12th, 2008 at 8:38 PM

Growing up in the Pinas I think is different. Kids are always accustomed to doing their best in school because the smart ones are said to always earn the favour of the teachers and ultimately, fortune. So everyone, including myself, felt it was cool to be smart, felt the need to fare better in research and come to school armed with a well-written homework with relevant annotations.

 

This was life like in my school. The jocks had their intramural games but for most of the year, they remained relatively anonymous, unpopular and without any idea what “cadence” was outside of training (and I had to teach someone that, and for those of you who knew me well, you know how that nearly went far than just a little tryst for sports).

 

Hence, imagine my shock when I learned that in some cultures, like the US for example, the smart but awkward ones actually agonize getting dunked in toilets or beaten to sorry little pulps by their bigger, burlier counterparts.  I remember someone I knew from gradeschool who stayed only for a day in an American high school because she managed hit someone on the nose for calling her “smart-ass island pygmy.” When I talked to her about it, she cofessed that she was so mad, she just had to hit him or she’d be in therapy for the rest of her life. She also revealed something intriguing: that American kids, teenagers especially, are "scared-insecure" (her exact words) because they knew that anyone can outshine them at anything. Thus, when she volunteered to solve a complex algebra problem on her first day in school, her nightmare followed no later than five minutes thereafter.

 

Hence, to my question. Why this culture? When was it that kids start to prefer losers over the winners? Beat others for being simply geeky? Just what is so despicable about being a geek as would merit violent reactions from others?

 

I have none but wonder. Personally, the only thing of interest to me in jocks was their size. It was as if they were built for some heavy mechanical farm work. They towered over everyone else, hunched and walked as though their balls were swollen big like melons. But strip them off of their brawn, or their natural propensity to swagger, and all that's left was a struggling beefcake who suffered as much insecurity or school and family problems as anyone else.

Among all of us, they were those who made the most out of their size or those of their buddies. They didn't necessarily accost anyone and dunk his head in the toilet, but they sure made it their business to look tough, imperious and menacing. Perhaps to give a more pronounced impression of formidablenes, they'd clump together in small exclusive communities. 

Individually however, they looked as unsure, predictable and brittle as the rest of us. They hardly involve themselves in any other school activities besides sports. They'd rather just pack up and go home than be caught flipping through the pages of any book in the library. In fact, they kept such low-key existence that they seemed to thrive only for the purpose of no other thing but the intramural games. They barely even attended school. They skipped Literature, zonked their way into Filipino and were bodiless for the rest of day or week.

 

From whichever angle you examine them, they remain quite like any common market fruit. They have near-identical shapes, seasonal and immobile—unless pushed. 

None ever crossed me (thank god because my fistfighting is non-existent). As a matter of fact, I was friends with most of them. They would nodge me when meeting along the hallway or gave me the "brow" when we happened into each other outside of school. I guess they sort of knew that I was friendly underneath and would be the last to make condescending treatments.

TO BE CONTINUED....

DEVELOPMENT ON REVERSE

  • May. 8th, 2008 at 9:31 PM

Americans are often—or actually--creepier than they would like to admit. They can’t stomach balut but they can stomach watching Paris Hilton grow from a grimy sex tape nobody to a nonsensical pictogram for their pre-teen daughters. Outside of family homes, teenagers drink themselves to death and fairly recently, a 15-year old kid killed a hapless person for the sheer “kick” of it.  

 

For someone like myself whose fanaticism for Americanism spans decades, this proves too outrageous, if not entirely harrowing to take to bed. I distinctly remember how it was back then. It was all about snow-capped pine tress and people having fun by skiing down a steep slope. There were fur coats and ironically, Alaskan brown bears foraging a camper’s picnic basket. What I’m saying is America was or used to be the beacon of western niceties and all things cool. Even entertainment was cool, regardless of gunfight and incessant blasting because all that was centered on saving lives, preserving it, something that circumstances call "necessary." In fact, it was mostly McGyver inventing a makeshift incubator in less than 30 seconds, or a black chopper called Airwolf that settled skirmishes in—yes you guessed it—less than 30 seconds. There too was the occasional showing of giant rats attacking people, but they were poorly made facsimile of the real rodent such that initial fright was eventually replaced with giggling by the time the third commercial arrives.

