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Welcome, CWN readers [Feb. 1st, 2007|11:19 pm]

cowperthwait
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For the record,
  • our movie features neither bowler hats nor stabbing;
  • the festival fixed the projection (eventually);
  • I'm "another producer (of many)" in the way that your momma is "among" the whores in your life — I may have left the project during post-production, but during the pitch, the fundraising, and the production, I was one of its goddamn parents, and leaving me out of the story of its creation isn't just bruising to my ego (which it is: and for what I got paid to devote my life to the movie for five months, credit where it's due is just about all I have, so I'm unashamed to demand it); it's also bad journalism;
  • then again, perhaps an e-mail interview plus lifting items from our "tattered" blog doesn't ... quite ... cut it as "journalism."


cover photo from Chicago Weekly, 01 Feb 2007, depicting art-tards in bowler hats drinking tea and holding knives
How about a spot of murrrder? I say! Jolly good.

Weirdest. Profile. Ever., lovingly transcribed — mostly as-printed, except for the most egregious misspellings — after the jump.

Read more... )

By the way! Keep reading this page for Crime Fiction's original production notes. For more of what we've been up to lately, including festivals and reviews, click here.


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Trailer: "Crime Fiction" (2006, dir. Will Slocombe) [Dec. 17th, 2006|06:55 am]

cowperthwait
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Trailer: "Crime Fiction" (2006, dir. Will Slocombe) on Google Video



Crime Fiction


Official Selection, 2007 Slamdance Film Festival.



Would you kill for a good story?

James Cooper (Jonathan Eliot) is a failed writer toiling in academic copy-editing until his girlfriend — and opportunity — lands on the sidewalk below his bedroom window.




Schrödinger Partners and Fire Escape Films present a CFP Production — Crime Fiction.

Jonathan Eliot. Christian Stolte. Amy Sloan. Yasen Peyankov. Katrina Lenk. With Dan Bakkedahl.

Associate Producers Ben Kolak, Marc DeMoss, Jonathan E. Cowperthwait. Music by David Bashwiner. Costume design by Marya Spont. Art direction by Molika Ashford. Production design by Yasmin Al-Naib. Edited by Christopher Zuber. Cinematography by Kirsten Boyd Johnson. Produced by Graham Ballou. Written by Jonathan Eliot. Directed by Will Slocombe.

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Crime Fiction premiere announced [Dec. 7th, 2006|12:45 am]

cowperthwait
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FOR IMMEDIATE RELEASE TO HOT CHICKS:
As announced in Tuesday's Variety, our movie Crime Fiction will hold its world premiere at opening day of Slamdance 2007, this Jan 19, in downtown Park City, with a second screening on Jan 22. To incentivize attending both screenings, we're red-carpeting at the first evening, but partying (/ judge-bribing) after the second. To allay your fears of hitchhiking in the snow in those slutty, slutty shoes, SUV service will be provided for the duration by festival promoters and our corporate overlords.


Print this out and show it to my bodyguards:

still shot from Crime Fiction, © Crime Fiction Pictures LLCThis is your standing invitation to the Crime Fiction Pictures hospitality suite, aka Jon & Graham & Will & Other Jon & Ben & Alex & David & Marc & Kirsten's festival week condo, at the PowderWood (snicker) in Park City. We arrive 16 Jan, and leave 23 Jan, and for this entire week, my sole reasons for living will be blogging and drinking vodka at the hotel then riding around in our Suburban trying to get photographed snorting lines of powdered sugar off promotional DVD jewelcases. Since all this works much better with an entourage in tow, I need an entourage in tow. And that's where you come in. Come in ridiculously puffy jackets and plastic sunglasses, brandishing small handguns, pilferable Sidekicks, and powdered-sugar spoons.

No, seriously, come pretend to be my friends. We won't fly you out, but upon your arrival we have some screening passes or something, an SUV (you thought I was kidding?), and the opportunity to totter around Park City scooping up neat swag, more free booze than you know what to do with, and the chance to throw it all up on Demi Moore.

