Home
bgliterary [entries|archive|friends|userinfo]
bgliterary

[ userinfo | livejournal userinfo ]
[ archive | journal archive ]

Oh, right...authors have deadlines [Jun. 19th, 2008|02:06 pm]
[mood | amused]

So there's going to be a slight delay while I work on these interviews...[info]gypsyrobin is facing a tight deadline, as are several of the others I planned to talk to first. Best to let them do the paying work first, right?

So instead I'll blog about last night's adventure in children's publishing.  Last night, Firebrand Literary had their relaunch party at a wine bar in Soho. It was a lovely party, but at one point I did mention that if the building were to collapse, children's publishing in the States would be devastated. I swear, every children's editor in New York was there, even if just for a brief appearance. It's not even worth name dropping...it would take too long, and you'd be bored after the first twenty names. I wish the gang at Firebrand many years of success, and am looking forward to watching Hot Man of Children's Literature Michael Stearns learn the fun of asking for all those things for his clients he used to refuse to grant when he sat on the editor side of the desk.

One of the most amusing parts of the evening for me was noting that Nadia had apparently invited several other agent friends of hers to the party...but only the male ones. I think this was part of her plan to balance out the predominantly female editorial staff of the children's world (although there are a surprising number of men around these days). But it certainly gave me something to tease her about...and she knows how I love to tease her. That's what she keeps me around for after all.

The other thing that made me chuckle was that several of the editors there had just the day before received [info]stephanieburgis's manuscript from me, and showed up with it in their bags. In the course of mentioning that to me, they of course realized which other editors had it. Think that will spur on some quick reading, hmm?

It was also interesting to note how many of them had Sony Readers or Kindles...and how a few still prefer good old fashioned paper. Me? I *heart* my Sony Reader. Best tech device I've purchased in years.

I'm off to a SCBWI conference in Springfield, IL this weekend with the ever-so-fabulous [info]blackholly and another of my clients, Julia Durango. Should be fun!
link7 comments|post comment

Is this thing still on? [Jun. 12th, 2008|04:48 pm]
OK, so I'm going to try this blogging thing again...what the heck, right? All the cool kids are doing it.

I stopped blogging a year ago because I just couldn't figure out what this thing was supposed to be for. I don't want to be handing out professional advice (there are plenty of other agents doing that), I don't really want to be a teacher, and the "I've got a rant" thing got old real quick. So, this new incarnation is going to be about blatant client promotion (BCP) primarily, since honestly, my clients and their books are a million times more interesting than I am.  Oh, don't worry, I'm sure I'll throw in a rant or two occasionally, just to keep up my curmudgeonly image, but I mostly want to make sure people get to hear more about my fantastically talented clients, their books, their creative process and perhaps some fun personal tidbits.

Before I get to my first victim-author (no one wants to go first, why is that?), I'll go ahead and announce my two newest clients: Karen Healey ([info]kphoebe), who has just sold her first novel, Guardian of the Dead, to Alvina Ling at Little Brown, and Stephanie Burgis ([info]stephanieburgis), whose Regency-era fantasy trilogy I'll be shopping next week (fingers crossed).

Stay tuned for an interview with Laura Wiess ([info]gypsyrobin)!
link16 comments|post comment

Because Holly didn't think I would... [Aug. 18th, 2006|02:47 pm]
A meme )

So there, Holly! ;^)
link24 comments|post comment

Summer shopping [Aug. 18th, 2006|09:55 am]
I think I forgot to do my summer book post, so before summer's totally over, here it is!

      
      
 


Picture Books

UGLY FISH by Kara LaReau, illustrated by Scot Magoon
WHEN GIANTS COME TO PLAY by Andrea Beaty, illustrated by Kevin Hawkes

Chapter Books
ANDY SHANE AND THE PUMPKIN TRICK by Jennifer Richard Jacobson, illustrated by Abby Carter

Middle Grade
WINNIE ON HER OWN by Jennifer Richard Jacobson, illustrated by Alissa Imre Geis

Young Adult
THE DEATH COLLECTOR by Justin Richards
TRASH by Sharon Darrow
SEVEN DEADLY SINS #4: WRATH by Robin Wasserman

A few books coming out in new paperback editions too (can't find my image files for these,darn it): ANDY SHANE AND THE VERY BOSSY DOLORES STARBUCKLE by Jennifer Richard Jacobson; SPY MICE #1: THE BLACK PAW by Heather Vogel Frederick; and MIRA, MIRROR by Mette Ivie Harrison.