 

But now, less than 20 years later, American entertainment has shifted considerably, so shamelessly, it not only shocks, it actually feels ehem immoral. Americans now have plastic surgery on cam, as gory as that might sound including all sorts of “reality TV” imaginable. I remember Temptation Island (where couples did what I thought was the yuckiest of things--my was I wrong. My friends digged it more than Ally McBeal), Big Brother and The Bachelor. Watching the latter was particularly painful. I mean, doesn’t anybody believe in romance anymore? Must all things be done, accomplished on national TV where people can partake on one's proclivities? What does it all accomplish? Whatever happened to good old spontaneity where love is as unexpected as a nice jacket among badly tailored raincoats? 

Apparently it got old. 

Of course there are the rare few that take boldly on the wholesome side of it like, I don’t know, The Biggest Looser, or Survivor Micronesia (I always say, it’s not real Survivor unless it’s held in Basilan). But people are easily get tired of it, seeing that its drama pales in comparison to its more lurid counterparts. 

Yes, vacuous drama as opposed to intelligent conversations or say, ideas that truly matter. Discussions ba absent hardcore punditry. It remains a mystery how people found irreverent sensation in things appalling than things intelligent. I remember reading a story just the other day about straight A kids being bullied and shamed to seclusion by their teachers who favored those with good looks as opposed to those showing great potential. Mysterious indeed because in reality, we don't rely on the blonde bimbos for immediate redemption (we rely on them for sex, but that's an entirely another matter). We take our hefty causes to the whiz kids who are expected solve all of world's  problems including those that make lives a bit happier--like inventing sillicone pads for breasts implants. 

to be continued.....

 

ANOTHER CURTAIN CLOSES

  • Apr. 22nd, 2008 at 1:55 PM

Braved the init today and went to the office. We've only just began packing up, doing the inventory and checking on which one's private and which one's to be returned. The rollos are stacked in mountain piles while the SCRAs are on the other side neatly arranged in volumes.

We are almost ready to go.

I remember last year, it was summer like today, when my first boss got the boot from the high tribunal. Man, the humiliation of it. Think press people breaking down the office gate to get an interview from him. He gathered us in his chamber and told us the news. Well, I thought, if you had thought about being careful and read the law as it is, you would have saved yourself and this staff the agony of having to loose jobs. And the fastidious task of putting up a bold front.

But as I watched him rummaged into his warty face, his smile wilting into slight lip shudders, I realized he's had enough of it. The months of nearly almost no sleep, waiting for that ax to come down on his fat blotchy nape. He's a man of very little integrity--others shun him for his sordid reputation--but he knows how to treat us—the lawyers especially.

Now, as I watch myself scurry for other opportunities, I begin to wonder if there is ever going to be a time when all this, this hovering uncertainty, this glinting needle-point of fear, this grinding feeling of loss and getting lost, will find its way into stability, where I just have to wake up and sip my cup of coffee for once without fearing the worst.

It's a Monday and it feels as though it's the end. I have rubber kare-kare for breakfast at 9 with an equally bad 3-in-1 coffee. I look at myself one more time in the mirror and see a cornered little rodent. It's squeaking and groping frantically for some escape hole on the wall behind it. Outside, thick blaze is gaining momentum. Fire less the jolt.

I ease myself in my shirt and with a hefty step, leave.

FRANCE IS BACK WITH VENGEANCE

  • Mar. 28th, 2008 at 10:20 PM

For a time, fashion seemed, or at least in my observation, uninspired. Designers copied each other’s ideas from cuts to colors to look. Basic example of which is the cinched waist. Or the wide belts and lately, the pouf skirts which began in the 80s by French couturier Christina Lacroix.

Very few designers dared the road less travelled, challenging notions of fashion as being made up of either chiffon or the present demands of customers from LA. Thankfully the French fashion houses rallied against the current ennui and re-introduced modern-retrospectives with modern art transfigured into one hell of a shoe.

A lot has been said about street jackets and functional boardroom suits. Fashion has not seen coats so lusciously made as that of Chanel's in the late 30s or those of Dior's after the War. But John Galliano (God bless him) reinvented the entire look and gave us haute couture coats like it was orgasm in brilliant colors.