Attention corporate readers: if you broker the purchase of naming rights to our afterparty, I'll display any logo gear you make me — how about Sex Can Wait beanies, or Acme-A1 Discount Auto Insurance plastic beer cups, eh? eh? — and ghost-write you some plausibly true company newsletter ditties about [name-of-colleague-here] getting a lap-dance from Felicity Huffman.

Who could say no to that?
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CF Spring Retreat [Jun. 13th, 2006|09:20 am]
gballou
As Cowp observed, when he, Bash and I start our Christian rock band, this photo will be on the album cover:

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Bring on the online [Apr. 2nd, 2006|06:22 pm]
gballou
Capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture capture...

graham captures

...and 48 hours later, we have a feature film in full HD.
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I have no idea, either [Feb. 26th, 2006|10:15 pm]

cowperthwait
Let's be honest. The North Korean joke was motivated by our insane love of large sunglasses.
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Yes we're still making a film. No it's not finished. [Feb. 26th, 2006|01:47 am]
gballou
It's been 2.5 months since Cowp last posted. For those (few) who still frequent this website, a brief update:

1.) We're still alive and doing well.

2.) We're still working on the film. It, too, is well.

3.) We just hired sound people. Clean up, foley and design will be handled by Drew Weir at Vagabond Audio. A good guy, a cool studio.

4.) We're loading-in to i-cubed in the next one or two weeks. They're going to do our color and compositing. Again, cool people, cool place.

5.) David Bashwiner is no longer working on the film. Our new composer, Jacques Classique, grew up in the Loire Valley and studied composition in Paris. Now that Jacques is on board, we're confident that the film's score will win an oscar.*

6.) Speaking of the score, Bash (before the tragedy) arranged for the UC Symphony Orchestra to perform the music for "Crime Fiction." Cool. We are no longer kept awake at night worrying that the film's music will amount to a three-track midi composition.

7.) We have a new kick-ass editor (have we mentioned him before?). His name is Chris. He's done with the film, waiting to export everything for our online, and will soon depart for LA.

And...

Cowp now works at Killian Advertising.

Kirsten now works at Kartemquin Films.

Marc now oversees marketing for Tallgrass Beef.

Graham now works for Optimus, Inc. and Cinema/Chicago.

Will now works for some lawyer in Chicago.

Jesse still works for Kannon Consulting, but is planning a relocation to the Bay Area.

Alex and Ben now work for the Chicago Media Initiative Group. Alex also recently completed principle editing for THAX.

Eliot just passed his exams. He now has a dissertation to write. Something about French and German lit.

Jacques' compositions are frequently performed by the world's leading orchestras. His day-to-day work is something of a mystery; we know only that he bills numerous international business class tickets to Crime Fiction Pictures. Regular destinations include Fiji, Moscow and, of course, Paris.

I guess that's it. We had another big article in Chicagoist. Go to our our website to ge the link. Hopefully Cowperthwait won't wait another 2.5 months before providing our next dose of cynical, supposedly CF-related banter.

*Sadly, Mr. Bashwiner was killed in an attack by carnivorous North Koreans during Crime Fiction Pictures' winter retreat. Classique, who was also vacationing in the area, saved the rest of our lives by writing a spontaneous minuet that mollified the attackers and bought us precious seconds to assemble an escape ladder. We were so grateful, we asked Classique to compose our score.
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Press, 7 [Dec. 12th, 2005|02:14 pm]

cowperthwait
Dan Bakkedahl's (The Daily Show) appearance in three vital roles in the Crime Fiction has drawn comparison to the Peter Sellers three role performance in the 1964 Stanley Kubrick masterpiece Dr. Strangelove.
anon, "Crime Fiction", Wikipedia

And if it's on Wikipedia, it must be true. Just ask John Seigenthaler
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How the hell? [Dec. 2nd, 2005|09:20 pm]

cowperthwait
So we had a rough trailer three months ago; two months ago, work really began in earnest; a trailer was cut, then changes were proposed, and the trailer was recut, and fights were fought and the trailer was recut again, and then copious time was spent screwing with the color incorrectly, then color correction was finally satisfactory. And none of this is a complaint — this is how editing goes; ours is a little slower than it could be, but ... — this is just to point out the obvious: we've watched the trailer at least a hundred times. More realistically, 300 times. And not just watched it, but watched it carefully, and debated, to the frame, the timing of shots, and whether shots needed to be included at all. People have paid close attention to the trailer, is what I'm saying.