ETA: Oh, and if you like audio books, Holly Black's VALIANT is also now available!

Hope you enjoy these!
link13 comments|post comment

Hollywood, O Hollywood [Aug. 13th, 2006|01:45 pm]
[mood | exhausted]
[music |the blaring anthems of Guitar Hero...curse you, Red Octane!]

*deep breath*

Since ALA in New Orleans, I have (a) moved into our new house, (b) mostly unpacked, (c) moved my office into said house, (d) suffered many of the horrors of new homeownership (plumbing and electrical problems, and, most recently, the need for a new roof *sigh*), (e) held my 4th annual client retreat (where a fab time was had by all),  (f) gone four out six weeks with no cable or internet service (damn Time Warner to the depths of Hell!) and (g) sold ten projects for various clients (see, I was getting some work done). What I still need to do includes reading about 15 requested manuscripts (definitely the thing that has suffered the most during the moving process), unpacking and organizing the office (which somehow just seems too overwhelming at the moment), and reorganizing my filing system now that I have a second filing cabinet  (yay, space!).

Also during that time, the wonderful news that we've optioned [info]libba_bray's A Great and Terrible Beauty, Rebel Angels and the as-yet-untitled third book in the trilogy to Icon Productions, with Charles Sturridge set to direct. While this is exciting news indeed, it quickly became clear from the comments and emails Libba and I both received that very few people actually understand exactly what that means. Understandably, really, as Hollywood is more than a little arcane. So, I thought I'd try and briefly explain.

First of all, let's start with the term "option." Basically, an option grants the right to a producer/writer/actor/etc. to exclusively develop a script, pitch to studios and otherwise try and get making a film possible. It is no guarantee that a film will be made. Let me say that again: this does not mean we will soon be seeing Gemma, Felicity, Pippa and Ann dazzling moviegoers in your local cineplex. It's merely the first step towards seeing that happen. Options are for limited periods (I've seen ones for as little as 6 months, to as much as 2 years), at the end of which the producer et al could renew or could let it go (and here we start to get into lots of more complicated issues, like whether renewal options are applicable or non-applicable to the purchase price, etc. which honestly I think would just muddy the waters, so let's keep this as simple as possible).

An interesting aside, girl in the know [info]castellucci tells me there's an amusing toast in LaLaLand that goes something to the effect of  "May your book/script be optioned repeatedly and never made!" Every option means more money, and if the movie's never made, a writer never has to face the horror of a film gone wrong.

During the option period, the producer will try and get a good script written, and sometimes will, even before this stage, try and attach talent, which might help move things along faster. But mostly, the goal is to get a script which can then be shopped to both talent and studios alike...the more excitement, the better. S/he might also look for other investors; making a movie really does take a village! The scriptwriting process is another truly bizarre part of Hollywood, which I certainly can't do justice. One writer, or a team of writers, may be initially approached, who will take a stab at it. Even if the producer likes it, though, other writers may be called in to fix or improve it. There are writers in Hollywood who are known for say, writing awesome car chase scenes, and if the producer feels the script needs the best car chase scene ever, one of those writers will be called upon to add it in. I'm sure you can find tons of stories about this process out there, but the simple fact is it's incredibly complicated and hardly ever straightforward.

Once there's a script that everyone likes...there's still no guarantee the movie will be made. Now it's time to find the money and the backing to try and make it, and here's where the script will potentially be worked over again and again, as different studio execs or money types will be interested, but will have issues with various aspects of the script. More doctoring, more tinkering, more waiting. Here's where most projects really get hung up too...very few things make it past this stage. People get frustrated, lose interest, get excited about something else, etc., and the project gets dropped or put aside. But if the money is found, and a studio or distributor is signed on, then work can begin. Lots of back office stuff at this point, accounting and location scouting and all sorts of things like that (hey, I said this was gonna be a basic explanation!).