Karl Lagerfeld on the other hand toned down a bit, a far cry from from his swirling motifs down at Fendi's last season. This season was about Coco's enduring legacy, her everlasting jackets, her timeless grace and well, that certain brand of femininity that once embodied becomes iconic no matter which era or what the situation might be.



Volume and religion, or in Lacroix's words, "angels passing by." These were the inspirations (unlikely but worked) that dominated the couturier's collection. But unlike his previous collections, this one was playful, even flirtatious, with overlays and voluminous skirts adorned with crucifixes and rosaries. I say, the people in heaven aren't as austere as they are often portrayed.



When couture spun out of circuit, Atelier Versace was one of those that went with it. But Donatella, she of sex and bravura, managed somehow to reclaim her stature as one of Paris' prime movers of couture. For spring, she managed to stir up interest when she presented a jaw-dropping 15-item line that screamed of sophistication and eloquent mastery.



Balenciaga was, as far as fashion innovation went, the heighlight of Parish fashion week. Designer Nicholas Ghesquiere reved up the modern look and gave it a futuristic spin. Dresses felt like armours with hunched shoulders and narrow waists. His LBDs were either those of Rennaisance Raphael or his very notion of inventiveness and dare.



And yes, Valentino Garavani (hailed the emperor of elegance) took his final bow this season. Farewell, Mr. Garavani and good luck!

SOMETIMES SORRY ISN'T GOOD ENOUGH

  • Mar. 26th, 2008 at 8:05 PM

I often wonder how people could throw the word “sorry” so casually around. It wouldn't have bothered me half as much if it was given in pacification for something as harmless or as accidental as a slight brush against one's crotch area (my friend tells me, his apologies were met with such astonishing reaction that he just had to continue). But these days, people seem to say sorry as if it were a single-word oratory—that is, with vigorous pomp and dramatic, but no less, artificial sincerity.

Take former NY governor Eliot Spitzer for instance. When authorities uncovered his whoring, he sounded the mea culpa as if he were discoursing about climate change before a frenzied electorate. He was apologetic, he said, but forgot--I assume consciously--about admitting what sort of transgressions he may have had committed. He stood there erect, surprisingly composed, sounding despondent but hardly a reassuring glance to his wife who stood beside him like a wilted carnation.

In equal measure, I worry that sorry could lose its sheen of sincerity because polite society makes it too easy for some of us to apologize even for the most uncommon of mistakes. I remember Bill Clinton denying (or lying) and later, apologizing for staining Monica's suit jacket. People sizzled like bits of meat on boiling oil at that. For a time people were certain of his political demise. My, were they wrong. Americans opted to believe in his penance more than his behavioral lapses. Hence, it came to be that a morally-reprehensible man was elected to the presidency for the second time around.

Years before that, on the frontiers of Hawaii, the Marcoses began to sermonize about the need to "put things behind us." In defeatist's parlance, it means they're sorry and that now was the time to let them "come home" to bury their dead. I thought the nerve of these people to call this country home when years of bloodbath and EDSA have taught us that the Marcoses thought very little of or for this country. In fact, these people did nothing for this country but took it for a mining camp for gold bouillons and billions of ill-gotten wealth.

I was positive that Filipinos have had their fill of the Marcoses and would fight tooth and nails against their re-entry. But like a few of us (Lyn Ching for example), I was painfully mistaken. No sooner have these infidels apologized that we re-opened our legs for their homecoming. As easy as that. I chuckled, too easy. Not long thereafter, both Bong Bong and Imee Marcos were back in Congress (battling the government for its supposedly corrupt insiders) while Imelda graced page 6 of the national dailies in her designer ternos and expensive jewelry.

This is not to say that forgiving isn't an honorable or admirable act to follow because it is. It's just that if there's anything I've learned in my profession, it's that certain crimes are not of human nature such that the act of forgiveness belongs not to anyone of us. When its arrogation goes beyond human comprehension, or its ramifications garble human reasoning, jumping from between this lifetime to the next and back, I know that someone higher should descend from the heavens to tilt the weighing scale in our behalf.