And yet.

In rendering trailer DVDs, which among steps in the trailer-making process is... oh, last... Ballou and I noticed this.



A project will occasionally overlook a boom in the very top of the frame. Once in a while, I've seen a faint camera shadow. In the first Superman, I remember one shot where I clearly saw the stuntman's flying harness.

However, I don't know that in the history of cinema anyone has ever overlooked an entire Kolak. Until now.
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[Nov. 18th, 2005|08:10 pm]

cowperthwait
Crime Fiction's Dan Bakkedahl's newest Daily Show segment is really good. You should watch it.


Cowperthwait watches with a date.
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That music is so weird. [Nov. 13th, 2005|11:44 pm]

cowperthwait
                  BOY
     What's it like being a writer?

                  COOPER
     It's like being a murderer.

                  BOY
     Coooool.

                         SMASH CUT TO

***GO-GO BEACH PARTY!!!***
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Trailer [Nov. 13th, 2005|08:24 pm]

cowperthwait

http://crimefictionpictures.com/trailerstart.htm

Spam your friends, neighbors, and loved ones. Watch our trailer, then hit me with your feedback, good and bad, here.
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I'm so blue / unedited notes from editing [Nov. 6th, 2005|01:02 pm]

cowperthwait
When it comes to postproduction of The Movie, we defer to the professionals with their Avids, their Pro Toolses, their After Effectses, their special robes they wear while color-correcting so as not to generate unseemly glare from their shirts that encumbers color judgement. (Yes, these exist.)

But for The Trailer, we shouldn't need these things. It's not going to be brought online in high definition (...yet), let alone printed to film (...yet); just handed out in standard resolution on a couple of DVDs for investors, and streamed from our website in a window approximately the size of a post-it note. It should be a goddamn masterpiece, of course, but our standard for "masterpiece" here is different. So we've been doing it ourselves. And having an absolutely crappy time. This trailer will be the death of me.

Read more... )
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Editing notes [Oct. 31st, 2005|12:41 am]

cowperthwait
I am going to cry.

After a full weekend of color correcting our trailer, I shot off a DVD with which to showcase my accomplishments, got home, popped it in my player to show off to roommate Maddie, and -- holy crap -- it's just about the ugliest thing I've ever seen. Every single shot is appalling! heartbreaking! disgusting! Babypoop green and orange, and overexposed beyond belief. Honestly looks like the whole movie is copied off a pirated VHS.

On the plus side, it's consistently disgusting, so after finding a new monitor (seriously: holy crap), one should be able to apply a universal adjustment (Filters->Video Filters->Color Correction->Not Green And Not Overexposed Beyond Belief).

Nevertheless, a wasted weekend. This hurts.
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You've got to be kidding me [Oct. 30th, 2005|10:05 am]

cowperthwait
chicagotribune.com

http://www.chicagotribune.com/entertainment/sns-ap-people-sylvester-stallone,1,930738.story?coll=chi-entertainmentfront-hed

Stallone in 'Rambo IV' After Next 'Rocky'

 
By Associated Press

October 29, 2005, 8:46 AM CDT

LOS ANGELES -- Rambo is back in business. Sylvester Stallone will reprise his role as gun-toting John Rambo in the upcoming "Rambo IV," said Ben Nedivi of Millennium Films, which is producing the project with Emmett/Furla Films.


Read more... )
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But with no Bond, what are us boys supposed to watch? [Oct. 8th, 2005|01:33 pm]

cowperthwait
“Casino Royale,” the new James Bond film, is three months away from commencing filming, and after months of wrangling, producers still haven’t found an actor to slip into 007’s shoulder holster.

But the man who was fired from the role, Pierce Brosnan, said Friday that producers could solve their $150 million problem simply by picking up the phone.