The final step in getting a film made is getting the green light. At that point, there's an approved script, a director, possibly a few cast members signed on, a budget, and a shooting schedule. Oh, and guess what? A green light still doesn't mean the movie will get to theaters, though it does mean that most likely it will get filmed. It might then sit on a shelf, undistributed, if the studio decides, for whatever reason, not to release it. But a green light is certainly a Very Good Sign.

This seems like a good time to pause and examine the book author's role in all of this. *pause* Oh, right, there is no role for the book author in any of this! Well, most of the time, anyway. Sometimes an author with a tremendous amount of clout gets a chance to be involved, either in writing the script or in some kind of consulting role. But generally, an author just gets to sit back and see what happens. An author has no hand whatsoever in the casting (I was rather shocked how many girls started emailing Libba asking about auditions). An author doesn't get to decide the budget, doesn't get to make distribution decisions, etc. Among most authors, you'll often hear that, when it comes to Hollywood, you simply take the money and then put it out of your mind. If you're an author who simply can't bear the thought of a movie--good, bad or otherwise--made out of one of your books, then don't sell film rights. If you're an author who wants total control over the filmmaking process, well, hope you've got a really large bank account and some amazing industry connections.

This is all, of course, the most basic of outlines, but I think it should answer a lot of the basic questions. If it hasn't, ask away, and I'll see if I can answer; if not, I might track down an expert or two who wouldn't mind sharing some insight.
link20 comments|post comment

I surrender! [Jun. 8th, 2006|08:51 am]
[mood | restless]
[music |Broken Boy Soldiers -- The Raconteurs]

Enough already, people! I get it, I get it! You want me to update. Sheesh, I had no idea how much pressure this was going to involve.

I don't quite know what this journal is for. I got into it as a lark, primarily to read many of my other clients' LJs. I didn't initially think I'd post much, and I didn't. Then I got into the whole question of personal vs. professional, and what I should and shouldn't post here. Mostly I noticed I was either posting rants or information about new books from clients. I think it's proved to be a good advertising tool, both for my agency and for my clients' work, but I'm not sure that's reason enough for its existence.

[info]arcaedia posted yesterday, noting that she too hadn't been updating at often, and wondering why that might be. Over the last month I've written at least three rants on various topics, and then decided not to post them. I'm a bit tired of sounding angry all the time (and I'm not really, just significantly stressed of late), although I do find I'm more easily annoyed by unprofessional behaviour from writers approaching me. (I mean, come on, querying me in my journal? That's just idiotic.) I haven't really had any good "teaching" topics I wanted to sound off on. I suppose I've also become a bit self-conscious knowing a lot of my professional colleagues are aware of this blog.

So, perhaps I'll try something new and open this up to questions and see if that spurs something for me. Ask away!



[info]
link96 comments|post comment

And the winner is... [May. 7th, 2006|07:39 am]
[mood | jubilant]

Went to bed last night still unsure, but found out this morning that the brilliant Holly Black (aka [info]blackholly) won the very first Andre Norton Award, for her second urban fantasy novel, Valiant. Holly was actually at the awards ceremony, and I do hope her hubby took pictures, because I really would have loved to see her face when the announcement was made. Congrats, Holly, you so deserved it, and I'm thrilled to pieces for you!
link11 comments|post comment

Whew! [Apr. 17th, 2006|02:36 pm]
[mood | determined]
[music |Veteran of the Psychic Wars -- Blue Oyster Cult]

That sound you just heard was the gasp of air I just took as I finally have caught up on Bologna follow-up, as well as all the stuff that didn't get done while I was there. Sheesh, sometimes a week out of the office is just plain brutal. I often wonder why, too, especially during Bologna, when more than 80% of the people I work with are there with me!!!

Lots of exciting things brewing for clients, including an auction in the UK, several new deals, and a whole lot of contracts finally showing up on my desk. Hurray! Of course, now I have to get them off my desk, but that's so much better and in my control than trying to get them on my desk in the first place.

I'm proud to announce, in case there were any doubters, that I did not make the list of 20 Worst Literary Agents. This link's been copied lots of places, and the various comments left by people who were taken in by these scammers just left me sad and bewildered. People, I don't care how desperate you are to get published, if an agent asks for money in order to sell your book, run don't walk! Money should always flow towards the author, period. 'Nuf said.

