This afternoon I took a step back from absolutely everything and sat down with a movie that I've been lusting to see. I don't even know
why I was lusting to see this movie. I had absolutely no recommendations - most of the people I mentioned it to gave me a blank look until I mentioned the
father, son and holy ghost writer, director and producer: Quentin Tarantino.
And then they get that
other blank look. That one that says they're flashing back on Lucy Liu decapitating people, or television previews of Rose McGowan literally shooting from the hip--midthigh, actually, or general gratutitous gore. In fact, I think if you examine the nearest Rogets Thesaurus, under synonyms for 'gratuitous gore,' you'll find 'Quentin Tarantino.'
And good
god but we love him for that. It isn't the volume. It's the
quality of that gratuitous gore. It's never enough to make you
numb to it, just--
Whew, I'm getting a little hot. I'll save that for later.
Anyway.The thing is, after that telltale bloodlust blank stare, they shake their heads; "Death Proof" isn't familiar. Probably not.
This movie is just my brand of candy. And by candy, I mean candy laced with Jack Daniels.
( Let's tally up what we've got in this movie: )All right. *clears throat*
So all of those ingredients wouldn't make this movie by themselves. You have to add Quentin Tarantino and whatever crazy ass people he gets to write with him. It's like six people sitting in a room with a blank piece of paper and cart blanche to do whatever the fuck they want with these nine characters. I can almost hear that conversation:
"Hey, what if this girl was a disc jockey? And what if she had awesome, I mean totally amazing,
smoking legs. Like, Sydney Poitier legs."
"Why don't we just get Sydney Poitier?"
"Fuck yeah!"
"And we've got this intense focus on her legs, so why don't we do something horrific with that? Like, hang it out the window so you're all tense, going "she's gonna get that fucking ripped off. And then we DO IT. We fucking rip her LEG off!"
"Fuck yeah!"
"And then what if during the car chase, we ran them both up a random bank of dirt, Dukes of Hazzard style? And then ran Kurt Russell
through a random fence!"
"Fuck yeah!"
"And what if we have the Death Proof Charger just
fling some poor nameless slob on a motorcycle into a garage door?"
"..."
"...and the helmet would be red!"
"...FUCK YEAH!"
I was talking about that gore? He doesn't do gore just to shock you. That would imply that you had no connection to the characters he offs - and he does
everything he can to get you attached to the character before he kills them. He does gore to snag you. Grab you by the throat and throw you into the movie. He does it to show you that he is not afraid of gore. That if somebody gets their head, their leg, their face chopped off, even if they're the hero of the movie, you are gonna fucking
see it chopped off.
And then he
stops. The gore absolutely stops. ...Or did it just stop for a while? When's the next time? He shows you how the pattern plays out, what happens when Stuntman Mike pinpoints a handful of 'girlfriends.' Then he shows you the pattern starting all over again. And he's so graceful about it. ...Wait, where did that one girl go? She went into the gas station. Why isn't she there somewhere? Did he take her? Are we about to see her ground into gravel? Who's that car behind them? It's not black... is it still Mike, just in another car?
This is the kind of suspense that has me curled up in my seat in delicious horror. The reason I loved the car chase wasn't because they were roughing up a pair of awesome cars. It was because Tarantino already made it obvious that if one of those girls got hurt, I'd see it in gruesome detail, after he made me love every single one of them for who they were. That man is the
master of suspense.
I am in love with this movie. And the side effect of this movie that I did not, could not expect... it turned me on.