When a three year-old child is raped and ravaged with a broken bottle, head split after hitting the corner of a table; whose body is later dumped in the sewer to decompose while the perpetrator goes out with his friends and brag about it, I believe no pity should be given nay afforded to him. And any form of pardon or exculpation should, for the sake of the memory of the child, be defered indefinitely. Its retribution rests upon someone else's hands. Not mine or yours or anybody else in this wold.

BC STANDS FOR BORING CASE

  • Mar. 6th, 2008 at 10:00 PM



The fact that it was from the same guy who unleashed Godzilla and froze us over in The Day After Tomorrow should've put me on cue that the local indie, Selda, was far better in substance than 10,000 BC was ever going to be. But there was apparent lack of discretion here because in spite glaring signs of mortal danger, I still found myself seated with Jason awaiting the first gang of mammoths to come prancing into us.

And prance they did, in droves of wool and tusks, followed soon after by an ill-proportioned saber-toothed tiger (which refused devouring the central character, D'Leh [Steven Strait] out of gratitude--how's that for ha-ha!) and a couple of giant turkeys (or dodos)in doses of steroids. It's thanks to their oversized presence that the movie appeared momentarily interesting, or bearable albeit Discovery's version of prehistoric creatures was far more imaginative (a biologist gets into the prehistoric times and documents the lives of dinosaurs--I'm telling you, the idea is fantastic)—and suspenseful--than this movie could ever achieve in its two-and-half-hour lifetime.


Like My Dreadlocks? Here Steven Strait frowns at something while Camilla Belle smiles at the dead mammoth.

The movie, set 10,000 years B.C., opens with a village's struggle to overcome hunger after their source of food, the mammoths, continues to decline after each hunting season. This premis never followed through since it was clear that the director's sole interest was in his stampeding mammoths. Consequentially, part of the first hour was spent guessing as to what caused the animals’ dwindling population. I came up with four: one, and the most likely, was that they were herded by the Egyptians and domesticated for hard labor or possibly, for food (bones were found near the Nile). Second, they all fell into thin ice and drowned, third, they found a way to control indiscriminate birthing and fourth, evolved into a more agile species—like the gazelle (there was a herd of them shown later in the film).

But director Roland Emmerich swears the story actually revolves around the budding romance between D’Leh (Steven Strait) and the blue-eyed Evolet cut short by the sudden attack of the four-legged demons (men in horses who previously attacked Evolet's village) during which Evolet was taken prisoner. She was foretold to unite with a certain "hunter" and together, they were to redeem the village from total extinction. And yet, as mighty as the director's effort to inject emotionalism into the movie, so was the actors' seeming inability to convey connection or pretend that there was so much more to that closeness than meets the eye.

Indeed, critics were quick to point out that the love angle scarcely registered on film owing generally to its pitiably passé characterization and more obviously, the actors' ineptitude for effective acting--or as a friend puts it, the thick grime on their faces has more character than any of the actors combined (they sported mud the entire time). Need I say more?

Suffice it to say if there's anything Emmerich does best, it certainly isn't love story, or any story for that matter. As a matter of truth, he is famous for absolutely nothing but making wasteful, dumb and soulless pieces of mammoth excrement like 10,000 BC. Even Independence Day, with its commendable explosions and eye-popping special effects, was laughably stupid.


Off To Egypt We Go! D'Leh leads a gang of early African men to battle.

True enough, the love angle wilted into a brief scene wherein the couple marveled at the fast growth of their corn (from hunters to first-time agriculturists). Same spell engulfed the movie. It was lackluster effort after another with nominal chances of success. So, the "four-leggged demons" eventually arrived (as foretold by the village chieftainess), abducting Evolet to be sold as slave in Egypt (Mesopotamia should've been more appropriate), we knew how it was to end, knowing full well how Patrick was reunited with his love after finishing off Godzilla or how Jake found reason and love amidst frostbite in The Day After Tomorrow. In comparison, D’Leh too has endured much trouble following Evolet around (he’s battled harsh climatic conditions, hungry beasts and lengthy days of no sex), it would’ve been too surprising of Emmerich to parlay the general expectation and bet on an entirely different ending—-such as the girl actually dying or D’Leh being squished underneath a rampaging mammoth. This isn’t going to make sense, but since when did Emmerich subscribe to anything sensible?


Dance With Moi! D'Leh looking sexy in minimalist rough leather while Evolet shines in a daring blue halter dress by the talented Egyptians.