OK, I'm off to a quiet bench in the park to read some manuscripts in the warm-ish spring sunshine.
link8 comments|post comment

Viva Italia! [Mar. 24th, 2006|08:44 am]
[mood | optimistic]

It's that time of year again, one of the highlights of my job. I'm off to the Bologna Children's Book Fair tomorrow. I've got meetings scheduled with about 60 editors/publishers/subagents from around the world, where I'll do my best to convince each and every one of them that they should buy translation rights to my wonderful clients' titles. By the end of the week, I'll almost certainly be hoarse, exhausted and, believe it or not, actually ready for a light meal (so, yea, I like to overindulge there...with wine and food like that, why wouldn't I???) and an early bedtime.

One of my favorite things about Bologna, actually, is getting to see people face to face, catch up with friends and business acquaintances that I only get to see there. I love the socializing aspect of this business; there are so many wonderful, smart, witty people...and the fact that most of them are multi-lingual (and often overly apologetic about their so-called poor English) reminds me that I really should have put more effort into learning a language or two in college.

There's a million and one things to do before I leave, of course, which has made me a bit of a quivering wreck all week, but after runs to the bank and post office today, I think I'll be as caught up as I can be. There's still that teetering pile of manuscripts I really had hoped to get to this week, though....

However, before I go, I want to announce the official launch of my new website, which was designed by the brilliantly talented [info]theoblack. Yea, yea, I know, a few of my clients still haven't sent me pictures, but I can only pester them so much. I hope you like it!
link25 comments|post comment

New books! [Mar. 17th, 2006|10:30 am]
[mood | accomplished]
[music |Vienna -- Ultravox]

I realized the other day that I hadn't done a spring book announcement yet, which was rather silly of me. I typed one up and was ready to post it when I stopped and thought it looked darn boring, just a list of titles and all. After a few days of tinkering, and the help of [info]theoblack, I now can do it with jacket art. So, without further ado...

                                                                                                                  


January
Spy Mice #1: The Black Paw by Heather Vogel Frederick (UK edition) -- Puffin Books
Rx by Tracy Lynn -- Simon Pulse

February
Cha Cha Chimps by Julia Durango, illustrated by Eleanor Taylor -- Simon & Schuster Books for Young Readers
ttfn by Lauren Myracle -- Amulet Books, an imprint of Harry N. Abrams, Inc. (debuted  at #4 on the New York Times bestseller list!)
The Queen of Cool by Cecil Castellucci -- Candlewick Press

March
Rhymes With Witches by Lauren Myracle (paperback edition) -- Amulet Books, an imprint of Harry N. Abrams, Inc.

May
On Top of Spaghetti
by Paul Brett Johnson -- Scholastic Press
Rocko and Spanky Have Company by Kara and Jenna LaReau -- Harcourt Children's Books

Get thee to a bookstore and buy, buy, buy!
link11 comments|post comment

Mourning on a Monday [Feb. 27th, 2006|09:43 am]
[mood | sad]

Was rather stunned this weekend to hear of the sudden death of Octavia Butler. Many people reading this blog may be unfamiliar with her brilliant work, and if that's the case, go right now to a bookstore or library and read something, anything (Parable of the Sower is probably my personal favorite). If you want to know more about her and see the impact she had on many, many people, just search the web right now. Or read Scott Westerfeld's eloquent post here.

Darren McGavin also passed away this weekend."Kolchak: The Night Stalker" made a huge impact on me growing up, and I, like many others, could recite every line of dialogue from A Christmas Story (though I certainly couldn't swear like Mr. McGavin!).
link7 comments|post comment

[Feb. 13th, 2006|11:42 am]
[mood | chipper]
[music |Fake Tales of San Francisco -- Arctic Monkeys]

Wow, umm, where did January go? And half of February already? Sheesh. I knew buying a house and selling our apartment would be time consuming, and work certainly hasn't let up at all (which is a Good Thing), and then there was the Great Blizzard of '06, but seriously, someone's set the Wayback Machine on fast-forward or something.

But today is not a day for complaining. Today my agency reached another milestone. With the sale today of [info]jbknowles's novel to Candlewick (yay Jo, you sooo deserved it!), I no longer represent any unsold authors. While I do still have a few clients for whom I've not personally sold something, no one on my list remains without a deal or a publication. Wow.