“They know where to find me,” Brosnan said. “Would I go back if they asked me back? Sure I’d go back.”
BATTLE ROYALE:As James Bond producers struggle with casting troubles, ousted Brosnan offers a solution: himself, San Francisco Chronicle, 7th Oct. ’05


007 simultaneously wrestles with Russian hitmen and Social Security benefit cuts
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[Oct. 8th, 2005|12:58 pm]

cowperthwait
The New York Times

October 8, 2005

Study Finds Young Men Attending Fewer Films

LOS ANGELES, Oct. 7 - As Hollywood continues to worry about the decline at the box office, a new study suggests that the movie industry is being jilted by the one audience it has pursued most ardently for at least two decades: young males.

In a survey of 2,000 moviegoers by OTX, a Los Angeles-based online research company, men under 25 said they had seen 24 percent fewer movies this summer than they did in the summer of 2003, when the same study was conducted. The drop in moviegoing was much smaller for women and for other age groups. The study used a random, nationally representative sample of moviegoers who were queried online in August. There is a margin of error of 2 percentage points.

Instead, young men ages 13 to 25 reported that they were busy surfing the Web, instant-messaging with friends and playing video games on consoles like PlayStation 2 and Xbox.

The study also found that people who were attending movies less often were doing so because of the cost.

The study, which will be released next week, quantifies what many in Hollywood have theorized this year, as box office revenues have dropped 7 to 10 percent, namely that the increased competition for leisure time from the Internet and interactive gaming has eroded the movie audience.

But the study highlights that this erosion is occurring most deeply among those who were once most enthusiastic about going to the movies, and at whom Hollywood has long been aiming its wares: young males.




( read more )
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Trailer time again [Sep. 30th, 2005|09:36 pm]

cowperthwait
Does it exist? Yes. Can you see it? No. The Crime Fiction trailer is still undergoing tweaks, and liable at any moment to be completely trashed and started from scratch.

Do see the winning entry from a post-house's re-cut a major movie trailer in order to make the movie seem like something else competition (thanks [info]waterfountain). But as we're waist deep in trying to figure out Crime Fiction's trailer, the whole premise of this competition makes me just a little uneasy. On top of worrying about whether one's trailer works, one has to worry about whether it should work? Son of a bitch. No one likes to be reminded of that. What the hell?

Everybody loves Mort
But, no uncertainty here, this shot is absolutely going to stay in the trailer. I guarantee it.
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Johnson in India [Sep. 26th, 2005|09:20 am]

cowperthwait
Five days into a term of study in Pune, India, Crime Fiction cinematographer Kirsten Johnson writes home:
we take rickshaws to class every day and have school in an enchanted forest, i swear. lots of huge beautiful trees looks like it's from a gilliam movie... nearly tripped over a naked baby sleeping in the middle of the sidewalk yesterday on the way home from a huge bazaar. four million people in this city. a group of indian schoolboys had me take a picture with them yesterday, i had my aviators on because of all the dust and i think they mistook me for a movie star. and oh yes, cinematographers get credit in trailers here, and apparently people go to see movies for their favorite cinematographers. i knew i loved this country.


In other news, there are no SHIFT keys in India....




FORTUNE AND FAME:

Kirsten will, in fact, make it into our trailer...



... for a whole 21/30ths of a second. I'm sure this is just as the Indians do.
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trailer talk [Sep. 22nd, 2005|02:51 pm]

cowperthwait
This week's commotion over Crime Fiction trailers (there are now three unofficial cuts floating around, one version of which got leaked to Fire Escape and projected before their Welcome Freshmen orientation-week screening last night at Doc) got me all nostalgic for the time Kirsten and I got loaded and made an unauthorized (and un(der)appreciated) trailer for Sousa's incest movie, which at the time was called Synthesis.

Cleaning out my old PowerBook this month, I came across just the audio track for it. The video — which included 15 seconds of Bryson Engelen looking lovingly at himself in a mirror — is now long gone. And, inside jokes abound: only six or seven people ever found this funny to begin with...

     "Too Much Glitter" — Fire Escape Films, 2003 [QuickTime MP3]

When will the trailer come out? ... Soon.... Soon.
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