According to reports, 10,000 BC took two years to make. Give something as simplistic as that to Spielberg and he'll give you Jurassic Park for approximately half the time--and 10,000 times the suspense!

FUCKING BEN AFFLECK

  • Feb. 27th, 2008 at 9:22 PM

I know that countless others have posted the very same video in their respective blogs and you probably have seen this over the Youtube many times over since it was first aired last week. Be that as it may, I just have to post it here for no other reason than for its sheer hilarity.

This is Jimmy Kimmel's response to Sarah Silverman's "I'm Fucking Matt Damon" music video which I have to say made me belch out a third of my dinner.



You know, Ben Affleck doesn't really have the body for tight, sheer outfits. The blue one (at the end of the video) is just as repulsive as the red catsuit he wore for his flop, Daredevil. Enjoy.

THANK GOD THE OSCARS COINCIDED WITH EDSA

  • Feb. 26th, 2008 at 7:57 PM

As expected (or predicted), Marion Cotillard emerged the winner for lead actress at the recently concluded 80th Academy Awards outshining tough contenders as Julie Christie (watch her in Far From the Madding Crowd) and Cate Blanchet (still playing Elizabeth 1 of England). Like many before her, Cotillard wowed Academy jurors for her supposedly “fierce” portrayal (haven't really seen Le Vie en Rose) of some formidably larger-than-life deceased person, her’s being the French pop icon Edith Piaf. Too bad Blanchet didn’t have the same referential benefit as Cotillard did, or she could have easily won voters over. Or not. She also did her bit of commendable emulating by playing folksinger, Bob Dylan, and still, the Academy jurors opted for the bad-haired, badly dressed Tilda Swinton. Talking about doing another deplorable Julian Moore (she was nominated for Far From Heaven and The Hours, both of which she lost to Nicole Kidman and Cate Blanchet, respectively)

But enough about Oscar predictability. The Academy is after all an institution beyond mortal reproach. I suppose, if you have the likes of Michael Bay assuming Oscar duties, how else could the judging turn but irreproachable? Hence, we move on to one other equally star-studded, no less anticipated, albeit to my recollection, more restrained than the main program itself—-the red carpet parade. This time, as opposed to the glitzy, metallic dishings of last year, attendees arrived in safer but shapelier silhouettes in droves of blacks and crimsons. Save only for a handful like Heidi Klum and Penelope Cruz, no one else had Charliz Theron’s bravura for wearing hefty multi-layered couture dresses from Galliano. Or, Kirsten Dunst in warm-colored, feather-trimmed Chanel (in spite of her seeming lack of class or maturity).



Red and Black. Night and blood. I haven't seen the "duo" so well-represented since the mid-80s when designers either used white or red to dramatize a simple black frock. But for all the ostensibly glamorous feel of each cascade of georgette or satin, his year's red carpet was devoid of anything as exciting as a gigantic Galliano tulle dres or a diaphanous Valentino. The (infamous) backless Guy Laroche was a no-show, and neither was the sophisticated vintage YSL. Just the usual run-of-the-mill one-shoulders and tired tube dresses that I was hoping would skip this year's red carpets. My, was I wrong.

All wasn't lost however, when Renee Zellwegger, fuller and fitter than she ever was, graced the red carpet with this stunning, heavily beaded, form-fitting gown by Carolina Herrera (Movies. com however, thought she was a disaster while E! labeled her dress "doubtful").



Surprisingly, this year's carpet burns are active fashion mavens for most parts of their busy week. Still, their extensive knowledge of fashion couldn't save them from being listed as this year's worst despite heightened volume and considerable flash. Project Runway's Heidi Klum for example shriveled and paled in this voluminous Galliano number while Cameron Diaz (the girl could use a comb) just...died in her ugly Dior (believe it or not, E!'s Cojo ranked her 5th on his best dressed list). Jessica Alba, on the other hand, fresh from her debacle involving someone else's eye (one critic observed she has succeeded in making her seeming lack of talent looked remarkably effortless), smoldered--as opposed to saying "glowed"--in something plum from Marchesa (great looking face though, you think?). And yes, Anne Hathaway has never learned anything from the devil who wore Prada (she wore Marchesa too--and yes, everyone thought this one was a bloody miss, even Cojo was ready to sprinkle her with water).