Hmm, guess I need to find some new unpublished authors to champion. ;^) [info]
link41 comments|post comment

Mystery revealed! [Jan. 30th, 2006|01:38 pm]
[mood | happy]

Oops, sorry, didn't mean to keep this secret quite so long. Just had to make sure all the i's were dotted and t's crossed. My newest client is the wonderful Sara Ryan! Sara's long-awaited new book (probably awaited by no one as much as herself), The Rules for Hearts, will be released in October 2006. I'm a happy camper.

By the way, someone who's more technically savvy than I might be able to sort out why the LJ syndication of Sara's blog is no longer working. Same for John Green's. Anyone? Buehler? Buehler?
link17 comments|post comment

ALA goodness continued [Jan. 25th, 2006|03:42 pm]
[mood | accomplished]

What a wonderful weekend! As if spending five days talking with smart, passionate people about books wasn't enough, there was also so much fantastic news for my family of clients. Shannon's Newbery Honor surprise certainly set the tone, but by the time I got on the plane Tuesday afternoon, I knew I had lots more congratulatory phone calls to make.

Four of my clients' books were named Best Books for Young Adults: Valiant by Holly Black, Rebel Angels by Libba Bray, Boy Proof by Cecil Castellucci, and Stained by Jennifer Richard Jacobson.

Valiant and Boy Proof were also on the list of Quick Picks for Reluctant Young Adult Readers, making them two of only ten books that were on both lists.

Yum! Yuck! A Foldout Book of People Sounds by Julia Durango (co-authored with Linda Sue Park) was named an ALA Notable Book, along with Princess Academy by Shannon Hale.

I'm so proud of all of my wonderful and talented writers...as I've said before, and will say again I'm sure, I am one lucky, lucky guy.

But wait, that's not all! I also signed a new super-secret client...don't worry, I'll tell you when I can. For now, suffice it to say that I'm extremely excited about working with her (yea, yea, now you know it's a she, that narrows it down, right?).

I'm facing mountains of paperwork, the huge pile of mail awaiting me at my p.o. box, and a dozen phone calls to return, but today at least, I'm not complaining one bit!
link20 comments|post comment

Woohoo!!! [Jan. 23rd, 2006|03:25 pm]
Managed to snag a computer to make a quick post.

My client, Shannon Hale, received a Newbery Honor for her book PRINCESS ACADEMY! She didn't have my cell phone number, so I learned she'd won along with everyone else, at the press conference. I'm thrilled for her!

Also, my good friend John Green won the Printz Award for his brilliant first novel, LOOKING FOR ALASKA, and I was extremely thrilled as well when both BLACK JUICE by Margo Lanagan and I AM THE MESSENGER by Markus Zusak were named Printz Honor books.

More detailed news once I'm back from San Antonio.
link10 comments|post comment

Longer post later, but... [Jan. 13th, 2006|09:56 am]
[mood | excited]

This is just too cool not to do a quickie announcement about: national media coverage for the lovely and talented Libba Bray!

Alas she is on a plane to Miami on her way to a SCBWI conference, so I can't share this with her yet.
link18 comments|post comment

[Dec. 20th, 2005|09:02 am]
[mood | accomplished]
[music |I Want an Alien for Christmas -- Fountains of Wayne]

Time flies when you're working up a storm (and trying to buy a house, sell an apartment and other general life stuff). I really didn't mean to go this long without an update. But honestly, selling 23 books since September 1 just seemed more important, you know?

I haven't done a "hurray for my clients" post in a while, so, in the spirit of holiday cheer, let's do it!

All of my clients' novels published this year that were eligible (save one which didn't come out until November, so will hopefully get in next year) are nominated for Best Books for Young Adults: BOY PROOF by Cecil Castellucci, STAINED by Jennifer Richard Jacobson, RHYMES WITH WITCHES by Lauren Myracle, VALIANT by Holly Black, FUNNY LITTLE MONKEY by Andrew Auseon, and REBEL ANGELS by Libba Bray. I'll be sitting in the discussions in San Antonio quite nervously next month...sure hope they all make it. Strike that, I'm going to be positive...they're all gonna make it!

BOY PROOF and RHYMES WITH WITCHES are also both nominated for Quick Picks.

STAINED was named a Publishers Weekly Best Book of the Year.

BOY PROOF was named a Publishers Weekly Flying Start.

REBEL ANGELS, Lauren Myracle's TTFN, and Holly Black's THE SPIDERWICK CHRONICLES all spent time on the New York Times bestseller list this year.

SKETCHES FROM A SPY TREE by Tracie Vaughn Zimmer, PRINCESS ACADEMY by Shannon Hale (my newest client, hurray!), and FOR YOUR PAWS ONLY (Spy Mice #2) by Heather Vogel Frederick all made the New York Public Library's list of recommended children's books for 2005.

FUNNY LITTLE MONKEY is one of the five finalists for the 2005 Borders Original Voices Award in the intermediate/YA category.

REBEL ANGELS was named an Amazon.com Best Book for Young Adults.

Toni Buzzeo's THE SEA CHEST won the Children's Crown Gallery Award.

Libba Bray's A GREAT AND TERRIBLE BEAUTY was named YA Book of the Year by the Northern Atlantic Independent Booksellers Association.

Julia Durango's YUM! YUCK! (co-written by Linda Sue Park) was named a best book of the year by Nickelodeon Magazine.

I'm sure I'm forgetting a few things, but still a rather impressive list nonetheless. I'm so proud of my clients! And you know what? I think I can finally even say aloud that I'm pretty darn proud of myself as well. I love what I'm doing, and I'm fortunate to be working with such fantastic writers and artists, and I'm just glad that I can help each and every one of them get their work out into the world. To think just a little more than five years ago I was stuck in that dreaded state of unhappy employment, where every day I woke up and dreaded going to the office. If you'd told me then that this is where I'd be just five years later...well, let's just say I'd have had strong doubts for your sanity.

I'm off to Texas for a week...given the onset of the transit strike, I suppose I picked a good time to get out of town. Hope everyone has a great holiday season!

link12 comments|post comment

[Nov. 10th, 2005|12:09 am]
Happy birthday [info]blackholly!!!

Please everyone stop by and give her your best wishes. She's on tour, in a hotel, without her husband and probably dead tired, and I'm sure it would help.
link9 comments|post comment

WFC report [Nov. 9th, 2005|09:38 pm]
[mood | exhausted]

I've been back from Madison since early Monday morning, but this is the first chance I've had to do anything other than catch up on work and sleep.

I had a great time at my first World Fantasy Convention. I admit I spent much of the first day or so feeling like a complete fish out of water. Everyone seemed to know everyone else, and every where I looked I was seeing authors whose work I've been reading for years. One big reason, I realized, was everyone's name tags simply had their names...no flag or ribbon reading "author," "editor" or "agent;" I was just one with the crowd. Fortunately, both [info]blackholly and [info]suricattus helped by introducing me to many people, which made an enormous difference. By Friday evening I was feeling more at ease, though I still had moments of feeling like a complete newbie.

This was a very different con than anything I've attended professionally. First, for the most part, everyone attending WFC is a professional: many are published authors (and I don't just mean in some small little magazine or newspaper no one's ever heard of), editors, agents, reviewers, etc. There aren't really that many panels, and it often seemed that most attendees considered going to panels kind of odd. There are multiple parties every night, lots of eating, drinking and merriment, and more in-jokes than you can shake a stick at.

I've misplaced my program, on which I'd made some notes, so I'm not going to be able to do the thorough report I'd hoped (which is probably a good thing, as it most likely would have been dreadfully boring). Of the programming I attended, there were two panels I particularly enjoyed. The first was called something like "Fantasy on the Fringe" with Kelly Link, Jeff VanderMeer, Graham Joyce, Patrick O'Leary and Matthew Cheney. The five panelists clearly knew each other pretty well, and they were so comfortable and casual that I felt like I was listening in on a private conversation, even though we were in a pretty crowded room. For those who don't know, all of these writers tend to be given some rather odd labels ("new weird," "slipstream" etc.) which, as they explained, are simply marketing labels used to sell books. Holly pointed out after the panel that for writers who are supposedly writing such weird, complex work, they were incredibly down to earth and accessible. I'm not doing this justice at all, but I found most of the discussion fascinating as the panel explored what being on the fringe meant, both over all and to each of them personally. The other panel I liked was one highlighting the state of fantasy in Australia, and the writers to be watching. (And yes, I was definitely taking notes on which ones might not yet be published in the US and might need a US agent...hey, I was there on business remember!)