All four however, fared poorly to Tilda Swinton's drab Lanvin drapery (for lack of better term). Being Victor and Rolf's muse for some time now, I thought she was going to don "the modern red carpet" as the duo famously labeled their spring line of last year. Sadly, she got something from Albert Elabz instead who was fired from YSL a few years back.



As for the boys, one person--just one--got me seated erect. George Clooney. Now that's how a tuxe should be worn, people!

POST-VALENTINE BLUES

  • Feb. 16th, 2008 at 6:53 PM

Call me cynical. But for all its red-laced, quixotic hoopla, I walked into Feb 14 with nary the commemorative excitement that others felt for it. Not that no one had asked me out on a date (because believe it or not, someone had taken the time), it’s just that going out on a date or “trying to act romantic” on a day that’s commercially stapled for romance is just tacky, if not downright predictable. I couldn’t possibly be expected to feel thrilled about dining out with someone in the midst of anxious people, either trying to get their orders done or trying mightily to get themselves seated as far away from the kitchen as possible.

So I ask, where the hell is the romance in all these, when the only possible way to a decent conversation is to bellow? Indeed, if all that people ever do on Valentines day is dine out—with either flowers or teddy bears (which, I might add are just annoyingly unimaginative)in between mismatched cuisine -- then, perhaps there isn’t much to feel sorry for if one misses the occasion entirely.

I nearly did. And my, was I sorry that I didn’t!

Initially, Feb 14 was kept blank except for a quick update with Mom and maybe a hearty swig of beer before hitting the sack. But, I figured that I must have prayed a little too vigorously about snagging a partner that the gods finally sent someone gutsy to ask me out.

It was like getting bludgeoned on the head (no, seriously it was). Such a surprise, I nearly lost hold of the dumbbells (can’t they ask me out in the locker area where I’m not in agony?). He, well, he could have easily been someone else’s type but certainly wasn’t mine. He was chubbier than me with socks around the lower leg that screamed dork. I could sense that he was being toughie, what with the chest-out stance and a modulated voice that nonetheless lilted airily at the end.

For fear of being called superficial, (since I’ve already been thought of as cold and antipatiko), I thought it would do well to play it cool this time. “Name the place and time and I’ll be there,” I said rather too quickly, casually, it seemed to knock him over. He rang me up the following day to tell me that he’s made a reservation in some hotel near my office (So, I needn’t have to travel, he said; awww…so sensitive, so sweet, I felt like laughing), at 11:30 in the morning. “Hope you haven’t changed your mind?” he said. “Nope, the engagement is still on.”

I arrived on the dot, outfitted a bit more colourfully, a far cry from my usual dark office hues. My wingtips are killing me though, and I was tempted to hop on one leg, but since this was a decent place famous for its upper-crust clientele, I can’t risk being labelled as the “hopping idiot” from that building down the block.

I spotted him seated near the window overlooking Ermita. My god, I thought, he must really have wanted to make this work. But thank god, he didn’t give me flowers or a teddy bear or I would’ve scuttled out of the hall faster that he could say, “er.” We were halfway thru his grandfather being a war veteran when people, usually in dressy pairs, started pouring in. In no time flat, the place became that of a sabungan: people outscreaming each other to get the waiter’s attention, asking him this and that, wanting this and that, whilst he, apologetic for the unavailable cuisine, shook his head.

The funniest thing was, we were the only same-sex pair in the hall and perhaps, the least lively. Moments before our orders arrived, I noticed myself shaking my leg, as if to rid my trousers of dust. I told him, after sensing his unease, that any service longer than three minutes is bad service. Finally, after eating our fill, I suggested half-jokingly for the exit (at this time, I could barely appreciate our conversation because we could barely hear ourselves) which he received with sudden stillness. Man, was I foolish! If I read him right, he wanted to linger a bit more.

In the end, I had to mumble apologies to him and asked if he could walk with me to Starbucks so I could buy each of us hot latte. “Nothing like a good sip of coffee to ease tension,” I said. We sipped it quietly underneath the hot sun. As we neared my office, he commented but very softly that I was truly mysterious and a bit too difficult to handle. I was embarrassed, of course, and felt guilty for ruining one’s attempt at establishing kinship. At that time, I was more than willing to give him a peck on the cheeks than receive this kind of impression from him--or from anyone. “Thank you,” I said, before going in. “It was very sweet.” To which he just shrugged and walked silently away.