One of the things that left the biggest impression on me was the health and breadth of the small press community. There are some amazing publishers out there, including Night Shade Books, Small Beer Press, Prime Books and many others, putting out gorgeous hardcover collector editions and lovely, inexpensive chapbooks, giving genre writers a myriad of opportunities to get their work in front of an audience hungry for it. They get to publish things that, in many cases, mainstream publishers might not touch, and the word of mouth on these editions can be tremendous. I wonder if it would be possible to do this specifically for the children's/YA market, because I love the homegrown feel of it. (And I'd like to take a moment to plug The Rose in Twelve Petals & Other Stories by Theodora Goss, which Holly introduced me to. Goss's writing is simply magical, and I can't wait to read more.)

There were lots of great moments throughout the weekend, but I'll just highlight a few:

Facepalm moment of the weekend: riding in the elevator, I found myself face to face with Garth Nix (whom I'd avoided introducing myself to the previous night, hoping his US editor, Ruth Katcher, would introduce me once she'd arrived at the con, because I was just too nervous to do it myself), who looked over at me and said (come on, you all knows what's coming) "Oh, I've read your blog." Aaagh! Garth Nix reads my blog! Good thing about it was that it totally broke the ice...and it made it even funnier when he said the same thing to Holly, who reacted similarly.

Although Justine Larbalestier and Scott Westerfeld had to cancel at the last minute (poor Scott got some nasty bug, which I'm certain is the parasite world's revenge on him for revealing so many of their nasty secrets in his new book Peeps), Justine had kindly made reservations for dinner at a terrific restaurant, Harvest. Since we had extra seats available, Holly and her hubby [info]theoblack invited Ellen Kushner, Delia Sherman and Caroline Stevermer joined us (yea, yea, I know I'm shamelessly name dropping, but really, I was in fanboi heaven, and just desperately trying not to grin too hard). Dinner was as fabulous as Justine had promised, and I just felt lucky to be part of it. The best part was when one of the waitstaff recognized Holly as the author of The Spiderwick Chronicles and proceeded to tell her how much she and her nephew loved the books, as Holly's face glowed redder by the second. It was lovely and sweet, and I wish that I'd had a copy of one of the books for Holly to have signed for her.

A very late night in a hotel suite, chatting with Garth Nix, Justin Ackroyd, Jonathan Strahan, Ellen Datlow, Christopher Schelling, Holly and I, which, in spite of the fact that we really weren't drinking, grew increasingly silly. I'm certain that none of the things that had us in fits of near-hysterical laughing would translate if you hadn't been there, but suffice to say that I will forever carry an image of a mini-temple to Bast in Mesa, Arizona.

Trapped in the dealer room with [info]suricattus, a truly powerful enabler, who tempted me beyond control with shinies. I am now the proud owner of a simply stunning silver and black star sapphire ring in the shape of a dragon's head (I'll try and post a picture later). But was she done? Oh no! I also bought a gorgeous necklace for Libba, which she loved. So, thanks Gilman...but I'm still not going anywhere near another dealer's room with you around!

Getting to meet so many LJ people in person, especially [info]janni (who had thoughtfully made LJ name stickers for everyone), and [info]aynjel (who really does look fab in her tuxedo corset and silk top hat, and who only taunted me once with her ability to play City of Villains).

Hearing the fabulous news that Margo Lanagan won two World Fantasy Awards, one for her collection Black Juice, which I think is absolutely brilliant, and another for the first story from that collection, "Singing My Sister Down." I'd originally heard she might be attending, and I'd so looked forward to meeting her, but alas, she stayed in Australia.

Finally, and best of all, was the opportunity to spend loads of time with Holly, who was using WFC as her mini-break in the middle of another long Spiderwick tour. Although Holly is one of the clients I get to see quite frequently, it's usually quick gatherings in the city, and often business related. We rarely just get to hang out and talk, and the more we did, the luckier I felt to be working with her. You folks in Denver, Houston and Austin, go see her if you can!