THE SEASON OF FLAK

  • Feb. 5th, 2008 at 8:11 PM

The world isn’t mad. It’s just accustomed to seeing homogeny on a daily basis, it expects nothing else from people falling under the same category. For example: Politicians can’t be young or telegenic, or they get ambushed during a motorcade.

French Prexy Nicolas Sarkozy is an interesting exception. No doubt he fits the mold but he gets shot nevertheless. Not with bullets, mind, but with flak from his constituents who think his cavorting with one-time supermodel Carla Bruni is inappropriate. Even Egyptian lawmakers and Indians alike are in opposition to the couple’s public displays of affection.


From Splash News Online

I kind of honestly feel lost in all this. Was it all because of Carla Bruni or was it because the couple was thought of as being too open about their affection for each other? Recent developments reveal that it's both. France seems ill at ease about seeing its president batting goo-goo eyes on the Italian beauty, especially that he’s a lot more visible in public now than he is in the palace. Apparently people fear he has neglected his duties as head of state by spending more languid trips with Bruni than keeping tabs on national concerns. Poor Bruni (I honestly think she’s a great catwalker). Nothing like being given the Jessica Simpson treatment.

So, the middle-aged dude is in-lurv? What gives? When it comes to the matters of the heart, Sarkozy shouldn’t be expected to react far differently than any other human being. He’s a public figure, true, and the head of state at that. It's understandable if people prefer him acting industrious whilst looking reserved and sedated like Japan’s Kuizumi. But let’s not forget it’s love. There are a hundred things more deserving of secrecy than buying your girl a nice diamond-studded ring. Like keeping someone under the table for quick oral service?

And speaking of flak, Philippine Tourism Authority’s (PTA) Robert Dean Barbers took a beating yesterday after his name appeared on PTA seals being engraved all over the sidewalks of the Island of Boracay.

Roberts insists that it was the architect’s idea to put his name on the seals, adding that he finds “nothing wrong with it.”

Nothing wrong with it.

How lightly they throw arrogance these days. It’s like seeing Boy Abunda wear weirdly indefinable fashions on the pretext that he’s a celebrity, as if the laws of decency and good taste do not apply to them because well, they are otherwise ordinary people made super-human by either the posts they inhabit or the level of false immunity they inherit from their being in constant public attention.


lifted from The News Today, Online Ed.

Trouble is, conceit makes for a very ugly sense of fashion, just as it brings upon the very worst in self-promotion. To Mr. Barbers, let me count the not-so-flattering ways. First, it’s an ethical breach to place a government emblem on the ground because people are bound to walk all over it. That emblem stands for all eminence that the government was invented for and thus, it deserves a higher, more reverent place in people’s expectations than the soles of their feet. Secondly, Mr. Barbers, just as the people will wear it by walking all over it, so will the name that’s placed alongside it, or in your case, around it. So, beware. Third, the fact that you allowed a government seal to be engraved on drainage covers speaks a lot about you—that you’re poor at “figuratives” as you are poor with taste. Fourth, the Constitution places you and the office you hold upon a stricter, more conservative plane. It clearly states that a public office is a public trust. Hence, people who work for the government must not only appear honorable, they have to act it, be it, if not privately then, at the very least, publicly. By putting your name on government seals you make it appear as though you’re using your office to advance your own agenda for prestige (which I doubt is true). Fifth, you give off the deceptive impression that you’re building drainage out of the goodness of your heart and not by reason of your duty as general manager of PTA. I’m sure for a person of character and distinction such as yourself, prestige and credit do not matter so much as it matters to a government already poisoned by corruption and political divisiveness.

So, you see, Mr. Barbers, there are five appalling reasons why putting your name on government seal and engraving it on drainage covers are wrong, indecent and contrary to the laws of public policy and good taste. And before I extend my mouth to opposing sides of my face and waggle my tongue on you, do hear me for one more advice. The next time you do something you think isn’t wrong, do call Julie Yap-Daza and confer.
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