I'll definitely be going again next year, especially since it's in Austin, one of my favorite cities. Hopefully next time I won't geek out quite so much when meeting the likes of Gene Wolfe, Peter Straub and Charles deLint. Aww, who am I kidding?

link20 comments|post comment

Rutgers One-on-One report [Oct. 17th, 2005|02:38 pm]
[mood | productive]
[music |Twin Cinema -- The New Pornographers]

Another fine day at the annual One-on-One conference, which continues to draw writers from all around the country...and just about every editor and/or agent they can drag over from NYC.

Easy enough train ride there, and a chance to chat with some editors while waiting for the shuttle bus to the site. Then the mentors breakfast, where I attempted to suck in some sugar and carbs while also catching up with some authors I generally only see at this event, like Sally Keehn and Pam Swallow, and also reading the writing sample from my soon-to-be-met mentee. Got to fanboi David Lubar about his new book, Sleeping Freshman Never Lie (which if you haven't read yet, you simply must...his best book yet), and he in turn pointed some writers my way. Also finally met Nadia Cormier ([info]agentobscura) in person, which was funny, as we'd just been emailing about getting together and meeting. Finally started feeling awake enough to be coherent just in time for my one-on-one session.

Here's where things definitely stopped following the usual path. I'd no sooner sat down with my mentee when he announced that he wasn't quite sure what we should discuss, because he'd just accepted an offer from FSG for the book I was supposed to critique! (Congrats again Eric!) So, instead of doing the usual critique stuff, we talked about the business, contract stuff, what to expect as a first-time novelist, etc. I think it went well, and hopefully he got something useful out of it all.

Next was a panel on taking risks, chaired by Kathy Dawson; the panelists were Linda Pratt, an agent at The Fogelman Agency; Michael Stearns, executive editor at HarperCollins; Sarah Sevier, editor at McElderry Books; and Samantha McFerrin, editor at Harcourt. I found it quite interesting, as they sort of came at things from a lot of different angles, but I think gave the writers there a chance to see how much an editor and/or agent puts him or herself on the line every time they decide to not only acquire something, but even to engage in an editorial relationship with someone. Alas, it seemed some writers there I either spoke to or overheard felt it was all a bit harsh and demoralizing, but I felt it was good dose of reality...and it showed why we agents and editors are both as picky and as passionate as we are.

Lunch then, which was kind of whirlwind of introductions (and the occasional pitch), and then it was time for the Five-on-Five portion of the program. The other mentors at my table were Samantha McFerrin, Karen Chaplin (an editor at Puffin), Linda Oatman High (author), and Robin Friedman (author). I felt I talked too much during this, but no one complained to my face, so maybe it was ok. We talked about a lot of different topics, covering everything from finding writing time to more nuts and bolts issues about submitting and the revision process.

Finally, it was time for Richard Peck's keynote address, and once again, Richard wowed everyone. He's just such an incredibly dynamic speaker, and while I don't necessarily agree with everything he says (I'm the perfect example that video game addiction does not destroy one's intellect or love of reading), I love hearing him say it. Oh how I wish I could do public speaking like that! I also love being in an audience when he speaks and watching people who've never heard him before slowly become awestruck

And then it was time for goodbyes and a shuttle bus to the train station and then a train home. One of my favorite things about Rutgers, year in and year out, is meeting new editors, often whose names I've never even heard before. Usually it's because they're young, new editorial assistants, or newly promoted assistant editors, who may have just started acquiring. This year, however, along with a few that fit that description, I was introduced to Jim Thomas, a senior editor at Random House. Now, let me repeat that: Senior Editor. How in the world is there a senior editor at a major children's publisher, one who's edited some huge books (including Jeanne DuPrau's City of Ember trilogy), and I've never even heard his name before??? And he's a guy too! That makes him stand out even more in this industry. Well, we hit it off great, and in fact have been inspired to launch Guys Drink, a night out for male editors and agents, because...well, frankly, because the women are always doing things like that, and we felt its our turn! (Actually, as an aside, as Jim and I were making a list of all the guys we'd invite, we were somewhat astonished to realize there are quite a few more guys in children's publishing than we'd initially thought.).

I'd heartily recommend this event to any aspiring writer. It's a real chance to find a community, as well as get some good insight into the industry, as well as some real feedback on your work.
link22 comments|post comment

navigation
[ viewing | most recent entries ]
[ go | earlier ]